Punch, or the London Charivari, Volume 107, August 11, 1894
Date: 2013-04-15T00:00:00+00:00
Keywords: English wit and humor -- Periodicals

The Project Gutenberg eBook of Punch, or the London Charivari, Volume 107, August 11, 1894

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Punch, or the London Charivari, Volume 107, August 11, 1894

Author: Various

Release date: April 15, 2013 [eBook #42546]
Most recently updated: October 23, 2024

Language: English

Other information and formats: www.gutenberg.org/ebooks/42546

Credits: Produced by Paul Marshall, Malcolm Farmer and the Online
Distributed Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOLUME 107, AUGUST 11, 1894 ***

PUNCH,
OR THE LONDON CHARIVARI.

Vol. 107.

August 11, 1894.

LORD ORMONT'S MATE AND MATEY'S AMINTA.

By G***GE M*R*D*TH.

Volume III.

And now the climax comes not with tongue-lolling sheep-fleece wolves, ears on top remorselessly pricked for slaughter of the bleating imitated lamb, here a fang pointing to nethermost pit not of stomach but of Acheron, tail waving in derision of wool-bearers whom the double-rowed desiring mouth soon shall grip, food for mamma-wolf and baby-wolf, papa-wolf looking on, licking chaps expectant of what shall remain; and up goes the clamour of flocks over the country-side, and up goes howling of shepherds shamefully tricked by Æsop-fable artifice or doggish dereliction of primary duty; for a watch has been set through which the wolf-enemy broke paws on the prowl; and the King feels this, and the Government, a slab-faced jubber-mubber of contending punies, party-voters to the front, conscience lagging how far behind no man can tell, and the country forgotten, a lout dragging his chaw-bacon hobnails like a flask-fed snail housed safely, he thinks, in unbreakable shell soon to be broken, and no man's fault, while the slow country sinks to the enemy, ships bursting, guns jammed, and a dull shadow of defeat on a war-office drifting to the tide-way of unimagined back-stops on a lumpy cricket-field of national interests. But this was a climax revealed to the world. The Earl was deaf to it. Lady Charlotte dumbed it surprisingly. Change the spelling, put a for u and n for b in the dumbed, and you have the way Morsfield mouthed it, and Matey swimming with Browny full in the Harwich tide; head under heels up down they go in Old Ocean, a glutton of such embraces, lapping softly on a pair of white ducks tar-stained that very morning and no mistake.

"I have you fast!" cried Matey.

"Two and two's four," said Browny. She slipped. "Are four," corrected he, a tutor at all times, boys and girls taken in and done for, and no change given at the turnstiles.

"Catch as catch can," was her next word. Plop went a wave full in the rosy mouth. "Where's the catch of this?" stuttered the man.

"A pun, a pun!" bellowed the lady. "But not by four-in-hand from London."

She had him there. He smiled a blue acquiescence. So they landed, and the die was cast, ducks changed, and the goose-pair braving it in dry clothes by the kitchen fire. There was nothing else to be done; for the answer confessed to a dislike of immersions two at a time, and the hair clammy with salt like cottage-bacon on a breakfast-table.

Lord Ormont sat with the jewels seized from the debating, unbeaten sister's grasp.

"She is at Marlow," he opined.

"Was," put in Lady Charlotte.

The answer blew him for memory.

"Morsfield's dead," his lordship ventured; "jobbed by a foil with button off."

"And a good job too."

Lady Charlotte was ever on the crest-wave of the moment's humour. He snicked a back-stroke to the limits, shaking the sparse hair of repentance to the wind of her jest. But the unabashed one continued.

"I'll not call on her."

"You shall," said he.

"Shan't," was her lightning-parry.

"You shall," he persisted.

"Never. Her head is a water-flower that speaks at ease in the open sea. How call on a woman with a head like that?"

The shock struck him fair and square.

"We wait," he said, and the conflict closed with advantage to the petticoat.

A footman bore a letter. His step was of the footman order, calves stuffed to a longed-for bulbousness, food for donkeys if any such should chance: he presented it.

"I wait," he murmured.

"Whence and whither comes it?"

"Postmark may tell."

"Best open it," said the cavalry general, ever on the dash for open country where squadrons may deploy right shoulders up, serre-files in rear, and a hideous clatter of serjeant-majors spread over all. He opened it. It was Aminta's letter. She announced a French leave-taking. The footman still stood. Lord Ormont broke the silence.

"Go and be——" the words quivered into completion, supply the blank who will.

But her punishment was certain. For it must be thus. Never a lady left her wedded husband, but she must needs find herself weighted with charge of his grand-nephew. Cuckoo-tutor sits in General's nest, General's wife to bear him company, and lo! the General brings a grand-nephew to the supplanter, convinced of nobility beyond petty conventions of divorce-court rigmarole. So the world wags wilful to the offshoot, lawn-mowers grating, grass flying, and perspiring gardener slow in his shirt-sleeves primed with hope of beer that shall line his lean ribs at supper-time, nine o'clock is it, or eight—parishes vary, and a wife at home has rules. A year later he wrote—

"Sir,—Another novel is on hand. Likely you will purchase. Readers gape for it. Better than acrostics, they say, fit for fifty puzzle-pages. What price?

"G***ge M*r*d*th."

The End.

NO END TO HIS INIQUITIES.

(From a Yorkshire Moor.)

Sportsman (awaiting the morrow, and meeting Keeper as he strolls round). "Well, Rodgers, things look fairly hopeful for Tomorrow, eh?"

Rodgers (strong Tory). "Well, Sir, midlin', pretty midlin'. But, oh dear, it's awk'ard this 'ere Twelfth bein' fixed of a Sunday!"

(With much wisdom.) "Now, might Mr. Gladstone ha' had hanything to do wi' that arrangement, Sir?"

