## The Project Gutenberg eBook of My Pretty Scrap-Book: Picture Pages and Pleasant Stories for Little Readers

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: My Pretty Scrap-Book: Picture Pages and Pleasant Stories for Little Readers

Author: Mrs. George Cupples

Release date: April 1, 2014 [eBook #45302]
Most recently updated: October 24, 2024

Language: English

Credits: Produced by David Widger from page images generously
provided by the Internet Archive

*** START OF THE PROJECT GUTENBERG EBOOK MY PRETTY SCRAP-BOOK: PICTURE PAGES AND PLEASANT STORIES FOR LITTLE READERS ***

# MY PRETTY SCRAP-BOOK;

#### Or,

### Picture Pages And Pleasant Stories For Little Readers.

## By Mrs. George Cupples,

##### London:
T. Nelson And Sons
1874

##### Original

CONTENTS

## MY PRETTY SCRAP-BOOK.

##### Original

It is Dick's birth-day, and his mamma has very wisely bought "My Pretty Scrap-Book" for him as a present. Should you like to see what is in it? Very well, then; stand by my side while I turn over the leaves carefully.

## FUNNY UNCLE TOBY.

##### Original

Ha! ha! ha! do wait till I hold my sides! What a funny fellow! Are they pulling out his teeth, or his tongue? It is a shame to tickle his poor nose all the time, and to play such pranks with his fine wig. But he is watching, slyly, to catch one between his finger and thumb.

## NAUGHTY JUDY.

##### Original

Oh, how naughty of Judy, to take advantage of her mistress being asleep. She is trying on some of Miss Eva's fine clothes; and see, she has found her best fan, and as it has a neat little looking-glass in the handle, she can see her black face in it. What a start she would get if her mistress were to open her eyes suddenly! But cunning Judy knows that as long as the heat is so great, Miss Eva will sleep on; that is to say, if a mosquito do not alight on her cheek.

## THE LITTLE GLEANER.

##### Original

Here is a scene in our own country,—a little girl gleaning. It is a very warm day, too; but no doubt her parents are poor, and she is forced to work, no matter how warm it is. She must be well known to the reapers; for few people are allowed to glean till after the corn has been all housed.

## CAUGHT IN THE RAIN.

##### Original

No wonder they are in a hurry. The rain coming down very fast; and the clouds are so black, they are afraid there may be thunder. I rather think they must have heard one distant peal already, they look so frightened—especially the boy. Theirs is certainly a very funny umbrella; but not a bad way to do if you are caught in a shower, and wish to save your fine feathers, if you have any. Perhaps the little boy has put his cap into his pocket, because he hasn't got one on his head. But I can't help wishing he had been on the outside, so that his sister might have been more sheltered. He should have been more polite.

## IN THE BAY OF BISCAY.

##### Original

You will be thinking already that I have a variety of pictures in my Scrap-Book; and so I have. Here is one of a ship in the Bay of Biscay. It is a fine ship, and it is doing its best to make its way through the heavy sea. I fear there has been a wreck, for you see there is a piece of a mast standing out of the water, and a barrel and a hen-coop floating beside it. If the people see it from the ship, it must make them shudder.

## A FRIGHTENED KING.

##### Original

Ride a cock-horse to Banbury Cross." The idea of a king being afraid! Just look at him! Would you be afraid if you had a rocking-horse like this, with such a splendid tail, too? No, of course not. A king ought never to be frightened at anything, especially when he has his crown on, and his pig-tail tied up so nicely. The horse seems to be quite ashamed of him.

## THE RUINED TOWER.

##### Original

I have put this picture in that you may make a drawing of it. It would be a nice present to give to mamma, you know, especially if you coloured it. If you do, I hope you will be particular with the cow, she is such a sleek, pretty, dun-coloured one.

## WATCHING CRABS.

##### Original

Out at the sea-side! Here are two young folk out on the rocks looking for shells and sea-weeds. The girl must be lame, for you can see she has a crutch with her. That must be her brother; and I feel sure she loves him very much indeed, for see how she is laying her hand on his head. I am certain he helps her very tenderly over the rough and wet places; very likely he carries her on his back. I do hope they notice that the tide is rising, because it would be a sad thing for them to be caught by the water. They do look rather sleepy about it, and are too intent upon watching a funny crab.

## "UP IN A BALLOON, BOYS."

##### Original

Up in a balloon, boys, up in a balloon!" Well, I don't think it has been the donkey's fault that he is here; and he looks very much as if he were saying, "I'm quite willing to gallop along, but I should just very much like to know where I'm to gallop to; and as for the clouds, no doubt they are very pretty in their way, but how can I eat them? I'd much rather have an old stunted thistle—I really should indeed." It would serve the rider right if the donkey were to jump out of the balloon. I don't think he'd be so merry then with his "Gee up, Teddy!"

## OUR PRETTY BABY

##### Original

Now, I do call this a pretty picture. Here is an honest farmer's-man. He has come home from his hard day's work in the fields; and, after his supper, he takes his seat by the door to play with his baby.

## AMONG THE MOUNTAINS.

##### Original

Here is a picture of a lake among the mountains, and a very pretty place it seems to be. How nice it would be to have a sail in that little boat! The wind is sending it along in fine style. I think you would rather be there than among the people who are toiling up the steep mountain-path with the baskets on their backs. Yet I must say the girls seem content and happy, even though their work is hard and humble.

