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Title: The Loom of Life

Author: Cotton Noe

Release date: August 3, 2009 [eBook #29587]

Language: English

Credits: Produced by David Garcia, KarenD, and the Online Distributed

Proofreading Team at http://www.pgdp.net (This file was

produced from images generously made available by The

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*** START OF THE PROJECT GUTENBERG EBOOK THE LOOM OF LIFE ***

[Transcriber's Note: Page numbers in this file are not sequential due to removal of blank pages which appeared in the original text.]

THE

LOOM OF LIFE

COTTON NOE

Author of "The Blood of

Rachel and Other Poems"

RICHARD G. BADGER

THE GORHAM PRESS

BOSTON

Copyright, 1917, by Richard G. Badger

All Rights Reserved

THE GORHAM PRESS, BOSTON, U. S. A.

TO

SIDNEY STANFILL NOE

Like her who wrought at the Old-fashioned Loom,

And toiled at Distaff and Wheel,—

The grace of the Lily, the breath of its bloom,—

The flame of the Martyr's zeal,—

She has woven the Web of a beautiful Life—

Oh, consecrate LOVE, my WIFE, my WIFE!

NOTE TO THE SECOND EDITION

The Loom of Life was published late in 1912. It has had an unusual sale for a first volume of poetry, and there is still a steady demand for the book, which has been out of print for some months. This Second Edition is issued to meet that demand.

THE PUBLISHER

CONTENTS

Proem11

A SKEIN OF SILVER

The Old-Fashioned Loom 15

The Old Old Clock 17

The Old Spinning Wheel 18

The Old Water Mill 20

Waterloo 22

In the Happy Long Ago 24

The Old Drinking Gourd 25

A SPOOL OF SILK

Solitude 29

Love's Triumph 30

My Guiding Star 31

Rhymes and Roses 32

There's Nothing Dark About Her But Her Hair 33

Blind Tom 34

A Sonnet of the Season 35

Euterpe 36

Scarlet Days 37

Her Eyes Are Brown 38

The Naturalist 39

Dedication 40

Nearing the Meridian 41

Our Pilgrimage 42

Ante Nuptial 43

Dr. Miles Saunders 44

Worship 45

GOLD AND GOSSAMER

To the Mocking Bird 49

A Rondel 50

The Play is O'er 51

A Rondeau 52

The Red Bird 53

Sunset in Breathitt 54

Eyes Divine 55

Jack Frost 56

Ad Aquilam 57

The Ice King in the South 59

Fettered 61

Helen of Troy 62

Cow Bells 63

Hollyhocks 64

Burns 65

Robert Loveman 66

Books 67

Songs Unsung 68

The Rainbow's End 69

LINEN AND LACE

Down Lover's Lane 73

Beneath the Chestnut Tree 74

Jack and Jill 77

Natura 78

Her Eyes 80

The Rose of Love 81

My Jewels 83

A Recollection 84

The Moonshiners 85

Silhouettes 90

Wade 92

A Song 93

The Bloom of Love 95

My Muse 96

A HANK OF HOMESPUN

The School of Skinny 99

One-Armed Joe 101

Wes Perkins 103

The First Mess of Greens 105

Wes Banks 107

Philosophy at a Banquet 109

Anent Halley's Comet 110

PROEM

Warp and woof from the loom of Life—

A fabric wrought in endless strife:—

Lights and shadows, night and day,

A thousand tints of gold and gray—

Ten thousand shades in leaf and bloom,

WARP and WOOF from Life's great Loom.

A SKEIN OF SILVER

THE OLD-FASHIONED LOOM

The old log house where Margaret lived, whose roof had mossy grown,

Reposed amid its clump of trees, a queen upon her throne.

The landscape round smiled proudly and the flowers shed sweet perfume,

When Margaret plied the shuttle of the rude old-fashioned loom.

The world has grown fastidious—demands things ever new—

But we could once see beauties in the rainbow's every hue;

The bee could then find nectar in a common clover bloom,

And simple hearts hear music in the shuttle of the loom.

The picture that my memory paints is never seen to-day—

The April sun of by-gone years has lost its brightest ray:

A fancy-wrought piano in a quaint, antique old room,

But Margaret sang her sweetest to the music of the loom.

She wore a simple home-spun dress, for Margaret's taste was plain,

Yet life was like a song to her, with work a sweet refrain.

The sunshine filled her days with joy, night's shadows brought no gloom.

When Margaret plied the shuttle of the old old-fashioned loom.

Her warp of life was toiling hard, but love its beauteous woof.

The web she wove, a character beyond the world's reproof.

O girls of wealth and beauty vain, who dress in rich costume,

How sweet the shuttle's music of this rare old-fashioned loom.

The world may grow fastidious in art and nature too,

And say there is no beauty in the rainbow's every hue;

And yet the bee finds nectar in a common clover bloom,

And I still love the music of the old old-fashioned loom.

THE OLD OLD CLOCK

Dear old Old Clock, thy grave tick tock

I heard in my childhood days,

In the solemn night, when the fire burned bright,

And the lamp cast feeble rays;

When grandmother close by the mantelpiece,

Sat dozing or knitting, or carding fleece,

Or watching the dying blaze;

When mother was young and her beautiful hair

Had never a silver thread;

When her life was fair as her love was rare,

In the years that have swiftly sped.

Thy grave tick tock, dear old Old Clock,

Unchanged through the changing years,

Still beating time in a ceaseless rhyme

To the dirge of the rolling spheres,—

Unmindful that she by the mantelpiece

Is gone with her knitting and carding fleece,—

Unmoved by our sorrowing tears—

Brings back the days when mother's hair

Had never a silver thread,

And the life still fair in its beauty rare

When the snows had crowned her head.

THE OLD SPINNING WHEEL

A cabin! It nestled amid the green hills

Where grew no bramble or thistle,—

Mid meadows melodious with music and trills

And song that the wild-throated mocking bird spills

On the air from his marvelous whistle.

No carpets were seen on the broad puncheon floors,

No paintings that wealth would reveal;

But a statue was there that Art can not know,

That filled the rude room with a musical glow,—

'Twas Ruth at the Old Spinning Wheel!

Long years have passed by; its music was stilled

At rattle and whirr of machinery.

And the pea-fowl now screams where the mocking bird trilled,

And the landscape is dead where once the heart thrilled

At wildwood and picturesque scenery.

The opera may boast the diva of song,

To me she makes no appeal;

To flute obligato my heart is still dumb,

But oh! for the song and musical hum

Of Ruth and the Old Spinning Wheel!

She lived but a simple, plain rustic life,

Yet charming in sooth was her beauty.

In her untutored heart was love ever rife,

The seat of no conflict, no struggle or strife

'Twixt a selfish will and duty.

I bow at her altar of beauty and truth,

At the shrine of her heart do I kneel,

With a prayer no mortal ever lifted above,

Till my soul is atune with the music of love

She sings to the Old Spinning Wheel!

This unlettered maiden was poor, but high-bred,

Oh, women of fashion far above you!

And I thrilled at the graceful poise of her head

And the radiant smile of my love when she said,

"Why James, you know that I love you."

Nymph-like her lithe form swayed as in dance,

I awkwardly sat at the reel—

A moment's surcease of monotonous thrum,—

Melodious the lull in the song and the hum

Of Ruth and the Old Spinning Wheel!

The glow of the incandescent light

Has banished the tallow candle;

And the ox-cart is gone at steam's rapid flight,

But Love is too subtle, is too recondite

For Learning or Genius to handle.

All honor to Science, let her keep her mad pace,

I abate not a tittle her zeal;

But the splendors of life can never efface

The picture of Ruth in plain rustic grace

Who wrought at the Old Spinning Wheel!

THE OLD WATER MILL

'Twas grinding day at the Old Water Mill,

But holiday with me,

For I knew ere I reached the foot of the hill

And heard the voice of the happy rill,

The miller's beautiful child was there

That wore the tresses of sun-lit hair

And smile of witchery;

And the twittering swallows awhirl in the air,

Told in their ecstacy

That Rachel, the Golden Daffodil,

Was blooming again by the Old Water Mill.

