The Inn of Dreams
Date: 2007-09-23T00:00:00+00:00
Keywords: Poetry

The Project Gutenberg eBook of The Inn of Dreams

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Inn of Dreams

Author: Olive Custance

Release date: September 23, 2007 [eBook #22736]
Most recently updated: July 17, 2025

Language: English

Credits: Ruth Hart

*** START OF THE PROJECT GUTENBERG EBOOK THE INN OF DREAMS ***

THE INN OF DREAMS

BY

OLIVE CUSTANCE
(LADY AFRED DOUGLAS)

LONDON: JOHN LANE, THE BODLEYD HEAD
NEW YORK: JOHN LANE COMPANY, MCMXI

WILLIAM CLOWES AND SONS, LIMITED, LONDON AND BECCLES

DEDICATION

J’ÉCRIS POUR QUE LE JOUR OÙ JE NE SERAI PLUS

J’écris pour que le jour où je ne serai plus
On sache comme l’air et le plaisir m’ont plu,
Et que mon livre porte à la foule future
Comme j’aimais la vie et l’heureuse nature.

Attentive aux travaux des champs et des maisons
J’ai marqué chaque jour la forme des saisons,
Parce que l’eau, la terre et la montante flamme
En nul endroit ne sont si belles qu’en mon âme.

J’ai dit ce que j’ai vu et ce que j’ai senti,
D’un coeur pour qui le vrai ne fut point trop hardi,
Et j’ai eu cette ardeur, par l’amour intimée,
Pour être après la mort parfois encore aimée,

Et qu’un jeune homme alors lisant ce que j’écris,
Sentant par moi son coeur, ému, troublé, surpris,
Ayant tout oublié des épouses réelles,
M’accueille dans son âme et me préfère à elles.

COMTESSE MATHIEU DE NOAILLES

CONTENTS

Dedication (Comtesse de Noailles)
The Inn of Dreams
The Kingdom of Heaven
A Dream
The Autumn Day
Angels
The Changeling
A Song Against Care
"Quelque part une Enfance très douce et mourir"
Candle-Light
In the South
Spring in the South
“I am Weary, let me Sleep”
Grief
Daffodil Dawn
Beauty
The Vision
The Dance
The Prisoner of God
The Storm
St. Anthony
Black Butterflies
In Praise of Youth
Opal Song
Gifts
Primrose Hill
A Morning Song
The Wings of Fortune
Shadow-Nets
Peacocks. A Mood
Hyacinthus
Hylas
Blue Flowers
Madrigal
Endymion
Dance Song
A Memory
The Photograph
St. Sebastian
The Magic Mirrors

The Inn of Dreams

Sweet Laughter! Sweet Delight!
My heart is like a lighted Inn that waits
Your swift approach . . . and at the open gates
White Beauty stands and listens like a flower.
She has been dreaming of you in the night,
O fairy Princes; and her eyes are bright.
Spur your fleet horses, this is Beauty’s hour!
Even as when a golden flame up-curled
Quivers and flickers out in a dark place,
So is it with the flame of Beauty’s face—
That torch! that rose! that wonder of the world!
And Love shall weep to see—when he rides by
Years hence (the time shall seem as a bird’s flight)—
A lonely Inn beneath a winter sky.
Come now, sweet friends! before the summer die.
Sweet Laughter! Sweet Delight!

The Kingdom of Heaven

O World that holds me by the wings,
How shall my soul escape your snares?
So dear are your delightful things,
So difficult your toils and cares:
That, every way my soul is held
By bonds of love, and bonds of hate;
With all its heavenly ardours quelled,
And all its angels desolate . . .

Yet in the heart of every child,
God and the world are reconciled! . . .

A Dream

I dreamed we walked together, you and I,
Along a white and lonely road, that went
I know not where . . . and we were well content.
Our laughter was untroubled as the sky,
And all our talk was delicate and shy,
Though in that cage of words wild thoughts were pent
Like prisoned birds that some sweet accident
Might yet release to sing again, and fly.
We passed between long lines of poplar trees . . .
Where, summer comrades gay and debonair,
The south wind and the sunlight danced . . . you smiled,
With great glad eyes, as bright as summer seas,
To feel their twinkling fingers in your hair . .
And then you kissed me, quickly, like a child!