## GENEROUS TOMMY.

##### Original

Ah, here is a generous fellow. That is what you do, isn't it, when anything nice has been given to you? What large pieces he is cutting off, too! I hope he will have enough of cake left to go over them all and leave a portion for himself. No wonder his companions are waving their caps and shouting "Hurrah!"

## "HOLD FIRM, PLEASE."

##### Original

They have got a pretty pair of pigeons in that basket, I feel certain. Mary is taking very great care of the cage, holding it as firmly as she possibly can till Henry gets down from among the rafters of the shed.

## HUNTING KANGAROOS.

##### Original

What funny animals! Yes; they are kangaroos. Do you notice that their fore feet are much shorter than their hind ones? Poor things, they cannot run like the dog. And yet they are not to be pitied exactly, because they can jump ever so far, and by this means they get along at a great speed. The mamma kangaroo has a pouch, and she puts her little young one into it, and jumps away with it hidden quite snugly.

## NAUGHTY FOX.

##### Original

Here is rather a sad picture. Two poor men have been wrecked on a desert island. They have managed, however, to put up a tent, and to hoist an old tattered flag for a signal to passing vessels. They have certainly been making the most of it, and trying to be as content as possible; but when they were least expecting it, a sly fox comes stealing along and runs off with the only chicken they were able to save. It is really too bad of Reynard, for he might have been content with the sea-birds. Oh, but look! one of the men is getting ready his gun, and I rather think that the sly fox will be shot.

## IN THE VINEYARDS

##### Original

What lovely ripe grapes! These young folk are carrying them away to make wine of them. It is rather a pity to think the great presses will squeeze them into a mash; but then we couldn't get any wine to drink if they weren't squeezed. The girls don't seem to be eating any of them; but perhaps they have been told not to do so.

## THE LIFE-BOAT.

##### Original

Here has been a wreck in real earnest; but the crew seem to have been all saved by the gallant life-boat. One might think, to look at the heaving sea, that the poor boat would never be able to reach the ship. The man on board is doing his best to direct them, by pointing out how to steer; and he has a rope ready to fling to them.

## MASTER CROSSPATCH.

##### Original

Now, did you ever see such a sulky face? It is quite shocking! I think we ought to call him Master Crosspatch. He surely must be the very husband of Crosspatch, to whom we say, "Draw the latch, sit at your door and spin and whom we advise to "Take a cup, and drink it up, and call your neighbours in!" If poor Crosspatch's husband is like this, perhaps that is why she cannot be so kind as she would like, and why her temper has been soured; for I am sure such a face is quite enough to turn the sweetest cream into a curd.

## AT THE CLEAR SPRING.

##### Original

Oh, how pretty and how cool the water is! The dog is thinking so, at any rate, and is cooling his hot tongue in the clear stream. He would like to get into it altogether, I daresay, but it is not deep enough. His mistress is pouring all the water out again; perhaps because she fancies her dog's tongue has dirtied it. Well, it certainly would have been better if he had gone to the other side; only he couldn't know, being a dog.

## FORSAKEN DOLLIE.

##### Original

How do you like this picture? These girls seem to be enjoying themselves very much indeed. Not all of them, though; for poor Miss Dollie is sitting all alone, no one taking any notice of her, and so she feels very lonely indeed. Poor Dollie! what does she care for the fine new-fairy-tale book, or the story Clara is reading aloud?

## THE GOOD-NATURED FALCON.

##### Original

This is a falcon, and he seems to be a very tame one. That is the falconer's little daughter, and she is talking to the great bird. He appears to be listening very attentively to what she is saying. What can she be saying? Perhaps she is asking him not to touch any of her pet birds; because she has ever so many robins and wrens and finches she likes to feed every morning; and she is asking the falcon not to do them any harm. I don't think she has much to fear; he seems to be such a good-natured bird. I only hope the boys in the village will be half as kind.

## MEDDLESOME MATTY.

##### Original

Oh, fie, fie for shame, Miss Meddlesome Matty! We all know you the moment we see you; and we know about how you "lift the tea-pot lid, to peep at what is in it," the moment your grandmother turns her back. Ah! you often get into disgrace with your naughty tricks.

## GARDENING.

##### Original

Are you fond of gardening? If so, you will like to see this picture in my Scrap-Book. See how very industrious the little girl and boy are; and how attentive they are to the wants of the flowers, watering them after the sun is down.

## A NARROW ESCAPE.

##### Original

Oh dear! what is this? A poor man has been bathing, and here is a great shark trying to swallow him. Oh, what a good thing his companions were close at hand, and that they are so brave! See! one of them is striking his long spear right into the shark's back; while another has got hold of their poor ship-mate, and is dragging him out of the shark's very mouth! The man must be very much hurt. If he has any children, how sorry they will be to hear of it.

## MISS DOLLIE'S VILLAGE.

##### Original

Ah! I thought you would all like to see this. Here is a whole doll-village, church and all. Perhaps the boys don't care about seeing it; but then we must always be polite, and put in pictures to suit the girls. Well, I am sure the dolls who own all these fine houses must be very happy dolls indeed; and the little girl who owns the dolls, and, of course, the houses and the trees and the church into the bargain, must be the very happiest little girl in the world. She surely never cries, and is always good, and is a pattern to all her friends. Shouldn't you like to know her, and be invited, along with your own dolls, to pay her a visit?