THE MARCH OF CIVILISATION.

(From a Record in the Far East.)

Step One.—The nation takes to learning the English language.

Step Two.—Having learned the English language, the nation begins to read British newspapers.

Step Three.—Having mastered the meaning of the leaders, the nation start a Parliament.

Step Four.—Having got a Parliament, the nation establishes school boards, railways, stockbrokers, and penny ices.

Step Five.—Having become fairly civilised, the nation takes up art and commerce.

Step Six.—Having realised considerable wealth, the nation purchases any amount of ironclads, heavy ordnance, and ammunition.

Step Seven.—Having the means within reach, the nation indulges in a terrific war.

Step Eight and Last.—Having lost everything, the nation returns with a sigh of relief to old-fashioned barbarism.

THE TRIUMPH OF CIVILISATION!

A HINT TO THE POSTAL AUTHORITIES.

The Employment of Good-looking and Attractive Young Men in clearing the Letter-Boxes undoubtedly results in frequent Detention of the Mails.

EASTWARD HO!

"Oh East is East, and West is West," says strenuous Rudyard Kipling, And what has the West taught to the East, save the science of war, and tippling? To ram, and to torpedo, and to drain Drink's poisoned flagons? And Civilisation sees her work in—armour-plated Dragons! The saurians of primeval slime they fought with tooth and claw, And Sho-ki's dragon, though possessed of wondrous powers of jaw, And Miochin's scaly monster, whereat Sho-ki's pluck might melt, And the dragon speared by stout St. George in the bold cartoons of Skelt,— These were but simple monsters, like the giants slain by Jack, But your dragon cased in armour-plate with turrets on his back, And a charged torpedo twisted in his huge and horrid tail. Is a thing to stagger Science, and to make poor Peace turn pale!

Yes, East is East, and West is West; but the West looks on the East, And sees the bold Jap summoning to War's wild raven-feast The saffron-faced Celestial; and the game they're going to play (With a touch of Eastern goriness) in the wicked Western way. For the yellow-man has borrowed from the white-man all that's bad, From shoddy and fire-water, to the costly Ironclad. He will not have our Bibles, but he welcomes our Big Guns, And he blends with the wild savagery of Vandals, Goths or Huns, The scientific slaughter of the Blood-and-Iron Teuton!— A sight that Civilisation would right willingly be mute on. But these armour-plated dragons that infest the Yellow Sea Are worse than the Norse "Dragons" whose black raven flag flew free O'er fiord and ocean-furrow in the valorous Viking days. Heathen Chinee and Pagan Jap have learned our Western ways Of multitudinous bloodshed; every slaughtering appliance, Devices of death-dealing skill, and deviltries of Science Strengthen the stealthy Mongol and the sanguinary Turk; And Civilisation stands, and stares, and cries, "Is this my work?"

Mem. by a Muddled One.

"Poems in Prose" seem all the go. They're bad enough, but worse The dreary hotch-potch we all know Too sadly;—prose in verse!

OLD THREE-VOL.

There rose two Book-Kings in the West, Two Kings both great and high; And they have sworn a solemn oath Good old Three-Vol. shall die.

They took a pen and wrote him down, Piled sins upon his head; And they have sworn a solemn oath Good old Three-Vol. is dead.

But when "the Season" comes once more, And folks for fiction call, Old Three-Vol. may rise up again, And sore surprise them all!

REMNANTS.

(A Pindaric Fragment.)

In the young season's prime Yon remnant felt its major portion reft, And waited for the surplus time Ingloriously left.

For it no glories of the lawn, No whirling in the valse that greets the dawn, No record in the fleeting roll of fame That gives the wearer's name, And tells a waiting world what gown she wore; While that which went before No cheaply-sober destiny has found But graced fair Fashion's ground, Where Pleasure, gaily deck'd, Within the fancied circle of select, Watches the Polo cavalry at war, The victim pigeons tumbled in their gore, The rival Blues at Lord's, the racing steeds On Ascot's piney meads, Or where luxuriant Goodwood's massy trees Murmur to no common breeze, And see afar the glint of England's summer seas.

Impute no fault, ye proud, nor grandeur mock, If frugal Elegance, discreet and fair, The aftermath of lavish Fashion reap, And, having waited long with nought to wear, Get the same goods, though late, and get them cheap. Next year the daintiest gowns by lawn and lock May haply be the fruit of surplus summer stock.

Pope for the Emancipated Sex.—"The understudy of mankind is woman."

LYRE AND LANCET.

(A Story in Scenes.)

PART VI.—ROUND PEGS IN SQUARE HOLES.

Scene IX.—The Entrance Hall at Wyvern.

"What name, if you please, Sir?"

Tredwell (to Lady Cantire). This way, if you please, my lady. Her ladyship is in the Hamber Boudwore.

Lady Cantire. Wait. (She looks round.) What has become of that young Mr. Androm——? (Perceiving Spurrell, who has been modestly endeavouring to efface himself.) Ah, there he is! Now, come along, and be presented to my sister-in-law. She'll be enchanted to know you!

Spurrell. But indeed, my lady I—I think I'd better wait till she sends for me.

Lady Cant. Wait? Fiddlesticks! What! A famous young man like you! Remember Andromeda, and don't make yourself so ridiculous!

Spurr. (miserably). Well, Lady Cantire, if her ladyship says anything, I hope you'll bear me out that it wasn't——

Lady Cant. Bear you out? My good young man, you seem to need somebody to bear you in! Come, you are under My wing. I answer for your welcome—so do as you're told.

Spurr. (to himself, as he follows resignedly). It's my belief there'll be a jolly row when I do go in; but it's not my fault!

Tred. (opening the door of the Amber Boudoir), Lady Cantire and Lady Maisie Mull. (To Spurrell.) What name, if you please, Sir?