The Autumn Day

How delicately steps the autumn day
In azure cloak and gown of ashen grey
Over the level country that I love!

With glittering veils of light about her head
And skirts of wide horizons round her spread
White as the white wing-feathers of a dove.

Her feet, a flash of silver on the sea,
Chase silver sails that fly untiringly
Towards the enchanted Islands of the West.

Beautiful Islands, gardens of delight!
That flower at dawn with roses red and white . . .
And flame at sunset gold and amethyst . . .

How delicately steps the autumn day
In azure cloak and gown of ashen grey
Over the level country that I love . . .

And how my heart that all sweet things beguile
Goes laughing with her for a little while . . .
And then turns homeward like a weary dove.

Angels

When life is difficult, I dream
Of how the angels dance in heaven!
Of how the angels dance and sing
In gardens of eternal spring,
Because their sins have been forgiven . . .
And never more for them shall be
The terrors of mortality!
When life is difficult, I dream
Of how the angels dance in heaven . . .

The Changeling

My father was a golden king,
My mother was a shining queen;
I heard the magic blue-bird sing . . .
They wrapped me in a mantle green.

They led their winged white horses out,
We rode and rode till dawn was grey;
We rode with many a song and shout,
“Over the hills and far away.”

They stole the crying human child,
And left me laughing by the fire;
And that is why my heart is wild,
And all my life a long desire . . .

The old enchantments hold me still . . .
And sometimes in a waking trance
I seek again the Fairy Hill,
The midnight feast, the glittering dance!

The wizard harpers play for me,
I wear a crown upon my head,
A princess in eternity,
I dance and revel with the dead . . .

“Vain lies!” I hear the people cry,
I listen to their weary truth;
Then turn again to fantasy,
And the untroubled Land of Youth.

I hear the laughter of the kings,
I see their jewelled flagons gleam . . .
O wine of Life! . . . immortal things
Move in the splendour of my dream . . .

My spirit is a homing dove . . .
I drain a crystal cup, and fall
Softly into the arms of Love . . .
And then the darkness covers all.

A Song Against Care

O Care!
Thou art a cloak too heavy to be borne,
Glittering with tears, and gay with painted lies
(For seldom—seldom art thou stained and torn,
Showing a tattered lining, and the bare
Bruised body of thy wearer); thou art fair
To look at, O thou garment of our pride!
A net of colours, thou dost catch the wise;
He lays aside his wisdom for thy sake . . .
And Beauty hides her loveliness in thee . . .
And after . . . when men know the agony
Of thy great weight of splendour, and would shake
Thee swiftly from their shoulders, cast aside
The burden of thy jewelled bands that break
Their very hearts . . . often it is too late.
They fear the world will mock them and deride
When they are stripped of all their golden state.
But some are brave . . . but some among us dare
Cry out against thy torment and be free!
And I would rather a gay beggar be,
And go in rags for all eternity,
Than that thy clanking pomp should cover me,
O Care! . . .

“Quelque part une Enfance très douce doit mourir”

Albert Samian

Alas! I do not know on what sad day
My childhood went away . . .
It may have left me softly in the night
When I was sleeping—dreaming—who can tell?
Perhaps it whispered “wings were made for flight!”
I only know it never said “farewell” . . .

And so I cannot tell when youth will go
Although I love it so . . .
But like a little amorous girl that clings
To some fair boy, my spirit all afraid,
While yet she holds youth back by the bright wings,
Knows he must leave her for some other maid!

Candle-Light

Frail golden flowers that perish at a breath,
Flickering points of honey-coloured flame,
From sunset gardens of the moon you came,
Pale flowers of passion . . . delicate flowers of death . . .

Blossoms of opal fire that raised on high
Upon a hundred silver stems are seen
Above the brilliant dance, or set between
The brimming wine-cups . . . flowers of revelry!

Roses with amber petals that arise
Out of the purple darkness of the night
To deck the darkened house of Love, to light
The laughing lips, the beautiful glad eyes.

Lilies with violet-coloured hearts that break
In shining clusters round the silent dead,
A diadem of stars at feet and head,
The glory dazzles . . . but they do not wake . . .

O golden flowers the moon goes gathering
In magic gardens of her fairy-land,
While splendid angels of the sunset stand
Watching in flaming circles wing to wing . . .