## THE SLY KING.

##### Original

I suppose the boys will like this one better. Here is the king once more, so glad to find himself on a chair instead of on horseback. He is telling the master of the doll-house all about it, and of how nobly he rode the animal, though it tried its best to throw him off. Oh, what a sly fellow! when we know what a coward he really is. The doll, who is the master of the doll-house, seems to be listening most attentively, and is glad to hear that the king has made such a lucky escape.

## A HIGHLAND SOLDIER.

##### Original

Here is the picture of a Highland soldier. He is bidding farewell to his wife and little baby, because he is going away to the wars. No wonder his wife is sorry, for she may never see him again.

## A POOR LITTLE ORPHAN.

##### Original

Here is a picture of a little girl whose mother is a widow. She is looking round at the other children, and longing to be allowed to join them in their sports; but her mother is so sad that she can think of nothing else but her sorrow. Poor little orphan girl.

## TWO WILD PARROTS.

##### Original

Here are a pair of parrots. They are out in the woods in their native state, and how they do screech and chatter. One has a green breast, with a mottled green and black back, with lovely blue feathers in its wings, and two long red ones in its tail; the other has a red breast and a red head, and, though very different, is quite as pretty. Of course, when they are at home in the woods, they cannot say, "Pretty Polly," or speak at all; it is only when they are caught and tamed that they become so clever. Only, I think they like being wild best. They can search for the food they like, and are free as the air.

## MAMMA AND BABY.

##### Original

Here is a picture of mamma and baby. Mamma is sitting in the arbour. Baby is sound asleep; which is a good thing, for mamma can now rest and sit quietly thinking about what she should do for her little darling.

## PEARL FISHERS.

##### Original

Here is a picture of two pearl-fishers. They are offering some pearls for sale to an officer; but perhaps he is too poor to buy them, or he does not require such fine things; because he seems to be refusing to have them.

## MRS. TAFFY.

##### Original

This is Mrs. Taffy, and it is plain she has just heard that her son has stolen the leg of beef. Oh, how stern she does look, to be sure! Taffy will surely never be so foolish and naughty again, and will turn his eyes away the moment he sees a leg of beef or a marrow bone. I know, if my mother looked like that at me, I should be ready to sink down with terror and dismay.

## A CHRISTMAS TREE.

##### Original

Oh, what a lovely Christmas tree! Do not you wish you were of the company? or that Christmas would bring you just such another? How it must sparkle and shine with so many candles and coloured balls! This tree is in Germany; and do you notice all the toys and pretty presents?

## SHOOTING THE RAPIDS.

##### Original

Here is a little boat, or a canoe rather, shooting the rapids. The people don't seem to be the least afraid; for, see! there is a man in the front waving his handkerchief to some of their friends on the shore. The men behind are looking a little anxious, I think,—and well they may.

## FUNCHAL.

##### Original

This place is called Funchal, in the island of Madeira. When you are older you will read all about it. Those high peaks you see are the tops of very high hills. They sometimes open and throw up fire and smoke and rocks and ashes. The people are not afraid to live here for all that, and have some of their houses built on the very rocks which have been thrown up! The people make wine here, and the ships take it away.

## FALLEN FROM THE ROCKS.

##### Original

Here is a terrible sight! A gentleman has been walking among some steep mountains, and has fallen over the rocks, and lies quite insensible.

## LITTLE MARY.

##### Original

I think this is a very pretty picture. Here is little Mary in her garden, taking a walk among her flowers. The gay painted butterflies like to go there, because Mary has so many sweet flowers. They like to flutter from one to another; indeed, they need not go to any other, for here they are sure to find all they could wish. But then a butterfly is so idle and likes to roam, and flits away from Mary's garden out into the common and the fields, and here, there, and everywhere. The busy bees are more sensible: they keep to the roses and the honeysuckle; and as for the sweet-peas, there never were such sweet-peas as little Mary's.

## AT THE FAIR.

##### Original

Oh, do look at this picture in my Scrap-Book—such fun! It is market-day, and all the showmen have arrived. All sorts of wonderful sights are to be seen inside if you will but walk in. "A fat woman!" "a learned pig!" and "a giant with a tail!" And if you could only hear the music, it would nearly make you deaf. Bang, bang, bang, goes the drum at both ends. He must be a great musician, for he is playing on another instrument at the same time.

## PREPARING FOR BATTLE.

##### Original

Such a gathering of canoes! It must be a great battle that is going to take place! All the fight-ing-men are ready with their bows and spears; while their chiefs are standing up in each canoe, telling them how they are to fight. No doubt the enemy is making ready too; and they will indeed require to be careful, for here is the king himself, in the largest canoe, sitting on a chair of state. He is a very big man, and has his club ready.

## A TERRIBLE ACCIDENT.

##### Original

An accident has happened to this poor woman's husband. He must have fallen from the rocks, like the traveller we saw. See! that is his poor mother looking out of the window.

## LOVING SISTERS.

##### Original

Oh! here is a loving little pair! We like to see this, don't we? Little Kate and Maggie love each other dearly. They know that the "birds in their little nests agree," and of course that it would be quite shameful if they were not even more loving than the birds. Maggie must be saying,—"Oh! I do love you, my dear, good Kate;" and Kate is saying,—"And I love you, Maggie, you kind little dear." How they would look if we were to tell them that ever so many little boys and girls we know quarrel and fight; and instead of kissing each other, scratch and push each other down! They would scarcely believe us. They would think we were joking, and wanted to make fun of them.