Together we cross the moss-covered log

That spans the old mill race,

And we hear through the mists and rising fog

The boom of the dam, the croak of the frog,

That wakes, on the banks of the glinting stream,

The violet tranced in her winter dream,

Where lights and shadows lace;

And the cowslip, like the meteor's gleam,

Darts from her hiding-place,

While the cataracts leap in their haste to fill

The floats of the wheel at the Old Water Mill.

We sit by the dam of the placid stream

And watch the whirl and churn

Of the pouring floods that bubble and steam

And glitter and flash in the bright sunbeam,

While steadily rolls the dripping wheel

That slowly grinds the farmers' meal,

Who restless wait their turn;

But the lights in the miller's face reveal

Never the least concern,

Who takes his toll, and whistles until

The hopper is drained at the Old Water Mill.

To-day we passed where the Old Water Mill

Had stood in the long ago,

But the cataracts leap no more on the hill,

And the boom of the roaring dam is still,

For the gleaming stream in its grief went dry,

When the ruthless hand of Art passed by

And laid the Old Mill low;

And the violets, cold in death, now lie

Wrapped in the glistening snow;

And the biting air is crisp and chill

Around the ruins of the Old Water Mill.

And now we sit by the River of Time

And gaze at the waves below,

But its brink is covered by frost and rime,

And we hear on the wind a muffled chime

Proclaiming the end of a brief sojourn:

Yet the floods of life still whirl and churn

As the currents ebb and flow:—

By the rolling wheel we wait our turn

Calm, but ready to go!

The hopper is drained, but unmoved still,

The Miller who grinds in Time's Water Mill.

WATERLOO

A meeting-house, no church at all,

With stained cathedral glass,

With lofty spire and arching hall,

And terraced lawns of grass:

No organ peals, no chanting choir,

No frescoed walls that men admire

Had this old meeting-house;

But roses wild their petals piled

About its sacred door,

And locust bloom shed rich perfume,

Upon the air, galore,

Around the meeting-house.

It stood upon a limpid stream

My childhood thought divine,

Whose waters pure did ever gleam

Like shimmering shine of wine;

It stood, alas! but stands no more

Upon the bank or pebbly shore

Of sunny Pleasant Run;

Yet in my dreams, it often seems

I see thee, Waterloo,

And see the flash of beaded splash

Upon the waters too,

While crossing Pleasant Run.

Yes, in my dreams, I often hear

The songs they used to sing—

Those solemn lays of reverent fear,

When Christ indeed was King:

Then sinners bowed when prayer was led

By some poor saint the ravens fed

At holy Waterloo.

How free from lust, the simple trust

Of soul that worshipped there;

How free from guile were men erstwhile

Whose creed was song and prayer,

The creed of Waterloo.

The meeting days were always fair—

God smiled on Waterloo!

And mother rode the dark brown mare,

And took the mule colt, too;

For fashion then did not beguile

A mother's heart with worldly wile,

Ah! happy days agone!

Oh! days no more when mothers wore

Sunhood and riding skirt,

And fathers dressed their Sunday best,

A plain check-cotton-shirt,—

Ah! happy days agone!

The sunlight dances on the hills

That shelter Waterloo;

I see the gold of daffodils

That bloom the meadow through—

The hour has come, for meeting's broke,

And now the simple country folk

Are leaving Waterloo!

The horses neigh; away, away!

Away, but not for home;

Grandma to-day will laugh and say,

"My boy, my boy has come."

Oh, blessed Waterloo!

IN THE HAPPY LONG AGO

Yes, I see him, still he's sitting

By his little cabin door!

Ah! but Dinah's gone! She left him

For the shining, golden shore;

Left old Isham where he's dreaming

With his head bowed deep and low,

Thinking only now of Dinah,

And the happy long ago.

Long the kinky wool was creamy,

Now as white as any snow;

And his eyes are red and dreamy,

Thinking of the long ago.

Massa sleeps beneath the ivy,

Missus, where the daisies blow;

Near them Dinah, and old Isham's

Dreaming of the long ago;—

Thinking of the days when Dinah

Won old Missus' heart and praise,

By her wondrous dainty cooking,

And her charming well-bred ways:—

When his own black arm was brawny—

Swift the step that now is slow—

When he stole the heart of Dinah,

In the happy long ago.

What care they for big corn shuckings?—

Negroes versed in modern lore—

"What a fool is poor old Isham

Dozing by his cabin door!"

Ah! I know why Isham's dreaming

Where the gourd-vines twine and grow;

He is living still with Dinah,

In the happy long ago!

THE OLD DRINKING GOURD

A deep alcove where clambering vine

Enfashioned wreathes of green festoon,

Where through the long, long afternoon

No ray of summer's sultry shine

E'er kissed the rustic grape-vine swing:

High up the purpling muscadine

Clung close to where the waters poured,

And he saw the glint of the redbird's wing

In the crystal wave of the mossy spring,

As she stooped for the Old Drinking Gourd.

The odor tint of elder bloom

The zephyrs wafted through the spray

Was fresh as dew at dawn of day,

Caught in the geometric loom,

Arachne plies with subtle hand:

A pigeon bathed his snowy plume,

A fading speck the vulture soared;

And a tide swept in across the sand

As they stood on the brink of the golden strand

And drank from the Old Drinking Gourd.

A palace wrought of art sublime

Where antique paintings haunt the walls,

And gilded foot as silent falls

In depths of plush, as flight of time,

And liquid music softer blows

Than Hymen's mellow golden chime:

They plighted troth beneath the sword

Of the knight that wore the blood red rose;

But they drank of the cup that never flows

From the bowl of the Old Drinking Gourd.

Now sunset spills his scarlet dyes

Through fleecy rifts of snowy cloud,

And night puts on her ebon shroud,

And stars look out of wintry skies:

Still spacious halls with revels ring

Where chivalry with beauty vies,

And red-wine flows at festive board.

But oh! for the cove where the redbirds sing

By the crystal wave of the mossy spring,

And a draught from the Old Drinking Gourd.

A SPOOL OF SILK

SOLITUDE

To live alone where man nor beast e'er stood,

Ten-thousand miles beyond the site of home;

To walk at night the catacombs of Rome,

Or dwell within some deep death-haunted wood;

To feel like Bonaparte with power endued,

Yet doomed to sleep beneath the starry dome,

And listen to the ocean chafe and foam,—

Not this, not all of these, is solitude.

But oh, to be alone within the hive

Of teeming life, where thousands live and move

And have their shallow beings,—there to strive

With doubt and faith, and feel the soul expand

Beyond the utmost reach of those we love,

And know that they can never understand.

LOVE'S TRIUMPH

To Hart's Triumph of Chastity

(destroyed by fire)

Ah, shattered form, thy beauty, chaste as frost,

Once held in thrall the heart of lord and swain.

While Cupid sped his strongest shafts in vain

Thou didst not dream the price thy triumph cost,

Or know thy charm would be forever lost,

When Time with jealous wind or flood should stain

Thy snowy brow in grime or part in twain

Thy marble heart in fervent holocaust!

Thy spell is gone; but oh, the maid whose heart

Was riven by the little wing-ed god

That dipped his arrow in the scarlet stream

Of my own life, shall triumph over Art

And Time,—my love, whose ardent pulsing blood

Shall quicken other lives and reign supreme!

MY GUIDING STAR

Adrift alone on life's bleak ocean waste,

Through starless nights and dreary sunless days;

Wherever currents led o'er pathless maze,

I plied the oars of aimless toil, and faced

Defeat impatiently, nor ever traced

One ray of hope along the murky haze

Of life's horizon, till I caught the blaze

Of one lone star, whose light was virgin-chaste.

But now I sail through seas where fortune smiles,

And not a cloud the brilliant sky doth mar;

For, ever twinkling near that blazing light,

A little orb my every care beguiles:

My radiant wife is that lone guiding star,

My laughing blue-eyed boy its satellite!

