Martian V.F.W.
Date: 2007-07-20T00:00:00+00:00
Keywords: Science fiction; Short stories

The Project Gutenberg eBook of Martian V.F.W.

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Martian V.F.W.

Author: G. L. Vandenburg

Release date: July 20, 2007 [eBook #22110]

Language: English

Other information and formats: www.gutenberg.org/ebooks/22110

Credits: Produced by Greg Weeks, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK MARTIAN V.F.W. ***

MARTIAN V. F. W.

By G. L. VANDENBURG

There's nothing like a parade, I always
say. Of course, I'm a Martian.

Mr. Cruthers was a busy man. Coordinating the biggest parade in New York's history is not easy. He was maneuvering his two hundred pounds around Washington Square with the agility of a quarterback. He had his hands full organizing marchers, locating floats, placing the many brass bands in their proper order and barking commands to assistants. But Mr. Cruthers approached the job with all the zeal of an evangelist at a revival meeting.

As he approached the south-west corner of the square he saw something that jarred his already frayed nerves. He stopped abruptly. The mass of clipboards and papers he was carrying fell to the street. There before him were one hundred and fifty ants, each of them at least six feet tall. His first impulse was to turn and run for the nearest doctor. He was certain that the strain of his job was proving too much for him. But one of the ants approached him. It seemed friendly enough, so Mr. Cruthers stood his ground.

"My group is waiting for their assignment." The ant's voice seemed to be coming from the very core of its thorax which was a violent red.

"Good Lord!" Mr. Cruthers' mouth opened up as wide as an oven door.

"Mr. Cruthers, I believe the parade is about to start and my group—"

Mr. Cruthers managed to blurt out. "What the devil are you anyway!"

"This is the parade marking the International Geophysical Year, is it not?" The ant had a pleasant, friendly voice.

"Well, yes, but—"

"And you are Mr. Cruthers, the manager of the parade, is that not correct?"

Mr. Cruthers rubbed his eyes and took another look at the strange creature. Its head was a brilliant yellow. It had two large goggle eyes which rolled like itinerant marbles when it spoke. The low slung abdomen was a burnt brown. It was bad enough, Cruthers thought, that these ants were six feet tall, but it was nightmarish to see them in three colors.

"Mr. Cruthers," the ant continued, "haven't you been instructed by the National Academy of Sciences that the Martian V.F.W. is to participate in this parade?"

"The Martian—!!" Mr. Cruthers' mouth was open again. Then he realized that when the ant spoke its mouth didn't move. He picked up his clipboard and papers from the street. His voice was hostile now. "What the hell is this, some kind of a gag! What are you trying to do, scare a man half to death!"

"Oh, we're not joking, Mr. Cruthers. The National Academy—"

"They didn't say anything to me about a bunch of clowns dressed up like ants!" Mr. Cruthers' indignation became intensified. He was loathe to admit that he'd been taken in by such obviously animated costumes. "Now look here, I'm a very busy man."

"The arrangements have been made, Mr. Cruthers. If my group is refused a place in this parade we shall file suit immediately. As manager you'll be named co-defendant." The ant was gentle but firm.

The thought of being sued softened Mr. Cruthers' attitude. "Well, I'm very sorry, pal, but every contingent in this parade is listed on my clipboard and you're not. I know this list by heart. What did you say the name of your group was?"

"The Martian V.F.W."

Mr. Cruthers was amused. "Those sure are the craziest outfits I've ever seen," he chuckled. "Where'd you get them? Walt Disney make them for you?" He followed his own little joke with a long throaty laugh.

The ant was impatient. "About the parade, Mr. Cruthers, there isn't much time."

"Oh, yes, the parade. Well, let me see," he thumbed through the clipboard, "I guess there's always room for a few laughs. How many in your group?"

"One hundred and fifty. And we also have a float with us. Not a very large one. It measures twenty by twenty."

"Tell you what. You move your group to the corner of Thompson Street and Third Street. Get behind the Tiffany float and follow them, okay?"

The ant paused a moment to record the instructions in his mind. Then he turned to leave.

"Oh, wait a minute," Mr. Cruthers cried before the ant could rejoin his group. "Just who did you speak to at the National Academy of Sciences?"