## "THE DOG RAN AWAY WITH THE SPOON."

##### Original

Of course you know the rhyme about the cat and the fiddle; and how the cow took such a wonderful jump, and went clean over the moon; and how the dog was so amused to see the fine sport; and the dish it ran after the spoon. But look here! The little dog was quicker than the dish; for he has got the spoon himself, and seems as if he meant to keep it. He is telling Miss Pussy that of course such a fine gentleman cannot be expected to do without a spoon when he has his fine coat on.

## DOWN COMES POOR DOGGIE.

##### Original

Oh! now isn't this too bad? Miss Puss is such a cunning creature! She had a fancy for the spoon herself; and when the little dog was busy telling her how cleverly he had stolen the spoon from the dish, what did she do but give the little dog a great push, when down he fell off his stool, and away she scampered with the spoon herself! Oh! what a cunning, naughty cat! She had better run fast; for the dog has caught sight of his mistress' stick, and will be after her directly.

## "WHAT'S THE MATTER?"

##### Original

What is the matter?" Ah! here comes Miss Mabel's papa to inquire the cause of the angry words. Nurse has been nearly driven stupid, and does not know what to do; for her young mistress has pulled the clothes they were packing out of the box, and will not allow her to touch them.

## THE BARN YARD.

##### Original

This is a very different picture indeed. This must be a very gentle girl; for see how all the pigeons and poultry of all kinds are flocking around her to get their breakfast.

## GOOD NEWS.

##### Original

You would laugh if you knew why these black savages are looking so surprised. It is at sight of the white men! They never had seen such people before. Some of their friends had, and had got pieces of cloth from them, which they are wearing now; but this company had never seen a white man. They are holding out their hands to them, and showing by signs that they are glad to see them. The white men are missionaries, sent from this country to tell them about God sending his Son into the world to die for sinners.

## BIRD-NESTING.

##### Original

I REALLY think this is a very unsafe place to be in; but Dick Hardy is a very daring boy indeed, and he is trying to get at the sea-birds' nests, and quite forgets that he may fall.

## THE BRAVE LITTLE RAT.

##### Original

Oh dear, what a sad sight! Though I can't say I like rats, I do hope this one will escape, it seems so brave. I rather fear it will never be able to get away, for if it escape from the strong bill of the bird, puss is ready with her paw to pounce upon it.

## A CHINESE FAMILY.

##### Original

Here is a group of Chinese; and don't they look funny? Did you ever see a more comical-looking figure than that little Chinese boy? It is a pity he can't turn his head round to let us see if he has a long queue, or pig-tail, as the long plaited hair behind is called. And isn't it strange to see the woman carrying her baby in a sack on her back, and smoking a pipe like a man—with a staff in her hand, too? That must be the father sitting beside the little boy; and a very fine pig-tail he has of his own. The lady is feeling rather hungry, and so she has brought out her dish of rice. She has no spoon, but uses a little stick instead.

## DAME HUBBARD.

##### Original

This must be Dame Hubbard; and though she has got her cloak and hat off, and is in her own room, she does not look particularly at rest or happy. What can the naughty dog be doing now? Really it is too bad of him to give his kind mistress no peace. See how she seems to be straining her ears to listen if he is quiet and asleep in his cozy basket.

## TURNING THE SPINNING-WHEEL.

##### Original

Ah! no wonder Dame Hubbard got a start. Here is her naughty dog turning round her spinning-wheel. He seems delighted to see it turn round, and to hear its pleasant whirr; but I am afraid he will be causing some sad mischief to the fine flax his mistress is spinning. He ought to be punished, for the good dame takes such care of him. Just look at the splendid coat she made him, and the fine shoes she bought at the market.

## THE ALPS.

##### Original

How should you like to live up here? If you like snow you would have it in plenty. This is a portion of the Alps. On their heights snow is always to be found.

But where they approach the open, level country, which is much warmer, they are often crowned with large forests. Vast masses of ice and snow often separate from the mountains, and rolling down, overturn everything in their course, and sometimes cause great loss of life.

## LOST IN THE SNOW.

##### Original

Here is a very sad picture. A poor man has been sent to carry home a large hamper; but he has lost his way, and, having fallen down with fatigue, he has dropped asleep. His faithful dog is watching him; but the snow will soon cover him. Oh, here comes a man on horseback to his rescue.

## OUR BABY.

##### Original

Ah! here is little baby in her cradle. She has just awaked out of her forenoon sleep, and she thought at first she was all alone, and began to be afraid; but sister Mary was not far off, and hearing the gentle rustle and the half sob, hastened forward just in time to stop the tears from coming. "And was baby frightened?" That is what she would be sure to say. And baby would laugh, and because she can't say a single word yet, not even ma nor pa, of course she would reply by a goo-oo-oo; at any rate, she looks as if she would like to pull her kind sister's face down to kiss it, if she only knew how.