Frail golden flowers that perish at a breath,
That wither in the hands of light, and die
When bright dawn wakens in a silver sky.
Pale flowers of passion . . . delicate flowers of death.

In the South

I was pale and sad in the South like the olive-trees
That droop their silver heads by the dusty roads,
And are grave and cold and grey in spite of the sun . . .
In the veils of rose and blue that the bright dawn spun
Day wrapped me round in vain!
I longed for the lovers and friends I had left behind,
I longed for the North again.

I was deaf to song, and even to beauty blind,
Blind to the magic woof that summer weaves,
While roses beat their pearl and ruby leaves
Against my window pane . . .
And orange flowers so passionately white,
So richly perfumed, pined for my delight:
Only my faint heart sighed,
In pity when the glory waned and died,
For all that lovely life unsatisfied!

I was pale and sad in the South like the olive-trees
That droop their silver heads by the dusty roads . . .

Spring in the South

Beautiful as some rich embroidery
The valley lies in verdant amplitude,
Great mountains—like old merchants—o’er it brood—
And as a lovely woman languidly
Trailing her long blue robes, so comes the sea
To touch it softly in a wistful mood . . .
The sky forgets her starry multitude,
Seeing how fair mere earthly flowers can be!

Glad country where the wayward feet of Spring,
Moving in mystic dances, bring desire,
New miracles of beauty every day . . .
Where Love and sweet Delight fly wing to wing
Forgetful as in dreams, that bright as fire
So burn the hours of joy as swift away!

“I am Weary, let me Sleep”

I am weary, let me sleep
In some great embroidered bed,
With soft pillows for my head.
I am weary, let me sleep . . .
Petals of sweet roses shed
All around a perfumed heap
White as pearls, and ruby red;
Curtains closely drawn to keep
Wings of darkness o’er me spread . . .
I am weary, let me sleep
In some great embroidered bed.
Let me dream that I am dead,
Nevermore to wake and weep
In the future that I dread . . .
For the ways of life are steep . . .
I am weary, let me sleep . . .

Grief

I, that was once so eager for the light,
The vehement pomp and passion of the day,
Am tired at last, and glad to steal away
Across the dusky borders of the night.
The purple darkness now is my delight,
And with great stars my lonely sorrows play,
As still, some proud and tragic princess may
With diamonds make her desolation bright.

Night has become a temple for my tears . . .
The moon a silver shroud for my despair,
And all the golden forests of the spheres
Have showered their splendours on me leaf by leaf
Till men that meet me in the sunlight, stare
To see the shining garment of my grief!

Daffodil Dawn

While I slept, and dreamed of you,
Morning, like a princess, came,
All in robe of palest blue:
Stooped and gathered in that hour
From the east a golden flower,
Great and shining flower of flame . . .
Then she hastened on her way
Singing over plain and hill—
While I slept and dreamed of you
Dreams that never can come true . .
Morning at the gates of Day,
Gathered Dawn, the daffodil!

Beauty

I saw the face of Beauty—a pale rose
In the gold dusk of her abundant hair . . .
A silken web of dreams and joys—a snare . .
A net of pleasures in a world of woes,
A bright temptation for gay youth that goes
Laughing upon his way without a care!
A shield of light for conquering Love to bear
Stronger than all the swords of all his foes.

O face of Beauty—O white dawn enshrined
In sunrise veils of splendid hair—O star!
Shine on those weary men who sadly wise
But guess thy glory faintly from afar—
Missing the marvel of thy smile—and blind
To the imperial passion in thine eyes!

The Vision

I come from lonely downs and silent woods,
With winter in my heart, a withered world,
A heavy weight of dark and sorrowful things,
And all my dreams spread out their rainbow wings,
And turn again to those bright solitudes
Where Beauty met me in a thousand moods,
And all her shining banners were unfurled . . .
And where I snatched from the sweet hands of Spring
A crystal cup and drank a mystic wine,
And walked alone a secret perfumed way,
And saw the glittering Angels at their play.
And heard the golden birds of Heaven sing,
And woke . . . to find white lilies clustering
And all the emerald wood an empty shrine,
Fragrant with myrrh and frankincense and spice,
And echoing yet the flutes of Paradise . . .