Spurr. (dolefully). You can say "James Spurrell" —you needn't bellow it, you know!

Tred. (ignoring this suggestion). Mr. James Spurrell.

Spurr. (to himself, on the threshold). If I don't get the chuck for this, I shall be surprised, that's all!

[He enters.

Scene X.—In a Fly.

Undershell (to himself). Alone with a lovely girl, who has no suspicion, as yet, that I am the poet whose songs have thrilled her with admiration! Could any situation be more romantic? I think I must keep up this little mystification as long as possible.

Phillipson (to herself). I wonder who he is. Somebody's Man, I suppose. I do believe he's struck with me. Well, I've no objection. I don't see why I shouldn't forget Jim now and then—he's quite forgotten me! (Aloud.) They might have sent a decent carriage for us instead of this ramshackle old summerhouse. We shall be hours getting to the house at this rate!

Und. (gallantly). For my part, I care not how long we may be. I feel so unspeakably content to be where I am.

Phill. (disdainfully). In this mouldy, lumbering old concern? You must be rather easily contented, then!

Und. (dreamily). It travels only too swiftly. To me it is a veritable enchanted car, drawn by a magic steed.

Phill. I don't know whether he's magic—but I'm sure he's lame. And I shouldn't call stuffiness enchantment myself.

Und. I'm not prepared to deny the stuffiness. But cannot you guess what has transformed this vehicle for me—in spite of its undeniable shortcomings—or must I speak more plainly still?

Phill. Well, considering the shortness of our acquaintance, I must say you've spoken quite plainly enough as it is!

Und. I know I must seem unduly expansive, and wanting in reserve; and yet that is not my true disposition. In general, I feel an almost fastidious shrinking from strangers——

Phill. (with a little laugh). Really, I shouldn't have thought it!

Und. Because, in the present case, I do not—I cannot—feel as if we were strangers. Some mysterious instinct led me, almost from the first, to associate you with a certain Miss Maisie Mull.

Phill. Well, I wonder how you discovered that. Though you shouldn't have said "Miss"—Lady Maisie Mull is the name.

Und. (to himself). Lady Maisie Mull! I attach no meaning to titles—and yet nothing but rank could confer such perfect ease and distinction. (Aloud.) I should have said Lady Maisie Mull, undoubtedly—forgive my ignorance. But at least I have divined you. Does nothing tell you who and what I may be?

Phill. Oh, I think I can give a tolerable guess at what you are.

Und. You recognise the stamp of the Muse upon me, then?

Phill. Well, I shouldn't have taken you for a groom exactly.

Und. (with some chagrin). You are really too flattering!

Phill. Am I? Then it's your turn now. You might say you'd never have taken me for a lady's maid!

Und. I might—if I had any desire to make an unnecessary and insulting remark.

Phill. Insulting? Why, it's what I am! I'm maid to Lady Maisie. I thought your mysterious instinct told you all about it?

Und. (to himself—after the first shock). A lady's maid! Gracious Heaven! What have I been saying—or rather, what haven't I? (Aloud.) To—to be sure it did. Of course, I quite understand that. (To himself). Oh, confound it all, I wish we were at Wyvern!

Phill. And, after all, you've never told me who you are. Who are you?

Und. (to himself). I must not humiliate this poor girl! (Aloud.) I? Oh—a very insignificant person, I assure you! (To himself.) This is an occasion in which deception is pardonable—even justifiable!

Phill. Oh, I knew that. But you let out just now you had to do with a Mews. You aren't a rough-rider, are you?

Und. N—not exactly—not a rough-rider. (To himself.) Never on a horse in my life!—unless I count my Pegasus. (Aloud.) But you are right in supposing I am connected with a muse—in one sense.

Phill. I said so, didn't I? Don't you think it was rather clever of me to spot you, when you're not a bit horsey-looking?

Und. (with elaborate irony). Accept my compliments on a power of penetration which is simply phenomenal!

Phill. (giving him a little push). Oh, go along—it's all talk with you—I don't believe you mean a word you say!

Und. (to himself). She's becoming absolutely vulgar. (Aloud.) I don't—I don't; it's a manner I have; you mustn't attach any importance to it—none whatever!

Phill. What! Not to all those high-flown compliments? Do you mean to tell me you're only a gay deceiver, then?

Und. (in horror). Not a deceiver, no; and decidedly not gay. I mean I did mean the compliments, of course. (To himself.) I mustn't let her suspect anything, or she'll get talking about it; it would be too horrible if this were to get round to Lady Maisie or the Culverins—so undignified; and it would ruin all my prestige! Ive only to go on playing a part for a few minutes, and—maid or not—she's a most engaging girl!

[He goes on playing the part, with the unexpected result of sending Miss Phillipson into fits of uncontrollable laughter.

Scene XI.—The Back Entrance at Wyvern. The Fly has just set down Phillipson and Undershell.

Tredwell (receiving Phillipson). Lady Maisie's maid, I presume? I'm the butler here—Mr. Tredwell. Your ladies arrived some time back. I'll take you to the housekeeper, who'll show you their rooms, and where yours is, and I hope you'll find everything comfortable. (In an undertone, indicating Undershell, who is awaiting recognition in the doorway.) Do you happen to know who it is with you?

Phillipson (in a whisper). I can't quite make him out he's so flighty in his talk. But he says he belongs to some Mews or other.

Tred. Oh, then I know who he is. We expect him right enough. He's a partner in a crack firm of Vets. We've sent for him special. I'd better see to him, if you don't mind finding your own way to the Housekeeper's Room, second door to the left, down that corridor. (Phillipson departs.) Good morning to you, Mr.—ah—Mr.——?

Undershell (coming forward). Mr. Undershell. Lady Culverin expects me, I believe.