AFTER READING

SAMUEL MINTURN PECK'S

RHYMES AND ROSES

The drowsy drone of honey-laden bees,

The poppied breath of gardens blooming fair,

The scent of elder blossoms, sweet and rare,

Come stealing in on balmy southern breeze;

And dying lays, whose long lost melodies

Still haunt old storied ruins everywhere,

Are dimly floating through the fragrant air—

I dream beneath the blooming apple trees:

A merry orchestra of nymphs and fays

Has gathered in the pine-tree's elfin shade,

With naiad shell and fairy reed and string,

While Minturn Peck the magic baton sways.

And when the band his "Rhymes and Roses," played,

The dryads' voices made the woodlands ring!

THERE'S NOTHING

DARK ABOUT HER BUT HER HAIR

There's nothing dark about her but her hair!

Her liquid eyes, as blue as Grecian seas,

Affect me, like a moonlit southern breeze,

From off the fields of sweet magnolias rare;

Her sympathetic soul is pure and fair

And spotless as the petals of a rose:

Her gown is like a drift of northern snows—

There's nothing dark about her but her hair!

But oh, her hair, ye priests, ye gods, her hair!

Those silken strands of raveled midnight wove

Into a Cupid's mesh, a net of love!

Ah, I confess that I'm entangled there!

But Susan's life as spotless as a dove,—

There's nothing dark about her but her hair.

BLIND TOM

Oh, happy, sad, mysterious, wondrous soul!

Imprisoned in a living dungeon deep

The fates have bound thee; but they can not keep

For ay that spirit in their dark control

Who hear'st the music of the spheres that roll

Through silent time; those beauteous orbs that sweep

Through space and glitter in the boundless deep,

Will yet thy blind, benighted life console.

What sin didst thou commit, or whom offend?

That doomed thee to a carnal cell so gross

That scarce a hint of what thou really art

Has ever reached the world,—who couldst transcend

In matchless music, purged of all thy dross,

The great Beethoven or divine Mozart.

A SONNET OF THE SEASON

The carol in my heart I send to you:

It comes from out the depths of brooding time

To cheer and bless in every place and clime;

To purge the false, to chasten and subdue;

To lift the drooping life, inspire the true

To nobler deeds and thoughts of love sublime.

This anthem—which I sing in sonnet rhyme—

Judean shepherds heard and angels knew!

And now we fear no longer war's alarms,

For red-eyed Mars has fled at last our home:

Christ took the little children in his arms

And blessed them, saying, Suffer them to come

To me that all the sons of men may find

My kingdom here within the child-like mind.

EUTERPE

O lyric muse, thou didst not tune alone

The lyre that loving Orpheus smote

With subtle touch, who struck the golden note

That pierced dread Pluto's heart of stone,

And won again Eurydice his own;

Nor yet Erate's lute, nor Sappho's throat

That thrilled the ear in Grecian isles remote,

Where Homer sang, and Art had built her throne:

But thou, Euterpe, touched blind Milton's tongue,

And swept the thousand chords of Shakespeare's soul;

Woke Byron from his hours of idle dream,

And then he sang mankind a deathless song.

But thou at last didst reach the lyric goal

Of art in Tennyson's immortal theme.

SCARLET DAYS

To F. W. B. Family

Those scarlet days come back to me to-night

Across the span of many happy years—

Dreams, haunted by the music of the spheres,

And glowing skies of gold and chrysolite.

The world of science bursting on my sight,

And words of wisdom falling on my ears,

The rhythmic thought of poets, priests, and seers,

Wrought in my life a spell of wild delight.

Not all: three figures—Faith and Hope and Love—

I see them still through years of mist and haze—

Hope crowned with light, and Faith of godly ken;

And Love was like a meek unconscious dove.

Dear God, although I count those scarlet days,

To-night I would not have them back again.

HER EYES ARE BROWN

Her eyes are brown, oh, Edith's eyes are brown!

I will not boast the midnight of her hair,

Nor yet because her radiant cheek is fair,

And like the touch of autumn's thistle down;

I will not swear I have not seen her frown;

She may be rich and proud and debonair,

For aught I know, I'm sure I do not care:

But oh, her eyes, her eyes are Edith's crown!

I've gazed upon the stars of northern skies

And breathed the perfume of the southern breeze;

I've listened to the boom of far-off seas

On mystic shores; I've seen the full moon rise

Through branch and bloom of old magnolia trees!

There's nothing like the thrill of Edith's eyes!

THE NATURALIST

The shouts of happy boys he does not hear,

Nor knows that wretched men must toil for bread;

The tragedy of life he has not read,

Or deems it but the comedy of fear:

He never lifts his eyes above the ground

To gaze upon the glittering world of stars;

The poet's richest music only mars

The rasping of the locust's strident sound.

And yet I've never seen a wilder light

Glow in the beauteous eyes of dawning love,

Than flashes from this strange man's soul at sight

Of some rare flower he finds in mountain cove:

Mere fungus, or the poisonous, dank mushroom,

Enchants him more than rich magnolia bloom!

DEDICATION

(To H. H. T.)

O soul responsive to the subtlest thought

That flashes o'er the mind's electric wire,

Or ever swept the strings of fancy's lyre

To music learned in schools where Shakespeare taught:

O thou who knowest the springs whence Sappho caught

Love's brimming cup that did her song inspire,

Yet dost my plain, unlettered muse admire,

Who lived in better days when maidens wrought—

To thee, I dedicate my fondest rhymes

In memory of happy days of yore,

Together on the Cumberland, where Ruth,

The charming rustic maid of olden times

First won our love, less for her lack of lore,

Than for her sweet simplicity and truth.

NEARING THE MERIDIAN

(To M. E. W.)

I dream to-night of happy childhood days;

I see two humble homes and thrill with joy;

The years come back when I was but a boy,

And you had ringlets for the gods to praise:

The old Old Swing, the fields of golden maize;

The moving pictures in the clouds above;

The mating birds, their nests, their songs of love—

All this, dear Lord, through years of mist and haze!

And then I turn and look beyond the Shade,

And those who wrought for us are waiting there:

Our mothers with their crowns of silver hair,

And radiant smiles of love that will not fade;

Our fathers with the keys to all the creeds

Are there still strong in faith and pure in deeds.

OUR PILGRIMAGE

(To the Canterbury Club)

The merry band that started long ago

Upon their journey to a-Becket's shrine,

Were happy that a poet's pen divine

Inspired by all a genial wit can know,

Or sympathetic human heart bestow,

Recorded in immortal rhythmic line,

As sweet as breath of old Provencal wine,

Their pilgrim tales and songs of joy and woe.

We start to-night upon our pilgrimage,

Who worship at a holier shrine than they—

The living temple of the sacred muse:

May she who is our patron saint infuse,

Illume our souls; and raise some Pen, I pray,

To leave the world a noble heritage.

ANTE NUPTIAL

(To a Physician engaged to a Nurse)

When young Dan Cupid dipped his fiery shaft

Deep in the liquid blue of Psyche's eyes,

Then took three strands of raveled midnight skies

And strung his silver bow with these, and laughed,

Thy doom, O son of Esculapius' craft,

Was sealed:—the fatalest dart that flies

Is Eros' bolt, and surest of its prize—

And now, physician, take thy healing draft.

Ah, no; it is not unto death but life,

That thou art sick, although pierced through the heart!

Wondrous disease that no physician's art

Can heal, that will not yield to surgeon's knife,—

A blessed wound that ever must grow worse.

How fortunate, O man, that she's a nurse!

DR. MILES SAUNDERS

He held the key to every mystic door

Of Egypt's shrine; he knew the sacred rite

Of druid, sage and seer; and loved the light

Of Babylonian and Assyrian lore:

He saw old Enoch when he walked with God;

He watched Elijah smite the prophets dead;

He knew the Israelites whom Moses led;

And looked upon the bloom of Aaron's rod!

And yet this man who gazed on gods and kings,

And saw and felt whatever mortal can,

Was like his Christ, the lowly Son of Man,

A tender minister in humble things.

He had a royal mind, a priestly ken;

But best of all he loved and helped young men.

WORSHIP

The crown of Caesar glittering on his brow,

The sword of Nero clanking at his side,

His giant hand made crimson in the tide

Of Life, insatiate Mammon feigns to bow

Before the altar of the Prince of Peace.