The Dance

Do you remember that day I danced in the woods,
Under the dancing leaves?
Do you remember the delicate blue of the sky
And the gold-dust in the air?
And the tawny harvest fields, and the heavy sheaves?
Summer was surely in one of her bravest moods . . .
And oh, the rare
Swift joy that lifted life to an ecstasy,
That shining day I danced for you, dear, in the woods!

The purple twilight came, and the amber moon . . .
And the fairies danced with me . . .
And the shy fauns crept from the tangled thicket near,
And the startled dryads bent,
White and starry-eyed, each from her secret tree,
To watch that mystical dance, to share that heavenly swoon
That mad, bright banishment. . . .
For we were free in the perfect country, dear,
When purple twilight came and the amber moon . . .

Some day I shall dance again that mystical dance . . .
I know not when or where!
But the angels shall dance with me, and I shall not be afraid.
I shall look in their deep eyes . . .
And feel their arms about me, and their kisses in my hair,
And know that time is over, and the desperate ways of chance. . . .
I shall be very wise,
And glad at last, and the walls of the world shall fade . . .
The day when I dance again that mystical dance.

The Prisoner of God

Once long and long ago I knew delight.
God gave my spirit wings and a glad voice.
I was a bird that sang at dawn and noon,
That sang at starry evening time and night;
Sang at the sun’s great golden doors, and furled
Brave wings in the white gardens of the moon;
That sang and soared beyond the dusty world.

Once long and long ago I did rejoice,
But now I am a stone that falls and falls.
A prisoner, cursing the blank prison walls,
Helpless and dumb, with desperate eyes, that see
The terrible beauty of those simple things
My soul disdained when she was proud and free.
And I can only pray: God pity me,
God pity me and give me back my voice!
God pity me and give me back my wings!

The Storm

What do they hunt to-night, the hounds of the wind?
I think it is joy they hunt, for joy has fled from my heart.
I only remember the hours when I sorrowed or sinned,
I only remember the hours when I stood apart
Lonely and tired, in difficult dreams entranced,
And I forget the days when I loved, and laughed, and danced.

Grey hounds of the wind, I hear your wistful cry,
The cry of unsatisfied hearts hungry for happiness
The house is full of whispering ghosts as you hurry by,
And my soul is heavy and dark with a great distress,
For heaven is far away, and hope is dead;
And the night is a tomb of tears, and despair, and dread.

O hunt no more wild hounds of the wind and rain,
For my soul is afraid of the sound of your hurrying feet,
And surely under the stars a beautiful joy is slain?
Fly! black wings of sorrow . . . wet wings of the night that beat
At the shuttered windows, swiftly fly away,
Before God stoops to gather the golden flower of day.

St. Anthony

THE ENGRAVING BY DÜRER

Dürer has drawn him resting by the way . . .
Has he returned from some far pilgrimage?
Or just come out into the light of day
From a dark hermit’s cell? We cannot know . . .
With stooping shoulders, and with head bent low
Over his book—and pointed hood drawn down.
His eager eyes devour the printed page . . .
Regardless of the little lovely town
Rising behind him, with its clustered towers . . .
O Saint, look up! and see how gay and fair
The earth is in its summer-time of flowers,
Look up, and see the world, for God is there . . .
Old dreaming Saint, how many are like you,
Intent upon the dusty book of fate:
Slow to discern the false things from the true!
Yet weary of world clamour and world hate,
And hungering for eternal certainties . . .
Not knowing how close about them heaven lies!

Black Butterflies

O words of all my songs . . . black butterflies!
Wild words of all the wayward songs I sing . . .
Called from the tomb of some enchanted past
By that strange sphinx, my soul, they slowly rise
And settle on white pages wing to wing . . .
White pages like flower-petals fluttering
Held spellbound there till some blind hour shall bring
The perfect voice that, delicate and wise,
Shall set them free in fairyland at last!
That garden of all dreams and ecstasies
Where my soul sings through an eternal spring,
Watching alone with enigmatic eyes,
Dark wings on pale flower-petals quivering . . .
O words of all my songs . . . black butterflies!

In Praise of Youth

O delicate youth, thy praises shall be sung
While yet my heart is young . . .
While Life and I, in search of lovely things,
Go out with dancing feet and dreaming eyes,
And find wild Folly, with her rainbow wings,
Sweeter than all the wisdom of the wise.