Tred. Quite correct, Mr. Undershell, Sir. She do. Leastwise, I shouldn't say myself she'd require to see you—well, not before to-morrow morning—but you won't mind that, I daresay.

Und. (choking). Not mind that! Take me to her at once!

Tred. Couldn't take it on myself, Sir, really. There's no particular 'urry. I'll let her ladyship know you're 'ere; and if she wants you, she'll send for you; but, with a party staying in the 'ouse, and others dining with us to-night, it ain't likely as she'll have time for you till to-morrow.

Und. Oh then, whenever her ladyship should find leisure to recollect my existence, will you have the goodness to inform her that I have taken the liberty of returning to town by the next train?

Tred. Lor! Mr. Undershell, you aren't so pressed as all that, are you? I know my lady wouldn't like you to go without seeing you personally; no more wouldn't Sir Rupert. And I understood you was coming down for the Sunday!

Und. (furious). So did I—but not to be treated like this!

Tred. (soothingly). Why, you know what ladies are. And you couldn't see Deerfoot—not properly, to-night, either.

Und. I have seen enough of this place already. I intend to go back by the next train, I tell you.

Tred. But there ain't any next train up to-night—being a loop line—not to mention that I've sent the fly away, and they can't spare no one at the stables to drive you in. Come Sir, make the best of it. I've had my horders to see that you're made comfortable, and Mrs. Pomfret and me will expect the pleasure of your company at supper in the 'ousekeeper's room, 9.30 sharp. I'll send the Steward's Room Boy to show you to your room.

[He goes, leaving Undershell speechless.

Und. (almost foaming). The insolence of these cursed aristocrats! Lady Culverin will see me when she has time, forsooth! I am to be entertained in the servants' hall! This is how our upper classes honour poetry! I won't stay a single hour under their infernal roof. I'll walk. But where to? And how about my luggage?

[Phillipson returns.

Phill. Mr. Tredwell says you want to go already! It can't be true! Without even waiting for supper?

Und. (gloomily). Why should I wait for supper in this house?

Phill. Well, I shall be there; I don't know if that's any inducement.

[She looks down.

Und. (to himself). She is a singularly bewitching creature; and I'm starving. Why shouldn't I stay—if only to shame these Culverins? It will be an experience—a study in life. I can always go afterwards. I will stay. (Aloud.) You little know the sacrifice you ask of me, but enough; I give way. We shall meet—(with a gulp)—in the housekeeper's room!

Phill. (highly amused). You are a comical little man. You'll be the death of me if you go on like that!

[She flits away.

Und. (alone). I feel disposed to be the death of somebody! Oh, Lady Maisie Mull, to what a bathos have you lured your poet by your artless flattery—a banquet with your aunt's butler!

Mamma (to Johnny, who has been given a Pear with Pills artfully concealed in it).
"Well, dear, have you finished your Pear?"

Johnny. "Yes, Mamma, all but the Seeds!"

A BETTING MAN ON CRICKET.

Cricket may be a game, but I can't call it sport, For "the odds" at it aren't to be reckoned. There the last's often first ere you come into port, While the first is quite frequently second. There was Surrey, you see, slap a-top o' the tree, While Sussex was bang at the bottom. But, thanks to the in-and-out form of the three, You never know when you have got 'em! For when I backed Surrey with cheerful content. Why Kent walloped Surrey, and Sussex whopped Kent!!!

OUR BOOKING-OFFICE.

"There are, methinks," quoth the Baron, "two or three novels—one certainly I can call to mind—wherein the interior domestic life of Jews strict in the observance of their ancient and most touching religious rites and ceremonies is more amply, as well as more minutely, described than in Mr. Farjeon's Aaron the Jew, which, be it my pleasing duty to testify, is one of the best of this prolific author's works; a simple, touching story, the interest being well kept up, as of course the "interest" should be when dealing with the true history of one who commenced as a pawnbroker." As to the rites above mentioned, no special or intimate personal experience is shown to be possessed by the author, who could very easily have obtained his materials from an interesting work entitled, as I fancy, The Jew at Home, which has, the Baron regrets to say, disappeared from its shelf in the Baron's library. Aaron is lively, is gay, is witty, a "Jew d'esprit," and, like Mr. Peter Magnus, he amuses a small circle of intimate friends; but his story, and that of his sweet wife Rachel, as related by Mr. Farjeon, will increase this friendly circle to a very considerable extent. The Baron ventures to think that a good deal of the dialogue and of the descriptive writing is unnecessary,—but Mr. Farjeon likes to give everyone plenty for their money,—and, further, that the story would have gained by the loss of what would have reduced the three volumes to two. But altogether, the novel is "recommended" by the interested but disinterested

Baron de Book-Worms.

A VOTE OF THANKS.

By a Hard-up Journalist.

[A strange light has appeared on that part of the surface of Mars not illuminated by the sun. The Westminster Gazette of August 2 asks the question, "Is Mars signalling to us?"]

Oh, men of Mars, we thank you, your behaviour's really kind! (Forgive us if you've lately slipped somewhat out of mind!) For now the silly season's set in with all its "rot," You once more raise the question whether you exist or not.

No doubt the good old topics will trot out yet again:— "Is Flirting on the Increase?" "Is Marriage on the Wane?" Big gooseberries as usual with sea-serpents will compete, To help the British Press-man his columns to complete!

But you, my merry Martians, have opportunely planned A mild but new sensation for the holidays at hand; Your planet's "terminator," it seems, is now ablaze— 'Tis, say the cognoscenti, a signal that you raise!

What is it that you're shewing terrestrial telescopes? Is't pills you're advertising, or booming patent soaps? How on earth can one discover what by this beacon's meant, Whether news of Royal Weddings or Railway Strikes is sent?