## THE EWE AND THE LAMB.

##### Original

Here is another kind of baby—a little lamb. I can't help thinking this lamb has been a little bit naughty, and has been straying away from its mother, dancing and frisking about with ever so many other lambkins at the other side of the meadow. "How do you know that?" somebody may ask me. Well, I can see that Mrs. Mother Sheep looks a little stern, and cross, and anxious; but now that her lamb has come back to gladden her old nose—for I suppose you know Mother Sheep knows her lamb by smelling it, not by seeing it—she doesn't intend to say very much about it, after having given a very loud baa-a-aa.

## A NICE SECRET.

##### Original

|"I'll tell you a secret." That is what this little girl's mamma is whispering to her. The secret is, that if she will try to be a very good girl, she shall be taken out with her in the afternoon.

## PITY THE BLIND.

##### Original

Here is a poor blind man, and his dog Toby. He has to stand here all day, asking alms of the passers-by, because he cannot work. He does not like to be shut up in a work-house, because he was once a sailor, and served his country faithfully; so spare him a copper, please.

## HOMEWARD BOUND.

##### Original

Here are some very jolly-looking sailors. They are on their homeward voyage, and are bringing a gay bird of paradise. They seem to be very fond of it, and pleased that it has become so tame.

## DR. BLACK'S PATIENT.

##### Original

Oh! isn't this comical? Here is a long, thin fellow, who is so annoyed because he is so much taller than his friends, that he goes to Dr. Black to see if he can give him anything to fill up his very long legs, and make him grow shorter. "Oh yes," says Dr. Black, putting his hands behind his back; and he calls in his assistant to ask what he thinks upon the subject His opinion is, that the fellow is ridiculously too long; and he at once pulls out a pair of scissors, and begins to snip off a piece of his legs! Just look at the tall fellow's face; see how he is going to roar out!

## CAPE HORN.

##### Original

Here is a picture of a fine ship on its way home round Cape Horn. It is a very cold part of the sea, and ships often pass great icebergs floating about, and the sailors are very much afraid of them. The birds you see flying about are the great albatrosses. When their wings are spread out, they measure fourteen feet sometimes. You may see the width by measuring that out on the nursery floor.

## THE HAPPY SHEPHERD-BOY.

##### Original

A very merry fellow is this; and such a pretty picture altogether! This little shepherd-boy comes out in the morning, carrying his long crook, and with his bottle of milk slung round his waist. He carries his breakfast and dinner in his wallet on his back; and, followed by his good, clever dog, away he goes to look after his master's flocks. When he has got them all gathered together, he takes out his little flageolet and plays a tune. His dog lies down at his feet to listen; for he is almost as fond of music as his master.

## A NEW ZEALAND CHIEF.

##### Original

Who is this fierce-looking man? A New Zealander. He has got all sorts of strange patterns traced out on his skin; that is, he is tattooed. He has tried to make himself as ugly as possible; but he thinks himself very beautiful. New Zealanders used to be cannibals; but they are not so now. Many of them are Christians; and some of them keep the Sabbath even more strictly than we do in some parts of Great Britain, putting away their pretty flaxen mats and bags, and all their week-day work, till the Monday.

## A SNAKE! A SNAKE!

##### Original

Here is a picture of a scene in Jamaica. These two black fellows have been out in the woods, and they suddenly see a snake wriggling itself away through the thick bushes. One has got such a fright, that he has dropped his axe; but the other is springing forward to kill it before it bites.

## DANCING THE POLKA.

##### Original

Oh dear, look here! Ha! ha! ha! Old Mother Hubbard must have forgiven her naughty dog for spoiling her spinning-wheel. We know what a cunning fellow he is, and we are not at all surprised that he has got the good old dame-to dance a polka with him before she goes to bed.

## A FRAIL BRIDGE.

##### Original

Here is a very different kind of picture, and one that almost makes us shudder. We can hardly believe that there are men who can trust themselves to cross from one side of a ravine to the other by such a slender-looking rope. How sore their hands and feet must be! and how glad they must be when they get to the other side in safety! It is a good thing there are such hardy, brave men in the world; for it helps to make it move on more smoothly.

## WATCHING THE HAY-MAKERS.

##### Original

An English hay-field! See how busy the reapers are mowing down the sweet hay. I hope the little boy under the tree has been helping, and that he is resting after his labours rather than being lazy. It is so nice to toss up the hay when it is dry,—its smell is so sweet.

## REMEMBER THE POOR.

##### Original

Here is a busy group, at any rate. See what a lot of nice sticks they have been gathering in the wood. They are too poor to buy coals, so they go out and gather the broken branches. The farmer does not object to them taking them, because he knows such thrifty, diligent people never destroy the trees; and he often tells the forester to order the workmen to leave as many of the small branches as possible. In this time of dear coals, and dear provisions of every kind, I hope you remember the poor. I know of an old woman in London, who comes twice a week for the old tea-leaves a little boy saves for her.

## A FRENCH TEA-GARDEN.

##### Original

This must be a garden in France, I think. The people there are very fond of the open air, and sometimes take their food in the tea-gardens. They are certainly very merry; but I rather think we, who are accustomed to home comforts, would soon get tired of this noisy out-of-door life. The climate there is so much warmer than ours, that it must be pleasant to have such a nice garden to go to; and the children cannot but enjoy it much.

## OUT FOR A RAMBLE.

##### Original

I think these must be very nice children, because of one thing,—their dog seems to be very fond of them. He has come back from a good scamper, and is looking up in their faces, sure of being praised.