O delicate Youth, thy praises shall be sung
While yet my heart is young . . .
Thy whiteness, and thy brightness, and the sweet
Flushed softness of thy little restless feet . . .
The tossed and sunny tangle of thy hair,
Thy swiftness, slimness, shyness, simpleness,
That set the old folk sighing for the rare
Red rose of Joy thy careless days possess.

. . . And when at last, with sad, indifferent face,
I walk in narrow pathways patiently;
Forgetful of thy beauty, and thy truth,
Thy ringing laughter, thy rebellious grace . . .
When fair Love turns his face away from me . . .
Then, let me die, O delicate sweet Youth!

Opal Song

Shy and wild . . . shy and wild
To my lovers I have been.
Frank and wayward as a child,
Strange and secret as a queen;
Fain of love, and love beguiled,
Yet afraid of love, I ween!

False and true . . . false and true
Is the woman’s heart in me . . .
Fair lost faces that I rue,
Golden friends I laugh to see,
Changing, I come back to you,
Never doubt my loyalty!

Gifts

Come near! you are my friend and I will wear
Gems for your sake, and flowers in my hair;
Garments of silver gauze, and cloth of gold . . .
And I will give you power to have and hold,
And passion, and delight and ecstasy.
What will you give to me?

And I will give you, if you will but stay,
The magic mirror of the dawn, where day
Waking, beholds the wonder of her face—
If you will keep me yet in your embrace,
And let me dream of Love’s eternity.
What will you give to me?

Yes! I will give you the gold veils of light,
And the dark spangled curtains of the night . . .
And I will give you as a flower unfurled,
The proud and marvellous beauty of the world,
And all the wild, white horses of the sea.
What will you give to me? . . .

Primrose Hill

Wild heart in me that frets and grieves,
Imprisoned here against your will . . .
Sad heart that dreams of rainbow wings
See! I have found some golden things!
The poplar trees on Primrose Hill
With all their shining play of leaves . . .
And London like a silver bride,
That will not put her veil aside!

Proud London like a painted Queen,
Whose crown is heavy on her head . . .
City of sorrow and desire,
Under a sky of opal fire,
Amber and amethyst and red . . .
And how divine the day has been!
For every dawn God builds again
This world of beauty and of pain . . .

Wild heart that hungers for delight,
Imprisoned here against your will;
Sad heart, so eager to be gay!
Loving earth’s lovely things . . . the play
Of wind and leaves on Primrose Hill . . .
Or London dreaming of the night . . .
Adventurous heart, on beauty bent,
That only Heaven could quite content!

A Morning Song

You saw my window open wide,
And woke me early, sister day!
You came in all your lovely pride,
With laughing looks that I adore,
With wings of blue and grey . . .
With sunshine skirts that swept the floor,
With songs to drive night’s dreams away,
You called me out to play.
And so I took you by the hand,
And found the way to fairyland . . .
With such impatient feet I climb
The ladders of delight!
For well I know that ruthless time
Turns morning moods to tears and night.

The Wings of Fortune

Fair fortune you are wild and coy,
Fickle, mysterious, and shy . . .
And so we lost you, Love and I!
And now, at last, because we find
Your golden footprints, Love the boy,
Dreams you are near . . . but Love is blind!
Yet, surely Sorrow’s arms unwind
From this tired heart, and dark distress
Fades softly . . . softly from the world:
And in Hope’s silver sky unfurled,
I see the banners of delight!
And the grey heaven of life grows bright
With the red dawn of happiness . . .
As with a laughing look Love flings
His heavy crown of thorns away . . .
Fair fortune, you are wild and coy,
And ah! I fear you will not stay.
But Love has caught you by the wings
And radiant as Eurydice
By her brave poet’s song set free,
I rush into the arms of joy!

Shadow-Nets

When I was wandering on the Downs to-day
I saw the pine-woods sleeping in the sun . . .
For they were tired of weaving shadow-nets—
Weaving all day in vain . . . in vain . . . in vain . . .
Pale phantom nets to snare the golden sun!
And then I thought of how the poets weave
With shadowy words their cunning nets of song,
Hoping to catch, at last, a shining dream!