How long, O God in heaven, wilt thou bide

This mockery of the lowly Christ who died

That sin and greed and enmity might cease?

Not Holy Wars nor death of heretics,

Nor rich cathedrals towering to the sky,

Nor bended knee before the crucifix,

Nor any faith in form can sanctify;

But Brotherhood devoid of selfish strife,

And Love, the incense of a noble life.

GOLD AND GOSSAMER

TO THE MOCKING BIRD

Whence is thy song,

Voluptuous soul of the amorous South!

Oh! whence the wind, the rain, the drouth;

The dews of eve; the mists of morn;

The bloom of rose; the thistle's thorn;

Whence light of love; whence dark of scorn;

Whence joy; whence grief; Death, born of wrong—

Ah! whence is life ten-thousand passions throng?—

Thence is thy song!

Thou singest the rage of jealous Moor,

The passionate love of Juliet;

Thy villainous art can weave a net

With shreds of song, that never yet

Hath lover escaped, however noble and pure.

Ophelia's broken heart is thine,

And Desdemona's, true and good;

Thou paintest the damn-ed spot of blood

That will not out in stain or line!

Oh Lear! Oh Fool! Oh Witch Macbeth!

And wondrous Hamlet in a breath!

Who knows thy heart? thy song? thy words?

Thou Shakespeare in the realm of birds!

A RONDEL

October, queen of autumn days,

With green and crimson leaves is crowned;

Her russet cheeks are sun-embrowned,

Her hair all golden in the haze:

She sits upon a throne ablaze,

Her limbs with royal robes are gowned—

October, queen of autumn days,

With green and crimson leaves encrowned

But now o'erwhelmed in sad amaze

She hears a far-off rising sound;

The hills and booming seas resound;

The plaintive wind her requiem plays—

October, queen of autumn days.

THE PLAY IS O'ER

The play is o'er! Great Wolsey's dead—

That scarlet power once England's dread;

And lustful Henry's brutal sin

Hath slain the noble Catharine,—

More stainless wife was never wed.

Anne Boleyn shares the royal bed

And wears upon her graceless head

The good queen's crown without chagrin—

The play is o'er!

A few brief months have swiftly sped,

The faithless consort's blood is shed.

What means the mighty noise within?

The trumpet's blare, the cymbal's din?

Jane Seymour's to the altar led,—

The play is o'er!

A RONDEAU

His heart was pure: he loved the child

That dwelt among untrodden ways

And dared to lift his voice in praise

Of humblest wight in highlands wild.

Poor, wretched man by sin defiled,

He sang in sympathetic lays—

His heart was pure.

The blithe cuckoo and daisy mild,

The daffodils, like elfin fays,

The mystery of sunset haze

O'er barren moors, his pen beguiled—

His heart was pure.

THE RED BIRD

Animated, flashing, flame of scarlet,

Teasing, tantalizing, madcap varlet,

Glooming, glinting through the boughs,

Making, breaking lover's vows;

Dashing leader of the choir,

Standing on the topmost spire,

Scintillating song and fire,

Calls me: Come up—come up—higher, higher, higher!

Daytime meteor trailing light,

Like a shooting star at night—

Just a moment of delight,

Followed by a mad desire:

But the flaming flash of scarlet,

Tantalizing madcap varlet,

Hiding from my aching sight—

This time just a little nigher—

Laughing from his leafy height,

Mocks me: Come up—come up—higher, higher, higher!

SUNSET IN BREATHITT

Through purple haze of evening mountain mist,

A spiral thread of dark blue smoke arose

From hidden cove and rugged steep defile;

While like a ball of blood o'er some far magic isle,

The sun a moment hung in deep repose,

Above a placid sea of amethyst,

In mystic prophecy of death and doom,—

Then dropped and splashed the sky with crimson spray and spume!

EYES DIVINE

His eyes divine were shot with light

Like flashes in a northern night,

Magnetic gleam that wrought a spell

On whom its star-like shimmer fell—

A spell of wonder and delight;—

Enchantment such as gods excite

With glowing depths of chrysolite,

Or blooming beds of asphodel—

His eyes divine!

In metaphysics recondite,

In realms of verse by royal right

Of Genevieve and Christabel

The first upon the mystic shell;

And yet his greatest charm and might

Were eyes divine!

JACK FROST

In a pixy chariot, drawn,

Not by deer, but elfin fawn,

Thou hast come, Jack Frost and gone.

Silently, unheralded,

O'er the earth thy chariot sped;

Dear Jack Frost, where hast thou fled?

Thou the child's and poet's friend,

Brings't us blessings without end,

Joys the world can not transcend.

Naught but beauty now remains—

Flowers, ferns and fairy fanes,

Wrought upon the window panes;

Fields and forests all aglow,—

Colors only thou dost know:

How the heart doth overflow!

Purple clusters thine and mine,

Winter-wild and muscadine,

Bursting with the wine of vine!

Haws, persimmons, berries red,

Nuts the earth have overspread—

Dear Jack Frost, why hast thou fled?

Old Chris we hail with all his boast,

His jolly fun and merry cost,

But oh, we love Jack Frost, Jack Frost!

AD AQUILAM

"Bird of the broad and sweeping wing,"

O bird of whom the poets sing,

O emblem of the noblest thing

Of which mankind can boast!

Didst thou but know thy image decked

That which commands the world's respect,

And makes kings kneel as slaves abject

To it, their god, almost:

Then thou wouldst soar to greater height

Than e'er attained by birds of flight,

To show the eagle's power and might,

With wings unfurled and stiff;

And at that dizzy height survey

The sea and land without dismay,

Till weary, sink at close of day

Upon thy mountain cliff:

And there secure from all the world,

Nestle, with plumed wings closely furled

That sustained thee and o'er earth whirled

Thee with a haughty air.

Ambitions would disturb thy dreams,

The night air shudder with thy screams,

And like the human soul that teems

With vain-glorious care,

Thy heart would ache, thy soul would long,

To move the world, to sway the throng,

Or be the hero of the song

Of some great epic pen.

'Tis well O bird that thou art free

To soar the air, 'tis well with thee,

'Tis well that thou hast eyes to see,

But not the human ken.

THE ICE-KING IN THE SOUTH

He came, proud monarch of the Land of Snows,

Triumphant, in his argent chariot, decked

With jewels mined in regions of the polar zones!

He came! his fifty snowy steeds were swift

As howling north-winds, and their flowing manes

Were flecked with diamonds brighter than Brazilian stones!

He came! To celebrate his triumph, first

He spread a fleecy mantle o'er the earth—

A frozen shroud symbolic of the Death he wrought.

And then to every pendent branch he hung

A glittering sword,—the tyrant's right to rule,—

Demanding greater homage than ever warrior sought.

More brilliant pageant than the Ice-King's in

The Land of Flowers, never graced return

Of oriental monarch from victorious wars.

But oh! beneath the sparkle and the gleam

Of crystal beauty beats an icy heart,

And a sullen silence his splendid triumph mars;

The waterfalls that leap from jutting ledge

In happy song, are speechless as the tomb,

And every melody that haunts the woods and streams

Has vanished from the earth, and Nature's voice

That erstwhile woke the matin in the mead

Is silent now as music of forgotten dreams.

Back to thy home in the icy Land of Snows,

O tyrant czar! No cringing southern heart

Pays honor to thy rich magnificence and power.

Back with thy splendor and thy glistening gems!

This is the land where every freeman bows

But to the Queen alone, whose sceptre is the flower.

Back, that our sovereign may usher in

The reign of love with sunshine and with song,

And drive away the gloom from every southern hearth.

Back rude invader! to Siberian climes!

And let our royal daughter, Spring, return

To fill with happiness and beauty all the earth.

FETTERED

Within the tented dome where pheasant rare,

With brilliant plumage caught the public gaze,

Or magpie won applause by vulgar phrase

Picked up from idle crowd that thronged the fair,

A pensive nightingale, unnoticed there,

In silence sat and heard men's lavish praise

Of these, yet all unmindful dreamed of lays,

In freedom she might pour upon the air.

HELEN OF TROY

Helen of Troy thy face was fair,

And fair thy radiant golden hair,

Thy form, in every molded part,

But not thy false and fickle heart,

Helen of Troy.