## ENTERTAINING A VISITOR.

##### Original

Here is a very funny picture. This monkey has found his way into the drawing-room, where sits one of his mistress's visitors. She is rather afraid of him, but thinks it is wiser to keep on friendly terms with him, and is offering him some sweet cake she intended to give to the children. Mr. Monkey, who wants to be thought like his master rather than like a little child, is shaking his head and making all sorts of queer faces and sounds in his throat. It is no wonder the poor visitor is somewhat alarmed.

## A WRECK AT SEA.

##### Original

Oh dear, what a sad scene is here! A vessel in distress, with her crew clinging to the sides of the deck. If she is wrecked, I hope they will get off in time in their boats, with a good compass and plenty of food and water to serve till they reach some safe haven, or some land. What dark clouds, and what an angry sea! It is no wonder people are fond of sailors, and like to see them walking about the streets. When we think of the dangers they have to endure, they must enjoy getting back to land again, especially to their own homes, where their wives and children are ready to give them, oh how hearty a welcome!

## A PRACTICAL JOKE.

##### Original

What is the matter? is anybody killed? I rather fear this stupid fellow has fired off his gun in fun and has wounded somebody. His little brother has fainted with fright.

## ON BOARD A STEAMER.

##### Original

Here is a young lady going a long journey. She is sitting on her trunk watching the busy crowds of people coming and going. Every-thing is so new and strange to her, that she has no time to feel sad.

## THE THRESHING-FLOOR.

##### Original

How busy old Tim is in the threshing-floor! Only look how his flail is swinging over his head. Ah, how cunning the ducks are! They have left the pond, and have gathered round the door, ready to pick up any stray grains of com that Tim may send out. The hens, too, have perched themselves on the ledge, and are keeping a sharp look-out.

## POOR LITTLE JOHNNIE.

##### Original

Here is poor little Johnnie Green crying on his door-step. But why is he crying, you would like to know. Well, because a naughty boy who was passing, snatched off his cap and tossed it somewhere out of Johnnie's reach. It is well that his big brother is close at hand to get it for him, after he hears the cause of his tears.

## MOVE ON! MOVE ON!

##### Original

Move on! move on!" That is what the policeman is saying to this strange-looking man. He is blind; but I fear he is only pretending, and is not such an honest man as the old sailor with the wooden leg I showed you before. His dog, too, looks rather sly; though, poor beast, it is trying to do its duty to its master, and is holding out the tin dish very carefully. The man is roaring so loud, that he is frightening the ladies who are passing; so no wonder he is told to move on.

## THE FRIENDLY ISLANDS.

##### Original

This is a canoe belonging to the Friendly Islands, in the South Pacific Ocean. When you are old enough, you will be able to read all about them, and how Captain Cook thought this would be a good name for them, because the natives all seemed to live on such friendly terms with one another, and from their politeness to strangers. They live upon cocoa-nuts, yams, hogs, fowls, fish, and shell-fish. They are very fond of bathing themselves in ponds; and even though stagnant, they prefer them to the water of the sea.

## PRETTY COCKATOO.

##### Original

Pretty cockatoo." The little girls like to pay him a visit, for he is such a very funny bird. He is pure white, with such a lovely yellow crest; and when he is pleased, he makes it stand up on his head till you can see every feather quite distinctly. Unfortunately, when he does that he almost always gives a terribly loud screech, which forces you to put your hands to your ears to shut out the ugly sound. When he gets a piece of sugar, or a bit of the yolk of an egg, he is so pleased, and makes a sound like giving you a kiss, to show his thanks. I hope the little girl who is holding up her finger is not teazing him, because he may lose his temper in a moment, and give her a severe bite.

## NAUGHTY MARY.

##### Original

Really, Miss Mary, this is a very strange way to use your doll, holding her up by her poor hand, and letting her curls almost sweep the floor. Miss Mary is in a cross humour, and so she is cross with her doll; which is very stupid of her, I am sure you will say. You take very great care of your doll, I am certain; and put her to bed every night, folding up her clothes as you do your own, and teaching her to be a very tidy, well-behaved doll. And you call her by a pretty name, don't you?

## THE ACTIVE LITTLE SQUIRREL.

##### Original

I know you will like to see this picture. Isn't this a dear little pet of a squirrel? He has come down from the trees to enjoy the warmth of the sun before it sets, and is eating his supper with much content. All day he has been very busy laying up a store of acorns in a hollow of a tree; for God has taught him to know that "winter, dreary winter, is coming, and that he must be active in the autumn, else he will starve when the snow comes.

## A NAUTILUS.

##### Original

This is a picture of a nautilus; and I am sure papa will be delighted to tell you about this strange creature. We can

"Learn of the little nautilus to sail,

Spread the thin oar, or catch the driving gale."

"This is the ship of pearl, which poets feign

Sails the unshaded main—

The venturous bark that flings

On the sweet summer wind its purpled wings."

## AMERICAN SLAVES.

##### Original

Ah, here is a sad sight. This is a cabin where the slaves live, on a cotton plantation. I am glad to say there are no slaves in America now; and the overseer dare not use that great long whip to force them to work, as he did only a very few years ago. These men have been sent to tie up and whip one of the women, because she did not do as much work as the overseer thought she ought to have done. How glad the negroes must be now to think they cannot be whipped, or sold away from their children and homes; and that they can sing, "No more auction block for me."