Peacocks. A Mood

In Gorgeous plumage, azure, gold and green,
They trample the pale flowers, and their shrill cry
Troubles the garden’s bright tranquillity!
Proud birds of Beauty, splendid and serene,
Spreading their brilliant fans, screen after screen
Of burnished sapphire, gemmed with mimic suns—
Strange magic eyes, that, so the legend runs,
Will bring misfortune to this fair demesne . . .

And my gay youth, that, vain and debonair,
Sits in the sunshine—tired at last of play
(A child, that finds the morning all too long),
Tempts with its beauty that disastrous day
When in the gathering darkness of despair
Death shall strike dumb the laughing mouth of song.

Hyacinthus

Fair boy, how gay the morning must have seemed
Before the fatal game that murdered thee!
Of such a dawn my wistful heart has dreamed:
Surely I too have lived in Arcady
When Spring, lap-full of roses, ran to meet
White Aphrodite risen from the sea . . .

Perchance I saw thee then, so glad and fleet;
Hasten to greet Apollo, stoop to bind
The gold and jewelled sandals on his feet,
While he so radiant, so divinely kind,
Lured thee with honeyed words to be his friend,
All heedless of thy fate, for Love is blind.

For Love is blind and cruel, and the end
Of every joy is sorrow and distress.
And when immortal creatures lightly bend
To kiss the lips of simple loveliness,
Swords are unsheathed in silence, and clouds rise,
Some God is jealous of the mute caress . . .

But who shall mourn thy death—ah, not the wise?
Better to perish in thy happiest hour,
To close in sight of beauty thy dark eyes,
And, dying so, be changed into a flower,
Than that the stealthy and relentless years
Should steal that grace which was thy only dower.

And bring thee in return dull cares and tears,
And difficult days and sickness and despair . . .
O, not for thee the griefs and sordid fears
That, like a burden, trembling age must bear;
Slain in thy youth, by the sweet hands of Love,
Thou shalt remain for ever young and fair . . .

Hylas

Dark boy, how radiantly you went to meet
Your mystic doom . . . what colours in the sky!
As though that cup of beauty the gods hold
Brimmed over on a world in ecstasy . . .
What silver flutes charmed all the forest ways . . .
How the green shimmered, jewelled thick with flowers,
And how the sun was like a globe of gold . . .
Yet you but thought to chase the perfect hours
Down that white road of wonder and delight,
The highway of your dreams, and heedlessly
You crushed the violets with your slim brown feet,
And whistled low, and sang a careless song . . .
Because your life was full of lovely days,
Because your life was delicate and sweet . . .
O youth and dawn . . . you dreamed not of the night . . .
O life and laughter . . . but the night is long . . .

Blue Flowers

I go to gather in the woods for you
The wild flowers that are blue . . .
Petals to match the colour of your eyes!

None but blue blossoms will I take, yet see
How sweetly tempting me
The fruit trees swing their scented treasuries.

And how the buttercups and daisies dance
To meet my dazzled glance!
But gold and silver, Sweet, are naught to you.

And so let others rob God’s gardens . . . shake
The stars down for your sake—
I bring you but the wild flowers that are blue!

Madrigal

Rare garden where my heart goes gathering
Many a lovely and delightful thing,
Pale roses of your body and the fair
Unrivalled yellow blossoms of your hair!

Tall lilies of your gay and careless grace,
And O the wistful flower of your face!
And all the soft and starry mysteries
Of those divine forget-me-nots, your eyes . . .

O come, fair Love, before the flowers fade,
And bless this garden that the gods have made . . .
Rare garden where my heart goes gathering
Many a lovely and delightful thing . . .

Endymion

Your hair was like a honey-coloured flame
Seen through a veil of silver when you came
And took me in your arms that winter night . . .
The moonlight, amorous of your golden hair,
Toyed with it softly, as a woman might
With some bright treasure, delicate and rare.

O, young Endymion, risen from the dead,
Born once again to beauty, O bright head!
The moon stoops low to kiss you, as of old;
Stoops graciously from her great throne of pearl,
With outstretched arms mysterious and cold . . .
But you have left her for a mortal girl.

Dance Song

O hide your passion from the moon.
When young and slender she appears
In shining gown and silver shoon . . .
And, all her path with stars impearled,
She dances round the darkened world.