Betrayed by Aphrodite's wiles,

Oenone's life lost all its smiles,

And tasted sorrow to the lees,

When Paris sailed for sunset seas,

Where reigned the queen of all the isles.

Thy beauty, poignant as a dart,

Drave god-like men to wild despair,

And lit the skies with lurid glare

But oh, thy false and fickle heart,

Helen of Troy!

COW BELLS

Oh, the distant muffled tinkling

Of the cow bells in the vale,

When the dawning stars are twinkling

And the silent dews are sprinkling

Fresh the daisies in the dale.

How they flood the soul with music

Sad as song of nightingale—

Tinkling melodies of magic,

Vague, uncertain, longing, tragic,—

Just the cow bells in the vale!

HOLLYHOCKS

It may not be quite orthodox

To say so in society,

And yet I think the hollyhocks,

Of every known variety,

That bloom and bless the humble home,

Are sisters sweet of charity,—

Fair nuns that wear a beauteous cowl,—

God's priestesses unto the soul

That lives in righteous poverty.

BURNS

Acrostic

Warm-heated bard, in thee I find

Infinite soul, irradiant mind;

Long-suffering worth and love refined

Lent thee their ken.

In Robert Burns the heart enshrined

E'en mice and men.

ROBERT LOVEMAN

He knows Will Shakespeare's human heart

And feels his godlike brain;

And sings his soul a kindred part

In rondeau and quatrain.

BOOKS

'Tis early morn and on the green

The children are at play;

The sunlight falls in sparkling sheen,

Their hearts are blithe and gay:

A shadow flits across the scene—

The hour has come that sadness brings,

The master rings, the master rings,

'Tis books!

'Tis late at eve, and o'er the green

The weary toilers pass;

The shadows fall, the sky's serene,

And dew is on the grass:

A light breaks in upon the scene—

The hour has come that gladness brings,

The Master rings, the Master rings,

'Tis books!

SONGS UNSUNG

Unvoic-ed songs that always die

On the strings of the harp that gives them birth,

The flutter of hope, a breath, a sigh,

The song nor asks nor gives a why—

The poet's song he deems most worth.

The silent music of the heart is sweet

To listen to. The slow and measured beat

Of the imprisoned soul that finds a voice

In melodious sound oft may rejoice

Us much; but that which sometimes plays on strings

Too fine to sympathize with words e'er sings

The sweetest melodies, though never heard

Except by ear of him whose soul is stirred.

THE RAINBOW'S END

In childhood's fairy hour I watched a bow

The Titian Sun had painted in the skies,

And marveled at its wondrous hues and dyes

And held my breath in silence at its glow;

"The hand of God," I cried, "Divine, I know!"

And at the thought the tears stood in my eyes.

But when I heard that awful pack of lies

About the pot of gold, I said, "'S that so!"

LINEN AND LACE

DOWN LOVER'S LANE

Down Lover's Lane the creamy spray

Of elder blooms enchants the way,

And dappled shadows sport and play,

Down Lover's Lane!

Here happy redbirds glint and gloom,

The wildrose sheds a sweet perfume,

But death oft lurks in leaf and bloom,

Down Lover's Lane!

BENEATH THE CHESTNUT TREE

Long years ago in childhood's hour.

Beneath an old Beech Tree,

A sweeter and a daintier flower

Than ever graced a lea,

Unfolded all its beauteous bloom

And shed its rich and rare perfume

Alone, alone for me.

The dewdrop sparkling on the rose

Is fresh and fair to see;

I love the lily when it blows

And rocks the cradled bee;

But fairer than the diamond dew

Or lily, was the flower that grew

Beneath the old Beech Tree.

Rose-petaled with a golden fringe,

And calyx to agree;

A dash of sea-foam and a tinge

Of sky in harmony;

The subtile perfume sunny smiles,

And sunnier love, though but a child's,

Beneath an old Beech Tree.

One morn I sought the cooling shade

With heart as light and free

As snowy whitecap ever played

Upon the bounding sea;

But she, the fairy child, was gone,—

The flower that grew for me alone—

Beneath the old Beech Tree.

The brooks still ran the hills among

And babbled on in glee;

The birds still mated, loved and sung

In tuneful melody:

But all the soul of song was lost;

My flower had withered with the frost

Beneath the old Beech Tree.

The years ran on in golden sands

For lovers rapidly;

The flowers waved their magic wands

And smiled still joyously:

But love's enchanting power was gone

For me whom Death had left alone

Beneath the old Beech Tree.

The moonlight sifting through the leaves

Fell soft and silvery,

As threads that sly Arachne weaves

With artful modesty;

It fell and wove a mystic veil

About her face; my cheek grew pale

Beneath the Chestnut Tree.

A breathless moment, all was still;

A deep solemnity

Hung over earth,—and then a thrill

Of love and mystery—

An odor of a rare perfume,

The sweetest flower that e'er did bloom

Beneath the Chestnut Tree!

The brooks now run the hills among

And babble on in glee;

For love brought back the soul of song

Beneath the Chestnut Tree;—

Brought back, while moonlit breezes blew

The sweetest flower that ever grew,

Alone, alone for me.

JACK AND JILL

We played beside the little rill

That flows to larger river;

We heard the mating mocking-birds trill,

The robins piped upon the hill,

And Cupid strung his little bow and filled his little quiver:

Then she, we played, was little Jill,

And I was Jack, her lover.

But floating down the little stream

Toward the larger river,

The rippling of the waves did seem

The fading music of a dream,

For Cupid broke his silver bow and lost his golden quiver;

And Jill forgot the hour supreme

When I was Jack, her lover.

NATURA

O beauteous maid, my heart is thine;

I lay its dearest offering at thy feet;

I burn its sweetest incense on thy shrine,

For thou, sweet maid, art all divine,

For worship thou art meet.

Let those who never felt the glow

That summer suns have spread o'er flowery meads,

Whose hearts have never thrilled at arch-ed bow,

Or when the cascade's crystal flow

Is sparkling into beads,

Deny thy charms. To me thy smile

Is sweeter boon than untried worlds can yield;

No creed of priests can ever lure me while

Thy wondrous love so free from guile,

Is everywhere revealed.

The severing clouds at early dawn

Blush red as roses bursting into bloom

At thy deft touch; and on the dewy lawn

The drapery of night withdrawn

I find no hint of gloom.

And when at noon the streets I quit

For dappled shade or thickest leafy bower,

Then, blushing, thou dost come with me to sit

And read the poems thou hast writ

In leaf and tint of flower.

At evening walking arm in arm

With thee through glen or by the river's brink,

I watch the shades descend o'er distant farm

And still the world has lost no charm

That soul can wish or think.

The loom of fancy never wove

Beneath the starlit skies of southern seas

A dream of beauty thy enchanting love

On hill or stream or sheltered cove,

Or on the open leas

Has not supplied; and thou, sweet maid,

Dost never weary, but from day to day,

And season unto season, every shade

In sky or cloud is new inlaid

With colors soft or gay.

Yon mountain late enrobed in snow

Thou clothest now in dress of shimmering green;

Ere long another garb wilt thou bestow

Upon her, lest thy lover grow

Aweary of the scene.

And when the sheen of summer sky

Shall fade into October's sombre gray,

And Autumn's gayest flowers a-withered lie,

For me yon mountain thou will tie

Into a rare bouquet.

HER EYES

I dare not look again!

In those vast depths of infinite blue

There are visions of joy and love as true

As ever haunted a poet's ken.

This sordid earth's my lot;

Those dreams must be forgot—

I dare not look again.

I dare not look again!

Those dreams must be forgot

The infinite blue, with its love so true

And the visions I dare not pen.

This sordid earth's my lot.

Heavens! might I but look again!

THE ROSE OF LOVE

The flowers closed their autumn bloom

Awhile the bleak winds blew,

And meekly bowing to their doom

They lay in shroud of frozen gloom

The whole long winter through.

There's ever been the same sad tale

To tell of Nature's loves;

Her artful methods never fail

To win the hearts they once assail,

Though she inconstant proves.