Alas! We haven't mastered the transplanetic code; Your canals are yet a riddle, in vain your fires have glowed! Still, do not let your efforts each August-tide abate— You furnish us with "copy," which maintains the Fourth Estate!

Distinguished Visitors to Bournemouth.—The Royal Bath Hotel announces "Private Suites." Is "General Bitters" there also?

Educational Motto. (For Mr. Acland's use.)—"A place for every child, and every child in its place."

ON A CERTAIN CONDESCENSION IN FOREIGNERS.

He. "Oh, you're from America, are you? People often say to me, 'Don't you dislike Americans?' But I always say 'I believe there are some very nice ones among them.'"

She. "Ah, I dare say there may be Two or Three nice People amongst Sixty Millions!"

"MOWING THEM DOWN!"

["He (Sir William Harcourt) confessed that he was not enamoured of these exceptional measures, and he resorted to them with extreme regret. But if he were asked for a justification of this motion, he would refer hon. gentlemen to the Order Book of the House of Commons."]

Gunner Harcourt, loquitur:—

Exceptional measures I hate, I'd rather not always be battling; The good old "Brown Bess" I prefer, I confess, To a new (Parliamentary) Gatling. To fight in the old-fashioned way, Good temperedly, fairly, politely, Is more to my mind; but these fellows, I find, Will not let a leader be knightly.

If Balfour would only fight fair; And impose that condition on Bartley; If Joe would not ravage and shriek like a savage; Did Tommy talk less, and less tartly; Were Goschen less eager for scalps, And kept a tight rein upon Hanbury; Why then 'twere all right; we'd soon get through our fight And hatred in love's flowing can bury.

But no, they're like Soudanese blacks, All fury and wild ugly rushes. They shriek and they shock, and they hack and they hock, Till chivalry shudders and blushes. And so the machine-gun, I find, Is just the one thing will arrest 'em. They've quite lost their head, but a fair rain of lead Played on them will try 'em and test 'em!

Whir-r-r-r! George! how it's mowing them down, Their Advance-guard,—"Amendments" they dub them! They swarm thick and thicker. The handle turns quicker! 'Tis dreadful; but then we must drub them. As Courtney so gallantly said, 'Tis "deplorable"; troubles me sorely. But if Arthur and Joe won't make terms, why, you know, They really can't blame me and Morley!

AIRS RESUMPTIVE.

II.—The Links of Love.

My heart is like a driver-club, That heaves the pellet hard and straight, That carries every let and rub. The whole performance really great; My heart is like a bulger-head, That whiffles on the wily tee,— Because my love distinctly said She'd halve the round of life with me.

My heart is also like a cleek, Resembling most the mashie sort, That spanks the object, so to speak, Across the sandy bar to port; And hers is like a putting green, The haven where I boast to be, For she assures me she is keen To halve the round of life with me.

Some wear their hearts upon their sleeve, And others lose 'em on the links; (This play of words is, by your leave, Rather original, one thinks;) Therefore my heart is like to some Lost ball that nestles on the lea, Because my love has kindly come To halve the round of life with me.

Raise me a bunker, if you can, That beetles o'er a deadly ditch, Where any but the bogey-man Is practically bound to pitch; Plant me beneath a hedge of thorn, Or up a figurative tree, What matter, when my love has sworn To halve the round of life with me?

THE YELLOW AGE.

The poets sing of a Golden Age. Are we trying to start its fellow? The Yellow Aster is all the rage; The Yellow Races in war engage; The Primrose League wild war doth wage, And the much-boomed Book in cover and page Like the Age itself is—Yellow. Well, Yellow's the tint of Gold—and Brass! Of the Golden Calf—and the Golden Ass! Of the "livery" face and the faded leaf, But 'tis tedious, very, beyond belief. I own I am little inclined to smile On the colour of age, decay, and bile And mustard, and Othello; I'm tired, I own, of it's very look, And I feel compelled to cock a snook At the Yellow Primrose, the Yellow Book. Though an Age indeed That runs to seed Is like to run to Yellow!

"MOWING THEM DOWN!"

Gunner H—rc—rt. "NOT MANY OF 'EM LEFT NOW!"

EARLY LOGIC.

Little Girl (of inquiring mind, to Stud Groom, looking at a Mare in field with Foal). "How old is that little Horse?"

Stud Groom. "Well, Missy, he's only Five Days old."

Little Girl (to her Governess). "Oh, Nana, did I run about the Fields when I was Five Days old?"

A LITTLE HOLIDAY.

Sunday.—How exhausting is London life! Up late, night and morning. Club. See summer number of illustrated paper. Pictures of pretty girls, reclining in punts, hammocks, or deck-chairs, doing nothing, men helping them. True holiday for jaded Londoner. Perhaps better without pretty girls. Even more reposeful. Must get right away. Secluded place. No pretty girls. That tiny inn Jones told me about. Miles from everywhere.

Monday.—At Tiny Inn. Fine afternoon. Feel quite happy. With summer clothes, summer numbers, flannels, straw hat, and other suitable things. Seven miles from station. Beautifully clean. Perfectly quiet. Weather changing. Raining. Landlord says, "Soon over." Eggs and bacon for supper. To bed early.

Tuesday.—Wake at five. Up at six to enjoy morning air. Eggs and bacon for breakfast. Still raining. Landlord says, "Very remarkable, since in this place it never rains." Somehow the clouds always pass over neighbouring village, following the course of the river, the ridge of the hills, or something. Have noticed in all country places that the clouds always do this, except when I am there. Impossible to lounge under a tree in this rain. Stop indoors, smoke, and read summer numbers. Eggs and bacon for lunch. Rain going on steadily. Put on flannels, go out. Drenched. Eggs and bacon for dinner. Landlord says they hope to give me some meat to-morrow. Butcher calls once a week apparently. Wet evening. Somewhat tired of sitting on horsehair sofa with damaged springs. Know all the summer numbers by heart. To bed at ten.