## TAHITI.

##### Original

This is an island in the South Pacific, called Tahiti. The canoes seem to be very different from those of the Friendly Islands; but the people are very different. They used to be in manners quite savages; but the missionaries have done them a great deal of good, and they are becoming just like people in this country. All sorts of roots and plants grow here, and fragrant sandal-wood.

## ON BOARD A STEAMER.

##### Original

This is the picture of the interior of a saloon of one of the steamers to Dublin. It has just newly started, and the passengers are beginning to feel uncomfortable, at least some of them are. The stout old lady is too angry with the gentleman opposite her to think of anything, and scarcely feels the motion of the vessel. She thinks he is very rude because he keeps staring at her granddaughter, who is so sad about leaving her mamma and papa, that she can think of nothing else. And though she promised to make ever so many sketches, she lets her portfolio lie idly in her lap.

## A YOUNG ROBBER.

##### Original

Oh, shocking!" Gertrude is quite right to say so to this cruel boy, for taking away the bird's nest. He likes Gertrude, and intended to make her a present of it; but when he sees how sorry she is, it is to be hoped he will put it safely back in the bush again.

## THE SQUIRE IN HIS GARDEN.

##### Original

Here is a picture of an English squire walking in his garden. He is very fond of flowers, and keeps a gardener to look after them. Tom the gardener is as proud of the garden as his master is, and always does his best to attend to the flowers. He tenderly carries some of the delicate ones into the green-house the moment the sun sets, lest they should get chilled and die.

## WALKING WITH PAPA.

##### Original

Really, did ever any one wear such a funny bonnet as this young lady?" Oh yes; not many years ago, either; and very comfortable it was, too, I do assure you. I think the gentleman is her father, and is an officer; and she is very proud of walking out with him. He has taught her to walk very neatly, and so she is pointing out her toe as prettily as she can. Her father is a very polite man, and is carrying her bag, and even her parasol, which is rather a comical one.

## JULIA MAYTON.

##### Original

Now, here is such a very pretty picture that I must tell you a story about it. This is Julia Mayton, the squire's little daughter. She sometimes tires of being in the garden, though she likes the pretty flowers, and is allowed to wander by herself through the wood out to the edge of the common where the shepherd has his sheep feeding. The moment she appears, Help, the shepherd's dog, bounds off to greet her. He likes to be patted by her; and to show that it is only for affection he comes, he always refuses to take any cake or bits of biscuit. He keeps a sharp look-out, too, upon the flock, and if he sees one straying he bounds away back to his duty.

## GRANDPAPA'S PRESENT.

##### Original

Here are two sisters sitting on one of the garden seats. The younger has brought out her new book of history her kind grandpapa gave her for a Christmas present; but she has quite startled her elder sister by saying that she really does not like to read it. She calls it a stupid book.

### A TAHITIAN DANGER.

##### Original

This is a female dancer of Tahiti; and a very funny figure she has made of herself. The things like fans at her back must be intended for wings, I think, and will add much to her grace when she dances. She seems to have no shoes on her feet; but she has been careful to provide herself with a very fine head-dress. You must read all about this beautiful island when you grow bigger, and about its brave inhabitants. You will be very much amused, too, to hear about the strange pillow they lay their heads on when they go to sleep.

## MAMMA AND BABY.

Oh, what a sleepy-headed mamma!" Ah, but baby is getting two new teeth, and they have been so troublesome during the night that poor mamma did not get a wink of sleep; and now that they have shot their little white points through the gums, poor baby is so relieved that he has popped off to sleep; and his mamma has followed his example, and dropped off too. You must be very careful not to make any noise, in case you awake them. Slip about on tip-toe, and shut the doors very quietly.

## LEARNING TO READ.

##### Original

Here is an old man teaching his son to read. In those days there were no printed books;—all were written; and so books were very scarce. Gentlemen used to send their sons to be educated by the monks. They used to have the most books. Nearly all the copies of the Bible were in their keeping. There was a copy chained to a pillar in old St. Paul's Church in London.

## ANGLERS.

##### Original

Ah, what is this now? Two anglers busy at work. I greatly fear some foolish trout must have spied out the glittering fly at the end of the line, and swallowed it Of course he does his best to make his escape, and darts under the bank; but the fisher is trying to force him to come out. He must do so, because the hook is sticking in his poor throat, and he can't bear the pain any longer. It is such a pity he was so greedy, else he might have swam about the pleasant river.

## TURKEYS TO SELL.

##### Original

Here is a poulterer going round selling his fine turkeys and chickens. He is trying to get the doctor of the small town to buy one; but the doctor is telling him that the last was much too dear, and not at all good. Both the men seem surprised; but, of course, the doctor ought to know best.

## OUT ON THE LAKE.

##### Original

How would you like to live up on the top of that high rock? The castle is quite a ruin now, and the ferryman's daughter takes many people in her boat to see it. She rows the boat about the lake all the day, and never seems weary.

## HIDING ON A GOAT.

##### Original

I really think this is Old Mother Hubbard's dog again. You remember when she went out to the clothier's to buy him a coat, when she returned home to her own house he was riding on the back of her goat. It is just as well he has the sense to hold on by her horns, for Mrs. Nanny does not seem to be very well pleased, and I can't help thinking that she will toss him off the first moment she can.