Last spring I heard the whisperings low

To modest Daffodil

That won her smile ere yet the snow

Had melted and begun its flow

Adown the little rill.

And soon her soft caresses proved

Too much for Meadow Rue;

And next Anemone was moved;

Spring Beauty whom the nymphs had loved

In shady woods to woo.

But some less trustful, still were slow

To yield their loves' perfume,

Till, melted by the summer's glow,

They let their pent-up passions flow

Through many colored bloom.

But Nature soon withdrew her smile;

I saw their petals pale

And droop, now conscious of the guile

Their fickle lover used the while

She wooed them in the vale.

All winter I had breathed upon

The clos-ed bud of love;

Its milk-white petals, one by one

At last unfolded in the sun

My heart had longed to prove.

And when it reached its full broad blow

It shed a fragrance sweet

From out its bosom lilied snow,—

And incense that the gods I know

Had smiled with joy to greet.

And Nature now begins again

Her courtship with the flowers;

She chants in groves her minstrel strain,

She smiles, and frowns, and weeps in rain

Of gentle April showers.

And while she tries with song of thrush

Once more those hearts to move,

I've seen her oft relentless crush,—

My bud still blooms forever fresh—

It is the Rose of Love!

MY JEWELS

His little Blue Dress is hidden away

From the eyes of the vulgar world,—

And the dear little Shoes,—more precious are they

Than silver or gold empearled—

Jewels that lure like the stars above,

Hidden from all but the eyes of love.

I watched him oft with a mother's heart

As he played with his dear little toys;

But now he is gone, and I sit apart

And muse of those vanished joys;—

Dream of his eyes and his beautiful hair,

And thrill with the love of a sweet despair.

The gaze of the vulgar world today

Would only my jewels abuse;

And this is the reason I hid them away,—

The little Blue Dress and the Shoes:

And I pray that in death my eyes may caress

The dear little Shoes and the little Blue Dress.

A RECOLLECTION

Clouds of sorrow cannot hide

Gleams of sunshine gilding hours

Of happy memory, sweet as flowers

Ever blooming by the wayside,

Thronged with thorn and thistle.

Reapers binding sheaves of plenty,

Think the golden dreams of twenty

Thrill them deepest; and the whistle

Of some lone love-dreaming bird

In the meadow, wakes to memory

Notes now hushed, but sweeter than the

Ear of mortal ever heard.

'Neath the cliffs near by the river

Long cymes of honey-suckle grew,

Odorous in the air; and the violet, too,

Entangling with the phlox, and ever

Entessellated beds of petal'd mosaic

Stretching out before us, rich

As the drapery of a dream in which

The toil of life was not prosaic.

Neither can the hungry ear

Enfashion music softer, sweeter,

Drawn from lyre, than the meter—

Rippling cascade trickling near.

THE MOONSHINERS

Where the trailing arbutus filled the cove

With a perfume as sweet as the breath of love,

And the mountain ivy's astral bloom

Made radiant light of the darkest gloom,

A maiden dwelt as stainless the while

As the baytree's bloom in the steep defile;

And she loved a youth with a heart as true

As ever has beaten for me or you.

Soon summer passed and the autumn came

With its goldenrod and its sumac flame,

With its tinge of frost and its blood-red blush

That made every shrub a burning bush.

Then love became passion for maiden and youth;

All vision had vanished and life was now truth;

And they heard a voice in the flaming tree

Which told them that marriage was nature's decree.

When the spring beauties came and winter had fled

Sue Winn and Josh Bell were happily wed;

And the cowslips that bloomed in the side of the glen

Were fragrant as roses in the gardens of men.

Their home was a cabin, the mountain above

Was rugged and rough, and their fortune was love:

But a cabin with love and vigor and health

Is better than sin and a palace of wealth.

The seasons passed by and a few brief years

Brought bountiful crops to these mountaineers;

And their children that played round the great hollyhocks

Wore the sunniest curls and the cleanest of frocks;

And old-fashioned sunflowers smiled at their door

Midst beautiful pinks and pansies galore;

And the mountain redbirds flashed and flew

Around the rude cabin of Josh and Sue.

Ah, little you know, ye daughters of Jove,

The sweetness of poverty wedded to love;

Untrammeled by fashion, unsated by sin,

With the feeling that life and the dewdrop are kin.

Ah, little you know who dwell among men

The freedom and freshness of mountain and glen,

Where the Diva of Nature gives her grand matinee

In the opera of Love from a rich elder spray!

Yet the earth holds few spots where the winds never blow,

And summer's not followed by the bleak winter snow:

But the harvest will fail both the rich and the poor

In the deep fertile valley, on the thin healthy moor,

Thus Susan grew ill and Joshua found

His corn crop was short, his wheat was unsound,

That drouth and disease had stricken his home

With a hand that poverty couldn't overcome.

Ah, little you care who dwell high above

For the hardships of poverty wedded to love;

Whose awful temptations you never can know,

When the unfeeling winds of adversity blow;

When the loved one is lying all helpless abed,

And children are crying and begging for bread.

Yes, little you dream, ye rich sons of Jove

Of the trials of love in a rough mountain cove.

Josh Bell battled bravely, and fought sin and wrong

And the mighty temptation with a heart true and strong;

But Susan grew weaker, till bright bloomed the rose

That ever the blanched cheek of consumption shows.

"I must save her," he cried, "Oh, God, let the cost

Be my life; if she dies, I am lost, I am lost!"

And Joshua Bell smote his breast with a blow

That only the frenzy of a lover can know.

At a deep hour of night when the hoot of the owl

Made the dark glen as lonesome as haunt of a cowl,

Josh Bell left his cabin for a cave in the hill,

And began the erection of a small mountain still.

For weeks here he labored at midnight alone,

With a firm resolution and a heart like a stone:

Then his own golden corn he had gathered in sheaf,

He now husked in darkness and stole like a thief.

Ah, Joshua Bell, the world does not know

The depth of thy grief, the weight of thy woe,—

The conflict of conscience and love in thy breast,

The struggle of duty and shame unconfessed.

Thy act is a crime in the eyes of the law,

No matter the motive, it weighs not a straw;

No matter the liquid distilled be as dew

That drips from the stem and chalice of rue.

But the comforts of life that lessen the pain

Of those whom we love, ease conscience and brain;

And Josh half forgot the cave in the hill,

And the white sparkling liquor that flowed from the still,

When Sue smiled and said, "By thy great sacrifice

Of unceasing toil and love without price,

I am better to-day; with return of the spring

We can labor together where the brown thrushes sing."

Thus Josh kept his secret, and the daffodils came

That bloom but for those unworthy of blame;

And Sue never knew that the gold and the gain

Was purchased with liquor distilled from their grain.

But the sleuth-hounds of law found the cave in the hill

At a late hour of night and raided the still;

Then surrounded the cabin, and woke Josh and Sue

And demanded surrender of the moonshiners, too.

With Winchester rifle Josh leaped from his couch,

"I'll never surrender, nor cower, nor crouch

To cowardly villains that plunder the poor,

In the guise of the law; who crosses my door,

Had best make his peace with the angels above;

By my life I'll protect the darlings I love."

Like a lion at bay, the flash of his eye,

Told the brave mountaineer would shield them or die.

But the torch of the raiders lit a red flame that stung

The stouted hearted Josh like a vile adder's tongue,

Till he rushed from his cabin in madness and swore

He would save Sue and children or sleep nevermore.

But a flash from a rifle sent a ball through his brain,

And Joshua Bell never breathed once again.

And his loved ones perished in the flame and the smoke

Of his own little cabin he had hewn from the oak.

When the morning has climbed up the high eastern hill

And the sunlight is dancing on ripple of rill,

The coroner summons a jury and feigns

An inquest of law o'er the ghastly remains.

The verdict is heard with whoop and hurrah:

"These moonshiners died at the hands of the law;

Let all men beware," the coroner cried,

"The murder of outlaws is just homicide."

SILHOUETTES

The flickering carbon threw a stream

Of bluish light over the sleety street.

Men and women everywhere were hurrying homeward,

Shivering for the comfort that was gleaming

Through many a window from blazing hearths within.