Wednesday.—Wake at four. Toss about till six. Then up. Still raining. Breakfast,—eggs and bacon. Landlord says if I cross two fields I shall find the river and a punt. Thanks. Will wait till rain stops. He says it is sure to stop soon. Ask him if one can get a London paper. Says they sometimes have one at the stationer's, four miles off, but generally only when ordered. Lends me a local paper of last week. Reduced to summer numbers again. Begin to wish there were some pretty girls here, after all. They might enliven things. After lunch,—of eggs and bacon,—resolve to go out. Ask landlord where one can go. Don't like to ask "if any girls about anywhere?" Accidentally landlord does happen to mention Farmer Muggeridge's daughters. I pretend indifference, but inquire as to direction of Muggeridge's farm. Lose my way. Wander helplessly. Steady downpour. Return, drenched. Butcher has not been. Eggs and bacon for dinner. Smoke, and read advertisements—plenty of them—in summer numbers. To bed at nine.

Thursday.—Wake at three. Toss about till seven. Then breakfast—usual dish. Rain, not quite so heavy. With fuller directions as to road, start hopefully for Muggeridge's farm. Arrive there. Heavy rain again. Muggeridge loafing about. Country people always loaf about in rain. They seem to enjoy it. Chat with him. He asks me in to have some cider. Accept. Chance of seeing charming daughters. They enter! Now!... Oh! awful!... Cider acid. Obliged to drink it. Hurry back. Lunch. Usual dish. Still raining. Call in landlord, and ask eagerly about trains to London. The next is to-morrow morning, at 8.20. Give way to despair. Refuse eggs and bacon for dinner. Bed eight.

Friday.—Leave in landlord's cart at seven, after usual breakfast. Still raining steadily. Gave landlord all those summer numbers to amuse future weather-bound visitors with imaginary pictures of rural happiness. London once more! Hurrah! Dinner—not eggs and bacon. Theatre. Smoke at club. Avoid Jones. Tell Smith I know the sweetest place for country peace and seclusion. He writes down the address eagerly. Those summer numbers will amuse him. To bed—any time!

At the Window.—Judging from the tone of James Payn's delightful Note-Book this week, one fears that charming and cheery gossiper has been "laid up," has been compelled to take his "Notes" from a sick-couch at a window—has, in fact, for the time, become a window-Payn! Well, a window is no bad coign of vantage for an observant penman. "The World from a Window" would make an excellent book, and James Payn would be the very man to write it. Let Mr. Payn think of it. Mr. Punch's present purpose, however, is to wish his good friend and favourite writer speedy emancipation from the bonds of sickness and compulsory window-watching.

PREHISTORIC PEEPS.

The Naval Manœuvres afforded much pleasurable Excitement to those concerned!

SATURDAY POPS.

NEW SERIES.

"Rusticus," who is clearly "Rusticus Expectans," wasmoved to write to the Chronicle on July 31st, to say that,though not a rich man, he lives in a pretty Surrey village within an eightpenny return railway fare of the City; and has a fairly large and quiet garden, with field, &c. "The trees are all at their finest," he proceeds, "the flowers looking very gay and walking in the garden." Capital fun this, when flowers actually walk about. But no! it's "walking in the garden to-day the thought came to me," so it's a walking thought, comparable, doubtless, to a running commentary. Anyhow. "Rusticus" is moved—by the thought of a "tired working-man or band of City workers" who would find in his garden pleasure on a quiet Saturday afternoon—to make an offer. Here are his words:—

"I am a bachelor, therefore I say, men, you are welcome to my very simple hospitality if it is of any use to you. I can do with a limited number every or any Saturday. Any creed or class is welcome. All I stipulate for is honest souls. Come and smoke and talk under the trees and spend a quiet time away from the town. I simply condition—no publicity or fuss, the giving and acceptance of the invitation quietly, honestly, brother to brother. Would you, Sir, forward any letters on to me?"

This is of course an example which will be followed, and Mr. Punch has already had the following letter (amongst others), which he now prints with pleasure.

Sir,—Owing to the Death Duties, I am no longer a rich man, but I have a little house in Piccadilly, not more than a twopenny 'bus ride from Charing Cross. It has occurred to me that some hungry working-man might like to drop in to a quiet little dinner some night. I am a Duke, therefore I say, comrades in depression, you are welcome to my roof, if it's of any use to you. I can dine a hundred or so of you any or every night. All I stipulate for is that there shall be no speaking, for speaking bores me horribly.

D-v-nsh-re.

A TOWN MOUSE.

Jones. "Well, my little Man, what are you thinking about?"

London Boy (who has never been out of Whitechapel before). "I'm thinkin' it's time yer Mother put yer into Trousers!"

LOWERED!

Rates, rates, rates, Of an exigent L. C. C.! And I'm glad they can't hear the language We utter so frequentlee!

O well for the excellent Chairman For trying to reduce them a bit! O well for those Councillors wary Who on costly "improvements" sit!

And "demand-notes" still go on, And our pockets are steadily bled; But "O (we oft sigh) for a tenpenny rate, And the sins of a 'Board' that is dead!"

Rates, rates, rates! Thanks, men of the L. C. C.! We trust the farthing now taken off Will never go back to ye!

"AFTER THE HEALTH CONGRESS IS OVER."

Scene—A Ball Room at the Mansion House.

He. (resting). Good floor, isn't it?

She. Quite. But tell me, have you been attending the Congress?

He. Of course; that is why I received an invitation to-night.

She. And you found the lectures and all that most interesting?

He. Yes, very; and then there were the Opera and the theatres in the evening.