"I believe it was a Mr. Canfield."

Mr. Cruthers' face lit up. "Well, why didn't you say so in the first place! I'd have placed you right away."

"That's perfectly all right, Mr. Cruthers."

"Listen, I don't know what you guys do but those costumes should certainly bring the house down. There's going to be four million people watching this parade. I bet that's the biggest audience you've ever seen."

"It certainly is." With that the ant strode away.

"Good luck!" Mr. Cruthers shouted after him.

"Daddy! Daddy, look! Look at the big rocket!" The little boy jumped up and down gleefully. "It must be a whole mile long, Daddy! What kind is it?"

"That's the Vanguard, son."

An autumn breeze from the East River chilled their vantage point at Sixty-First Street and Fifth Avenue.

"The Vanguard?" The name meant nothing to the boy. "Gee, I'll bet it can fly all the way to the stars!"

"It's the rocket that carried the first artificial satellite into space."

The parade, now three hours old, continued past the reviewing stand.

"I wanna get a better look at the Vanguard!" the boy shouted.

The father lifted the boy onto his shoulders. The little fellow laughed and whooped it up, firing several shots from his Captain Video Ray gun at the passing missile.

The rocket moved on and the noise of the crowd diminished slightly.

A one-hundred piece brass band was passing in front of them. They were playing "The Stars and Stripes Forever." They were followed by the Sak's Fifth Avenue display; nine small floats, each depicting life on another planet. The National Academy of Sciences had a success on its hands.

"Wow! Daddy, I wanna ride on it! I wanna ride on that float and visit all those planets! Can I, Daddy!" The boy became all limbs trying to squirm down from his father's shoulders.

"You stay right where you are, young man," the father struggled to hold his balance.

"But I wanna go to the stars. I can watch the rest of the parade from Venus or Mercury! Please, Daddy!"

The father grinned. "Not just yet, son, but it won't be long before man will go to the stars."

"Who lives up there, Daddy?"

"Oh, there isn't any life up there yet."

"If no one's living up there why does anyone want to go there?"

"Well, maybe there'll be too many people on earth someday and then we'll have to find other planets with more room."

Another monstrous brass band was going by. The boy became restless. He began to toy with his ray gun, half interested in seeing if there were any sparks left in it. "Why can't there be something besides so many bands in a parade? I wanna see another float."

The father tried to interest the boy by pointing out all the famous people who were also there: a variety of statesmen the world's leading scientists and religious and cultural leaders, the president of the United States.

The boy was interested but not in what his elder was saying to him. He was looking downtown, his eyes squinting, trying to make out figures as far away as Fifty-sixth Street. Then his mouth opened, not uttering a sound yet, just waiting to burst with joy at what was coming toward them.

His father looked up at him. "I wish you'd tell me what you are looking at. I'm all the way down here on street level, remember?"

"Daddy, they look like ants!"

"What?"

"Ants, Daddy, ants! A whole army of them. Ain't it exciting?"

"What on earth are you talking about?"

"They're doing somersaults and back flips and everything! They're coming right this way! Gee, there's hundreds of them. And they got a float behind them, Daddy! A great big float with something burning on it."

The child sitting on his shoulders made mobility impossible for the father. And he couldn't see around the spectators. He resigned himself to stand and wait for this new spectacle to overtake them. The reaction to this new sight had already begun to work its way uptown. In the distance, but getting closer every second, he could hear unrestrained laughter and rejoicing.

"Hey, take it easy!" The boy was beginning to ride the shoulders like a bronco buster. "By the time they get here I won't have any shoulders left. Where are they now?"

"They're almost here, Daddy! And they aren't ants at all. They're just a bunch of clowns dressed up like it." He began to giggle hysterically. "Golly, they're funny. Can you see them yet, Daddy?"

Before the father could produce an answer the ants were in view. They were a sight that couldn't fail to stimulate the funny bone. By comparison with real ants everything about them had been grossly exaggerated to achieve the proper effect. They walked on their two back legs but the four front apertures were far from idle. Some of them turned somersaults, others did complicated flips consisting of two or three spins in mid-air. Still others, doing a kind of animated cakewalk, carried toy ray guns which they fired at random into the crowd. The guns were something like the little boy's Captain Video ray gun, only larger. They emitted little streaks of blue sparks which shone brightly but disappeared when contact was made with air.