The freezing rain was biting like an adder.

Down the icy thoroughfare,

Muffled deep in furs and ulster,

Madly rushed the Wall-street banker,

Plunging through the storm and shadow,

Impatient for the shelter of his mansion.

No wonder that he heeded not the darkling figure

Of a little homeless waif that crouched

Beneath the jutting frieze and cornice

Of a rich Corinthian window;—

No wonder, for the night was bitter,

And his mansion yet two blocks away!

No wonder either that the wanderer

Neither saw nor heard the banker,

Though his tread was swift and heavy,

For a mighty storm was raging!

Yet above the noise and howling

Of the wind and rain and tempest,

The outcast heard the shoeless footfall

Of a little homeless brother,

Lost amid the blinding shadows.

And soon they slept, secure and thankful,

Though the maddening storm grew fiercer,—

Slept, but dreamed:

The window rose a richer mansion

Than ever sheltered Wall-street banker—

A castle wrought of childish fancy,

More beauteous than the pen of romance

Has pictured of the days of chivalry.

But their little dreaming childhood,

Painted no baronial robber.

Saw no haughty plumed tiara,

Heard no clank in Norman donjon.

In the palace, dream-constructed,

Where the little waifs lay nestled

In each other's arms fraternal,

Love had built a shining altar,

War had laid aside his armor,

And the knights that there assembled

Were their little homeless brothers,

Gathered from the ranks of sorrow,

Orphans, outcasts, gamin, wanderers.

WADE

Out of the infinite depths of love,

Floated a spirit song,

Plaintive and sad as coo of dove,

Burdened for sin and wrong;

So tender and sweet the melody,

None heard that song but he.

Out of the days of childhood joys,

Faded the smile of light;

The sun that dazzled other boys,

For him was never bright:

The birds sang sweet on every tree—

All heard their songs but he.

Out of the realms of infinite light,

A song of infinite glee;

The faded smile of joy grew bright,

"Mother is waiting for thee."

So tender and sweet the melody,

None heard that song but he.

A SONG

In the mountains of Kentucky,

Where the ivy's astral bloom

And the laurel's waxen petals

Shed a rich and rare perfume;

Where the purple rhododendron

And the wild forget-me-not

Bloom in amorous profusion

Round a little mossy grot.

It was there I left Rowena,

She is waiting now for me,

While I linger here impatient,

For my love I long to see.

Oh, but soon I know I'll see her,

And never more we'll part—

In the mountains of Kentucky,

Lives my own, my true sweetheart.

Refrain

She's a fairy, I'll admit, a little airy;

But her eyes are like the blue Aegean sea:

And her auburn hair, it would drive you to despair,

For Rowena's heart is true to none but me.

In the mountains of Kentucky,

Though the grass may not be blue,

Yet the streams are swift and sparkling,

And Rowena's heart is true:

And I love the lofty mountains,

And the deep and darkling coves,

Where the redbirds gloom and glimmer,

And Rowena lives and loves.

'Tis the home, they say, of feudist,

Where the hand of man is red;

But I know a hundred places,

Where blood's as wanton shed:

Yet no spot in all creation

Has a sky of such a hue—

In the mountains of Kentucky

Lives my sweetheart pure and true.

Refrain

In the Blue-grass of Kentucky

Now Rowena waits for me,

With a brood of little fairies

That my heart so longs to see;

For their eyes are bright and sparkling

As the drops of diamond dew—

In the Blue-grass of Kentucky,

Live my sweethearts pure and true:

Yes, I love the lofty mountains,

And the deep and darkling cove,

Where the redbirds gloom and glimmer,

And the sky is bright above;

But one spot to me is dearer

Than all the world apart,

In the Blue-grass of Kentucky,

Lives my own, my true sweetheart.

Refrain

THE BLOOM OF LOVE!

(Double Acrostic)

Romance by the little stream,

Where the wild-rose blooms so fair;

Oh, who would mar that happy dream

I see enacted there?

Beauteous orioles are they—

Little timid, tongueless birds—

Each listening to the voiceless lay,

Love strives to put in words.

Roses drop their petals round;

In the air a sweet perfume;

Till time no longer baffles sound—

Eternal love hath burst its bloom!

MY MUSE

Oh! couldst thou know her faithful art!

When troubled dreams disturb the brain,

Though rattling sleet be on the pane,

Beneath the window of my heart,

I hear her cheering strain—

My Muse who never will depart

For life's cold wintry rain.

A HANK OF HOMESPUN

THE SCHOOL OF SKINNY

Have you never heard the story of the good old country school

With its rude split-bottomed benches and its ancient dunce's stool?

Where Webster's Blue-back Speller was the only standard text,

And supplied the place of grammar that our late forefathers vexed;

Where they never heard of Latin or the Greek subjunctive mode,

But sang their mult-plication like a patriotic ode?

The Master, he was skinny, with a lean and hungry look;

And a countenance as placid as a frozen winter brook;

His brow was broad and Grecian, and his eye was snell and keen,

And his head was stuffed with knowledge of a dozen books, I ween;

And they say his nose was Roman as the bill of any hawk,

And his boys were all perfection, for they had to walk the chalk.

And yet I've often wondered if they really always walked,

And sat upright like statues, and never laughed or talked,

For I've often heard my father say the model of the school

Got licked at least three times a day as a pretty general rule,

And lament the good old method, as a lost, forgotten art,

Of imparting knowledge in a way that made a fellow smart.

I wish we had the secret now of making boys walk

Instead of always watching for a chance to throw some chalk;

But the art, I think, was buried with the Blue-back Spelling Book,

And the piercing eye of Skinny, that no mortal boy could brook;

'Twas buried with the benches and the ancient dunce's stool

And the grease-glazed paper windows of the good old country school.

It may be through psychology and molly-coddle stuff,

We often talk in institutes, we've lost the power to bluff;

Perhaps 'twas Pestalozzi, Froebel and John Herbart

Who robbed the wand of Skinny of its pedagogic art;

We'll not discuss philosophy, but we know about the chalk,

That no theoretic dream of man can make a boy walk.

ONE-ARMED JOE

Ricollect ol' One-Armed Joe?

Lost it grindin' cane.

Same blame feller 't used to go

Round with Lizy Jane

Grindin' sorghum ever fall.

Lizy Jane wuz Joe's ol' mare;

Never showed her at a fair,

But blamed 'f she couldn't beat all

Ringsters to an ol' cane sweep

That ever stepped a mile. Never fat,

Ring-bone an' bob-tail an' all that,

But law! she made the cane-mill weep!

An' us chillern, we'd allus go

Over where they's grindin' cane

An' git to ride ol' Lizy Jane,

An' hear the jokes of One-Armed Joe;

An' maybe git the sorghum skimmin's,

Thwuzzent allus so many wimmins

Bossin' round, cause One-Armed Joe,

He loved us chillern bettern them.

(Bet he wears a diadem

In the world where preachers go).

Joe had grit and feelin's, too,

An' they wuzzent nothin' he couldn't do,

'Cept to do another harm:

Ketch a possum, kill a bear,

Cuss an' dance, or lead in prayer;

Jump a rope, or skin a cat,

Make a speech or guess a riddle,

Sing a song, or play the fiddle—

No, Joe couldn't quite do that,

Cause One-Armed Joe had lost an arm,

But that's all he couldn't do.

One night dogs treed a coon

Up a leanin' poplar tree;

Joe could by the glimmerin' moon

See the leanin' poplar leant:

Jerked his coat and up he went;

Ketched the possum, let him go,

Slipped his holts and hollered, "Oh!"

An' down into eternity

Limp and warm, fell poor old Joe!

Don't remember One-Armed Joe?

Feller I'll bet the angels know!

WES PERKINS

I've read of Bob Burdett,

And Billin's, Twain and Bret

And the whole endurin' set

Of funny men, I guess;

But I never yit have found,

No matter how renowned,

A wit that's ever downed

Our Perkins, boys call Wes.

You sildom ketch him lyin';

Not much for speechifyin';

And he 'pears just half-way tryin'

When he does git off his wit:

But dogged if th'aint blame'd few

'Ll probe you through and through,

As Wes is sure to do,

For he allus makes a hit.