She. But do let us talk about the Congress. Did you not discuss sanitation?

He. Discussed it very much indeed. So fortunate too that we had the meeting before everybody had left town.

She. Yes. But did you not inquire into microbes and all that?

He. Certainly; had a lot of talk about them, and finished them all up just in time not to interfere with Goodwood.

She. And I suppose you found out the way to keep everyone in perfect health?

He. That was the idea, and yet we floored Lords and the Oval.

She. But oughtn't every town to be in a satisfactory condition?

He. Why, yes. But that depends upon the season of the year. Of course, some places are deadly dull when nothing's going on from a social point of view.

She. I mean from a health point of view—oughtn't everything nowadays to be simply excellent?

He. Yes, of course. That's the modern theory.

She. And yet, according to the papers, London is full of fever and insanity.

He. I daresay; the Press men generally get their figures right.

She. But if, theoretically, everything is right, why should most things be practically wrong?

He. You must really ask me another.

She. But you are strong upon health, are you not?

He. Very—in the lecture-room. And now, if you are rested, we will have another turn.

[Exeunt dancing.

ESSENCE OF PARLIAMENT.

EXTRACTED FROM THE DIARY OF TOBY, M.P.

House of Commons, Monday, July 30.—Having settled Budget Bill, and, incidentally, brought Chancellor of Exchequer to Death's Door by observations on Death Duties, Tommy Bowles has time to turn his attention to another social question. Looks as if he were going to take the Bicycle Fiend by the scruff of the neck. Herein he has opportunity of deepening and enlarging his hold on affection and esteem of British public. Bicycle Fiend has increased, is increasing, and, at least, ought to be registered. He comes upon the hapless rider or pedestrian in quiet country lanes, brushing him aside as if the earth were the Fiend's and all the highways thereof. Bad enough in the country, where there is room to get out of the way. In crowded streets of metropolis, Fiend pounces round unsuspected corners upon elderly gentlemen, scattering streams of peaceful passengers at peremptory sound of fearsome bell.

Tommy B. got his eye on him. Not without suspicion that this new departure has something to do with old, now closed, campaign against the Budget. Tommy warned the Squire whilst in Committee that his Death Duties would not reap the full harvest anticipated. Every little helps. What with actual concussions and sudden frights, Bicycle Fiend leads in course of financial year to considerable succession of property changing on sudden death, with concurrent toll paid to Treasury. If the Bicycle Fiend can only be placed on same footing as the common carrier, or the harried hansom-cab driver, the death-rate would appreciably decrease, and with it the flow of legacy and succession duties. Tommy may or may not look thus far ahead. No matter, if he only succeeds in restraining a nuisance that is a disgrace to a civilised community.

The Member for Sark tells me he has a Short Way with the B. F., which makes him to considerable extent indifferent to slower action of Home Secretary, who has evidently never had his shins barked by this agency. Sark says when he takes his walks abroad he usually carries a stick or umbrella. When, crossing a road, he hears the tinkle of the Fiend's bell, insolently and imperatively ordering him out of the way on pain of being run over, he, instead of flying for his life, as is the use of the ordinary citizen, carelessly throws stick or umbrella lance-wise across hollow of right or left arm, according as the Fiend approaches from one direction or the other. Thus armed he leisurely pursues his way. If the Fiend continues on the track, he will run with face or chest on to the point of the umbrella. As that would be inconvenient to him, he slows up or goes on another tack, and when he arrives home writes a letter to the Bicycling Blister, indignantly denouncing a street passenger who wouldn't get out of his way.

Business done.—Vote on Account through Committee.

Tuesday.—"Prince Arthur," said Sark, looking across at the Front Opposition Bench whilst Courtney was speaking, "succeeds in hiding all traces of storm behind a smiling countenance. Joseph, on the contrary, more ingenuous, less acute in practice of worldly wiles, enables one to realise, even at this long distance of time, what Balak, the son of Zippor, King of Moab, looked like when he stood in the high places of Baal, and listened to Balaam's remarks on the motion for the time-closure to be applied to the Children of Israel, who had pitched their tents in the plains of Moab beyond the Jordan at Jericho, and declined to budge at the bidding of Balak."

Appearance of Parliamentary Balaam on scene dramatically effective. Crowded House worked up to highest pitch of excitement by swift encounter, in which John Morley had followed Prince Arthur, and Joseph, springing in from behind, had clouted the Chief Secretary on the head. The Squire had moved time-closure on Evicted Tenants Bill in speech the studied tameness and provoking brevity of which had riled Opposition much more than if he had belaboured them with Harcourtian phrase. Sage of Queen Anne's Gate said a few words, preparatory to packing up for holiday; then Courtney rose from Joseph's side to continue debate. Members, taking it for granted that he, possibly with some reservations in favour of Eviction Bill whose second reading he had supported, was about to say ditto to Joseph on question of Closure, began to move towards door. Arrested by Courtney's solemn tone, and his expression of regret, evidently unfeigned, at deplorable condition in which the House found itself. "Woe to those through whom offences come!" cried Courtney in voice which, as he said, was of one crying in the wilderness, and seemed for its perfect effect to lack only hirsute garb, stave and honeypot. "Through whom did the offence come? Surely," continued the Prophet, bending shaggy eyebrows upon the bench where the Busy B's hive, "the offence lies with those Members who, disregarding the true uses, functions, duties, and high mission of the House, abuse their powers, intent to destroy possibility of the right conduct of public business."

Not Ministers, then, with the Squire at their head, responsible for the deadlock, as Prince Arthur had painted the scene, and as Joseph had touched it up with stronger colour. It was the Busy Bees. They and "a junta of irresponsible landlords enforcing their will upon those who ought to resist them."