They were easily the hit of the parade, a three ring circus all by themselves, as they pranced and clowned their way up Fifth Avenue giving the spectators a whale of a show that was completely new.

The guests on the reviewing stand refrained from any hilarity until they saw the float that four of the ants were pulling behind them. It was in keeping with the rest of the nonsense they were perpetrating. The float boasted eight larger ray guns, three on either side and two in the rear, that fired the same fascinating blue sparks. Behind each gun an ant stood on its head, wildly waving six legs in the breeze, begging to be noticed and laughed at. Above the guns, emblazoned in fiery orange letters, were the words: "MARTIAN V.F.W." This was interpreted by one and all as a punch line and was treated accordingly.

It was heartwarming to be able to see the president and so many other dignitaries abandon composure in favor of a good old fashioned belly laugh.

"Daddy, I can't laugh any more," the boy had to pause between every other word. "My stomach hurts. Aren't they the funniest things you ever saw?"

The father was too convulsed to be able to answer him.

"Daddy, one of them is coming this way! He's firing his Captain Video ray gun at us!" They boy squeezed his father and held on tight.

The father took a deep breath in order to be able to speak. "Take your gun and fire back at him, son. Fire away! Go on, he's just being playful!" He broke forth with another gust of laughter. "I won't see anything as funny as this again if I live to be a hundred!"

The ant pranced over to where they were standing, firing its gun in every direction. The boy fired back. The ant took one look at the lad's gun and let out a long cackling sound which built to a crescendo and then stopped as though it had been turned off. The ant rejoined the group and they continued on their merry way.

The boy fired several shots into the float as it passed. He wanted to see if he could knock out those blazing orange letters: MARTIAN V.F.W. The letters continued to burn, but in the boy's mind he was certain he had made several direct hits.

The boy and his father watched the float until it was out of sight. They knew there wouldn't be another attraction like those ants. They must have been real professionals, the father thought. Such teamwork! Such precision! Each one of them having a specific job to do and each doing it to perfection. After them everything was bound to be anticlimactic.

More marchers, more bands, a few more floats. The boy was beginning to tire. It had been a long day. Now everything was dull. "Daddy, I don't want to see any more. Let's go home."

"We'll stay another five minutes."

The parade somehow seemed to be slowing down. The father yawned and let his son down from his shoulders. He looked across the street at the president and the other dignitaries on the reviewing stand. All were slowly raising their hands in salute as another color guard drowsily made its way by.

Soon the last group in the parade was passing the reviewing stand. Another brass band. They were moving with the speed of a glacier. A full five seconds elapsed between each note of music. Everything was happening in slow motion. On the reviewing stand the dignified hands went up, agonizingly slow, to a final salute and they stayed there. The greatest minds in the world stood motionless, unalterably still. Just as each wave of pandemonium had unfurled itself up Fifth Avenue during the parade, so now did silence take command.

The little boy tugged at his father's coat. "Daddy! Daddy," he pleaded, "why has the parade stopped? I wan-na-go-home—" His words came more slowly with each passing second, like a high speed phonograph playing at thirty-three and a third r.p.m. "Dad-dy—why—don't—you—an—swer—me—Da—ddy—why—don't—" His father never heard him.

Fifty miles above the Atlantic the fleet of spaceships hung suspended like lanterns. In the lead ship the ant in charge of communications reported to the commander.

"We've just received the first communique from the advance guard, sir."

"Read it to me."

The communications chief read from a large perforated paper. "Time—0600—mission accomplished. Manhattan island cut down the middle—immediate result of super-isonic rays; four million dead—rays spreading east and west—estimated time of rays' full effect; 0800—island will then be neutralized—awaiting further orders." The ant folded the paper and looked up at the commander. "Shall I relay further orders, sir?"

"No." The commander of the ants paused and stroked his chin. "We're moving in."

THE END

Transcriber's Note:
This etext was produced from Amazing Science Fiction Stories May 1959. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note.

*** END OF THE PROJECT GUTENBERG EBOOK MARTIAN V.F.W. ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- MARTIAN V. F. W.

- THE FULL PROJECT GUTENBERG™ LICENSE