O hide your sorrows from the sun . . .
The sun should never see your tears!
Weep, if you will, when day is done . . .
But laugh and sing and clap your hands
While yet the sun in heaven stands.

A Memory

O how I loved you when we met
For that one moment of the day!
Yes, loved you desperately, and yet
Could scarcely find a word to say—
No wonder that you looked and smiled
As though upon some timid child.
You never guessed, how could you guess
That I adored your loveliness!

You never saw the prisoned soul
Behind the windows of my eyes,
Frantic to break from fate’s control
And charm you with her flatteries . . .
And show you, your cold heart to move,
The shining treasure of her love,
And worship in a long embrace,
The reckless beauty of your face!

You never knew . . . and the dream died
A broken rose beneath your feet . . .
You went your way . . . the world is wide
And I forgot, for youth is sweet . . .
Yet when at night I lie awake,
My heart is sad for a dream’s sake,
And I remember and regret . . .
O how I loved you when we met!

The Photograph

O Beauty, what is this?
A shadow of your face . . .
Where is the wild flower grace
That Love is wont to kiss?

Where is the bird that brings
To your untroubled eyes
The blue of fairy skies,
The flash of fairy wings? . . .

O wild bird of delight,
That no white hand may hold,
Or fairest cage of gold . . .
For who would stay its flight?

The song-bird of your voice
Whose magic song Love hears,
Trembling behind your tears,
Trilling when you rejoice . . .

O Beauty, what is this?
The shadow of a rose . . .
A little ghost that goes
Oblivious of Love’s kiss.

Only a shadow . . . yet
It may, in some dark hour
Recall the living flower . . .
If haply Love forget.

St. Sebastian

So beautiful in all thine agony!
So radiant in thine infinite despair . . .
Oh, delicate mouth, brave eyes, and curled bright hair . . .
Oh, lovely body lashed to the rough tree:
What brutal fools were those that gave to thee
Red roses of thine outraged blood to wear,
Laughed at thy bitter pain and loathed the fair
Bruised flower of thy victorious purity?

Marvellous Beauty . . . target of the world,
How all Love’s arrows seek thy joy, Oh Sweet!
And wound the white perfection of thy youth!
How all the poisoned spears of hate are hurled
Against thy sorrow when thou darest to meet
With martyrdom men’s mockery of the truth!

The Magic Mirrors

In the dim mirrors of imagination,
I watch the silent dancing of my soul . . .
I watch her as she dances with my dreams . . .
See how she takes innumerable disguises,
And hides her beauty behind many masks,
And how, sometimes, she seems to laugh and sing,
. . . And weep . . . and call upon the unknown Gods . . .
But not one mirror has betrayed her voice,
Or shown to me the secret of her face . . .
O silent dance of sorrow and delight,
My heart grown tired with watching, turns away,
To make perhaps a little passionate song
Out of the shadows of immortal things . . .

*** END OF THE PROJECT GUTENBERG EBOOK THE INN OF DREAMS ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- THE INN OF DREAMS

- OLIVE CUSTANCE (LADY AFRED DOUGLAS)

- LONDON: JOHN LANE, THE BODLEYD HEAD NEW YORK: JOHN LANE COMPANY, MCMXI WILLIAM CLOWES AND SONS, LIMITED, LONDON AND BECCLES

- DEDICATION
- CONTENTS
- The Inn of Dreams
- The Kingdom of Heaven
- A Dream
- The Autumn Day
- Angels
- The Changeling
- A Song Against Care

- “Quelque part une Enfance très douce doit mourir”

- Candle-Light
- In the South
- Spring in the South
- “I am Weary, let me Sleep”
- Grief
- Daffodil Dawn
- Beauty
- The Vision
- The Dance
- The Prisoner of God
- The Storm
- St. Anthony
- Black Butterflies
- In Praise of Youth
- Opal Song
- Gifts
- Primrose Hill
- A Morning Song
- The Wings of Fortune
- Shadow-Nets
- Peacocks. A Mood
- Hyacinthus
- Hylas
- Blue Flowers
- Madrigal
- Endymion
- Dance Song
- A Memory
- The Photograph
- St. Sebastian
- The Magic Mirrors
- THE FULL PROJECT GUTENBERG LICENSE