O Balaam! Balaam! M.P. for Bodmin. Was it for this Joseph led thee into the field of Zophim, to the top of Pisgah? For this did Prince Arthur build seven altars, and offer up the Squire of Malwood on every one of them? Long time since such a scene was wrought in the House. Saunderson pished and pshawed, and looked anxiously round for Logan. Bartley blushed; Hanbury was hushed; and a tear trickled down the pale cheek of Tommy Bowles—Cap'en no longer, disrated and denounced.

Business done.—Time-Closure resolution carried.

Thursday.—Such larks! Yesterday time-closure came into operation in connection with Evicted Tenants Bill. Arranged that if debate on Clause I not finished by eleven o'clock to-night, all Amendments remaining on paper shall be submitted to vote without further debate. Obstruction scotched; wriggles helplessly, like eel in muddy depths of river, smitten by the spear.

"Shan't play," whimper Prince Arthur and Joseph, mingling their tears at this fresh evidence of tyranny, this last illustration of man's inhumanity to man.

Strike ordered in Unionist lines. Men throw down the pick; hand in the shovel and the hoe; put on their coats; hang about corners of Lobby in approved strike fashion. If Hanbury and the Blameless Bartley could only be induced to stick short clay pipe in side of mouth (bowl downwards), fasten a leather strap outside their trousers just below the knee, and drink four-half out of pewters at bar in the Lobby, scene would be complete.

Strike only partial. Fully one half the men refuse to go out; stand by the masters, turning deaf ear to blandishments and threats of pickets outside. Strange thing is that, working at half strength, output more than doubled. Time-closure, with all hands at work, proposed to complete Committee by eleven o'clock next Tuesday night. At ten minutes past six this afternoon the whole thing through. Not hurried either. Thoroughly debated, divided on, and Bill, in more than one instance, amended.

"Fact is," said the Squire, beaming with chastened delight at turn events taken, "we are over-manned just as London is over-cabbed. Must see if something can't be done to reduce numbers by refusing licenses for fresh elections when vacancies occur."

Business done.—Evicted Tenants Bill through Committee. Building Societies Bill far advanced.

Friday.—Back in the mud again. Strike operative only when Evicted Tenants Bill under consideration. That standing over now for Report Stage. Meanwhile take up again Equalisation of Rates Bill. Men on strike stream in, tired of "playing." Wonderful their eagerness to get to work again, their keen delight in sound of their own voices, so strangely intermitted. Bartley, Kimber, Fisher, Jokim, and the Woolwich Infant all here again, with Webster (of St. Pancras) wobbling all over the place, like a hen that has laid an egg somewhere and can't for the life of her just at the minute think where she left it.

Business done.—Hardly any. As Bartley says, "must make up for lost time when yesterday and day before work advanced by leaps and bounds."

THE CARSON BANSHEE.

John Morley. "You see it's all right, my little man. I told you you needn't be frightened of him. It was only his vapour. We're through the Commons now! Come along, and I'll leave you at the door of the Lords'. See how you get on there!"

Cryptogrammatist Wanted.—After a plain matter-of-fact paragraph in the Daily Telegraph, stating that "Lord Greville leaves town to-day for Harrogate" (to undergo the "tonic sul-phur" cure, of course, i.e., of water-course), there appeared this mysterious announcement, "Lord Rowton leaves London to-day for some weeks." Now where is "some weeks"? Of course as his Lordship has quitted town for "some weeks," he evidently prefers "some weeks," wherever it is, to London. And that is all we know at present. Strange disappearance. Weird.

The Coster Knight.—There are pictures on almost all the hoardings, in the suburbs especially, of the celebrated Mr. Albert Chevalier. This chevalier "sans peur et sans reproche" is so busy a man that in the best sense of the term he may well be considered as the type of an honest "Chevalier d'Industrie."

Query.—"The Lancashire Rubber Company"—is this something new in the way of Massage? or is it a Company got up for the express purpose of supplying Society with Whist-players?

The Latest Made of Honour at Richmond.— Sir James W. Szlumper, Knight.

*** END OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOLUME 107, AUGUST 11, 1894 ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

back

back

back

back

back

back

back

back

back

back

back

Table of Contents

- PUNCH, OR THE LONDON CHARIVARI.

- Vol. 107.

- August 11, 1894.

- LORD ORMONT'S MATE AND MATEY'S AMINTA.

- The End.

- NO END TO HIS INIQUITIES.

- THE MARCH OF CIVILISATION.

- (From a Record in the Far East.)

- THE TRIUMPH OF CIVILISATION!

- A HINT TO THE POSTAL AUTHORITIES.

- EASTWARD HO!

- Mem. by a Muddled One.

- OLD THREE-VOL.

- REMNANTS.

- (A Pindaric Fragment.)

- LYRE AND LANCET.

- (A Story in Scenes.) PART VI.—ROUND PEGS IN SQUARE HOLES.

- A BETTING MAN ON CRICKET.

- OUR BOOKING-OFFICE.

- A VOTE OF THANKS.

- ON A CERTAIN CONDESCENSION IN FOREIGNERS.

- "MOWING THEM DOWN!"

- Gunner Harcourt, loquitur:—

- AIRS RESUMPTIVE.

- THE YELLOW AGE.

- "MOWING THEM DOWN!" Gunner H—rc—rt. "NOT MANY OF 'EM LEFT NOW!"

- EARLY LOGIC.

- A LITTLE HOLIDAY.

- PREHISTORIC PEEPS.

- SATURDAY POPS.

- NEW SERIES.

- A TOWN MOUSE.

- LOWERED!

- "AFTER THE HEALTH CONGRESS IS OVER."

- ESSENCE OF PARLIAMENT.

- EXTRACTED FROM THE DIARY OF TOBY, M.P.

- THE CARSON BANSHEE.

- THE FULL PROJECT GUTENBERG™ LICENSE