He's a humble sort of feller

With an eye as soft and meller

As an apple golden yeller

In the mild September sun:

Kinder quare and unconcerned,

Like he didn't kere a derned,

But many a feller's learned

That Wes is in for fun.

Cheap wits don't make no noise

'Bout Wes, 'cause he destroys

Their wisdom, which annoys

The humorist, more or less.

Unless your jokes 'll fit

You'd best reserve your wit,

And entirely omit,

'Fore Perkins, boys call Wes.

THE FIRST MESS OF GREENS

You may boast of landscapes golden

With the harvest's ripenin' grain,

Or of Autumn pensive foldin,

All her flowers to sleep again;

But to me the woods a-ringin'

With the notes of happy birds

When the April buds is springin'

Is a song too sweet for words:

And the beautifullest, since you ask it,

In art or nature's scenes,

Is Kate with knife and basket,

A-getherin' of greens.

It pears to lift the veil of years

And opens up to view,

A scene that brings me soothin' tears

As sweet as tender dew

To grass that suns have withered dry:

I can see her jist as plain,

Though Father Time has dimmed my eye,

And ricollect the pain,

I suffered while she paused a-thinkin'

What such an answer means;

And the "Stay and help us, John," a-winkin'

"Eat our first mess of greens."

I've heard my neighbor Johnson say

His choice was chicken pie;

And Perkins lows he likes to stay

His stomach with a fry:

And Jones, he says, says he, "I think

Good old Kentucky rye

Suits me the best; give me a drink,

Whenever I am dry."

But I have never tasted meat,

Nor cabbage, corn nor beans,

Nor fluid food one half as sweet

As that first mess of greens.

It's not the pictur' near as much

As the thoughts that gethers round,

That always gives the paintin' such

Distinction and renown.

There's nothin' in a grassy knoll

So beautiful to see,

And yit I think within my soul

It beats a flowery lea.

And oh, I'd git Munkasket,

If I only had the means,

To paint me Kate with basket

A-getherin' of greens.

WES BANKS

Wes Banks, you know, he teaches school,

Has teached for nigh on forty year,

And I jist want to say right here,

That though he may not fit your rule,

Wes Banks, by jings, he ain't no fool.

And if you bet your dough 'gin Wes,

You'll want your money back, I guess.

Wes Banks, he never wears a tie—

Them things, you know, some call cravats,

Nor collar neither, and jist that's

The very tarnal reason why

I bet on Wes, and that's no lie:

No man can lead Wes by the nose

If he don't wear the latest clothes.

Wes Banks, you know, I'm speakin' uv:

He lives way out on old Line Fork,

As good a place as in New York;

Out where the birds sing lays of love,

The wren, the thrush, the turtle dove—

Sometimes, it seems, because of Wes,

Who loves their music, more or less.

Wes claims that now for forty year

He has prescribed strong peachtree tea

For cusses, which he says that he

Could not intrest except by fear:

Wes makes this claim while standing here

Before his boys now teaching school,

Who can't remember such a rule.

Now Wes, he's awful in his speech:

He says I "seed" and "done" and "haint,"

And lots of things that's wrong and quaint;

But many's them who pray and preach

And go to school and learn to teach

And wear a darned sight better clothes,

Still never learn what Wesly knows.

Well, Wes ain't much at institutes;

Don't like to make a public talk,

And demonstrate with board and chalk.

No, he ain't much on sich disputes;

But Wes at school gits down and roots:

Up here Wes Banks is jist a wag,

With striped candy in a bag.

Old Wes is poor as money goes,

But rich in love and charity;

His heart goes out in sympathy

To barefoot boy with bleeding toes,

And girls in torn and tattered clothes;

And with his heart goes Wes's coin,

To heal the wound and gird the loin.

And this is why tonight I rise

To speak how Wesly Bank's life

Through forty years of schoolroom strife

By living truth has conquered lies,

And made his students good and wise:

You can't size Wes by looks or speech,

No more than some by what they preach.

PHILOSOPHY AT A BANQUET

Old Socrates who thought he knew

A philosophic thing or two,

Believed that man was made to walk

Or lounge about the streets and talk

Of life and death and virtues true,

And what a fellow ought to do;

While poor Xantippe, so I'm told,

Remained at home to drudge and scold.

But Epicurus seemed to think

That man was made to eat and drink,

A doctrine quite as orthodox,

I sometimes think, as old man Soc's;

For what philosophy's complete

That can not take an hour to eat?

I like old Socry, to be sure,

But here I'm just an Epicure.

ANENT HALLEY'S COMET

Oh, how sick of Halley's comet!

Almost makes me want to vomit.

Can't pick up a magazine,

Halley's comet isn't seen.

When the weary day is done,

Still no peace unless you shun

Every living soul you meet

Talking comet on the street.

Should you occupy the pews,

See the Hipp or read the news,

Fall asleep and chance to dream,

Halley's comet still the theme.

Dust to-day got in my eye,—

Halley's comet passing by.

Both the sense of sound and sight,

Suffering from this comet's blight.

When the days were hot and dry,

Halley's comet in the sky.

All through April frost and rain,

Halley's comet raising Cain.

Whoso seeks for faith or knowledge

Goes to church or enters college,

Hears naught else but this discussed.—

Shooting stars and comet dust.

Taft and Teddy's well be dead,

Like Old England's monarch Ed,—

Just as well as be forgot

Midst this meteoric rot.

Automobile passes by,

Like a comet in the sky.

Leaving in its awful trail,

Wreaths of smoke just like a tail;

See a fellow sniff the air,

Stop, turn pale, and trembling, swear:

"Wonder now has science lied?

That gas smells like cyanide."

Learned, ign'rant, rich and poor,

All are full of comet lore.

Life had charms that once were sweet;

Earth, hast now no safe retreat?

If this talk will not abate,

Lord, I pray this be our fate;

May this globe dissolve or fail,

Passing through the comet's tail!

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Table of Contents

THE LOOM OF LIFE

COTTON NOE

NOTE TO THE SECOND EDITION

CONTENTS

PROEM

A SKEIN OF SILVER

THE OLD-FASHIONED LOOM

THE OLD OLD CLOCK

THE OLD SPINNING WHEEL

THE OLD WATER MILL

WATERLOO

IN THE HAPPY LONG AGO

THE OLD DRINKING GOURD

A SPOOL OF SILK

SOLITUDE

LOVE'S TRIUMPH

MY GUIDING STAR

AFTER READING SAMUEL MINTURN PECK'S RHYMES AND ROSES

THERE'S NOTHING DARK ABOUT HER BUT HER HAIR

BLIND TOM

A SONNET OF THE SEASON

EUTERPE

SCARLET DAYS

HER EYES ARE BROWN

THE NATURALIST

DEDICATION

NEARING THE MERIDIAN

OUR PILGRIMAGE

ANTE NUPTIAL

DR. MILES SAUNDERS

WORSHIP

GOLD AND GOSSAMER

TO THE MOCKING BIRD

A RONDEL

THE PLAY IS O'ER

A RONDEAU

THE RED BIRD

SUNSET IN BREATHITT

EYES DIVINE

JACK FROST

AD AQUILAM

THE ICE-KING IN THE SOUTH

FETTERED

HELEN OF TROY

COW BELLS

HOLLYHOCKS

BURNS

ROBERT LOVEMAN

BOOKS

SONGS UNSUNG

THE RAINBOW'S END

LINEN AND LACE

DOWN LOVER'S LANE

BENEATH THE CHESTNUT TREE

JACK AND JILL

NATURA

HER EYES

THE ROSE OF LOVE

MY JEWELS

A RECOLLECTION

THE MOONSHINERS

SILHOUETTES

WADE

A SONG

THE BLOOM OF LOVE!

MY MUSE

A HANK OF HOMESPUN

THE SCHOOL OF SKINNY

ONE-ARMED JOE

WES PERKINS

THE FIRST MESS OF GREENS

WES BANKS

PHILOSOPHY AT A BANQUET

ANENT HALLEY'S COMET

THE FULL PROJECT GUTENBERG LICENSE