## PRETTY MISS MAUD.

##### Original

This is really a very elegant lady; and what a lovely house she seems to live in! I wonder what she is thinking about. She looks rather grave, doesn't she? And this surprises us, because we often think that people who live in grand houses, and wear fine clothes, ought never to be anything but happy. But when we grow older, we find that even the very richest people are sad sometimes, and that they are tempted to envy the happy, contented life of some poor people.

## THE LITTLE INVALID.

##### Original

This is a very rich little girl. Her father could buy her everything she could desire; but she is very delicate, and all his money cannot purchase health. She has to lie in bed almost all the day; but she has a kind little friend, the rectors daughter, who comes very often and sits beside her and reads to her. Though this little girl cannot run about, she has learned to be content.

## LEAVING HOME.

##### Original

Here is Arthur Young. He is leaving home for the first time in his life, and is going away to be a sailor on board a very large ship. He was so proud of his fine clothes when they came home, and was never tired of talking about the ship to his little brothers and sisters; but now he cannot help thinking that he will not see his dear, kind mother, for ever so long, and he is trying to listen very attentively to her last words of advice.

## IN THE PACIFIC OCEAN.

##### Original

Here is another view of an island in the Pacific Ocean. It is called Raiatea. Do you notice what a number of strange-looking trees grow here? It would be very nice to be able to get fresh cocoa-nuts off the trees, and drink the sweet milk for breakfast. And then it would be delightful to paddle about in that canoe, and look through the clear water, down to the very bottom, and watch the lovely fishes swimming about, blue and yellow, and with crimson spots sometimes. How we should laugh, too, at the funny coloured crabs.

## OUT IN THE WOODS.

##### Original

Here is a picture nearer home. These children have a half holiday, and are spending it in the woods. They have not forgotten to take their baby brothers and sisters with them; and as the little ones are tired, they are taking a rest. Henry wishes his sister Alice to blow very hard upon the white feathery head of the dandelion seed, to see if their mother requires her at home; but Alice is a little afraid, in case it should be true, and this makes them all laugh very much.

## SULKY JESSIE.

##### Original

Heyday, and what's the matter here? I fear somebody has been naughty; and even though the governess is talking kindly, I fear somebody is in the sulks. Just look at them! I think they must have been quarrelling, and are both to blame. It is a great pity they are not friends, because it is so painful to quarrel with one's playmates; it makes everything feel wrong together. I do hope they will forgive each other.

## MARY AND HER PETS.

##### Original

Gathering pretty posies. Oh, do look at the dove taking a peep at her! and the squirrels know they need not scamper off, for she is too good to hurt them.

## HELPING MOTHER

##### Original

Who is this diligent little girl, I wonder? See how she is polishing the table! This is little Mary Tom, the gardener's daughter; and, as her mother is helping in the garden, she is keeping house with her sister Jane. Jane is just setting out to the village to buy something nice for her father's tea; and she is telling Mary to be careful, and not scrub the paint off,—as if Mary would be so foolish!

## FIRE! FIRE!

##### Original

Fire! fire!" How could the old school-master expect to get his pupils to come to their lessons after hearing that cry! Why, just look! there's old Nanny, who keeps the apple-stall at the corner, looking quite bewildered, and asking the boys to tell her what is the matter. Instead of being angry, I think the school-master had better put on his hat and set off too after his pupils;—what do you think?

## ON THE ICE

##### Original

Hold hard! hold hard!" Don't you see Tom and Dick have gone down, and Harry is about to follow? Who would mind a tumble on such lovely ice? Oh, look there!—a gentleman has lost his balance, and he is going after his hat, I fear, crash down on the ice. It will be worse for him than for the boys.

## THE GLASS SHADE.

##### Original

What is this you are looking at so earnestly,

Miss Eliza? Ah, yes, the figure under the glass shade. You do well to look at it. It is very pretty indeed. Only be careful Don't let it slip from the table. See how near it is to the edge.

## THE TRAPPERS' RETURN.

##### Original

Trappers out hunting. This is in the far west of North America, and it is a very cold place. It is a pity the snow is so deep that it has covered the hunters' feet; for you would have got a surprise had you seen their snow-shoes, which are very curious and very large.

## DEAR OLD GRANDMAMMA.

##### Original

Here is a kind old grandmamma taking a pleasant stroll out in the woods. The girls have been filling their baskets with wild-flowers, and the boys have been playing at hounds and hares. They are now going to rest, and listen to some of grandmamma's old stories.

## A SAD PARTING.

##### Original

Here is a little boy setting out on his apprenticeship. His dog wants to go with him, but he is obliged to tell him that he must not go any further. The dog, which has been his faithful companion, is not able to understand that, though he is a clever dog. But he knows that there is something wrong, and at last he hears the words, "Go home, sir."

## THE BEST OF FRIENDS MUST PART.

##### Original

Yes, and we too must part, my dear. And here is Old Mother Hubbard for the last picture in my Scrap-Book; and for me she is making her very best courtesy for your patience; and the dog is making his most elegant bow, though I wish he had not been so rude as to turn his back when saying to you "Farewell."

*** END OF THE PROJECT GUTENBERG EBOOK MY PRETTY SCRAP-BOOK: PICTURE PAGES AND PLEASANT STORIES FOR LITTLE READERS ***
Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE

## THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works
1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

> This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.
Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.gutenberg.org.
This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.