The Marriage of Heaven and Hell
Date: 2014-04-04T00:00:00+00:00
Keywords: Mysticism; Hell; Heaven

The Project Gutenberg eBook of The Marriage of Heaven and Hell

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Marriage of Heaven and Hell

Author: William Blake

Release date: April 4, 2014 [eBook #45315]
Most recently updated: October 24, 2024

Language: English

Credits: Produced by eagkw, Dianna Adair and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)

*** START OF THE PROJECT GUTENBERG EBOOK THE MARRIAGE OF HEAVEN AND HELL ***

The cover of this book was created by the transcriber and is placed in the public domain.

THE MARRIAGE OF HEAVEN
AND HELL

THE MARRIAGE OF
HEAVEN AND HELL

BY
WILLIAM BLAKE

BOSTON
JOHN W. LUCE AND COMPANY
1906

THE MARRIAGE OF HEAVEN
AND HELL

THE ARGUMENT

Rintrah roars and shakes his fires in the burden’d air,
Hungry clouds swag on the deep.

Once meek, and in a perilous path
The just man kept his course along
The Vale of Death.
Roses are planted where thorns grow,
And on the barren heath
Sing the honey bees.

Then the perilous path was planted,
And a river and a spring
On every cliff and tomb;
And on the bleached bones
Red clay brought forth:
Till the villain left the paths of ease
To walk in perilous paths, and drive
The just man into barren climes.

Now the sneaking serpent walks
In mild humility;
And the just man rages in the wilds
Where lions roam.

Rintrah roars and shakes his fires in the burden’d air,
Hungry clouds swag on the deep.

As a new heaven is begun, and it is now thirty-three years since its advent, the Eternal Hell revives. And lo! Swedenborg is the angel sitting at the tomb: his writings are the linen clothes folded up. Now is the dominion of Edom, and the return of Adam into Paradise.—See Isaiah xxxiv. and xxxv. chap.

Without contraries is no progression. Attraction and repulsion, reason and energy, love and hate, are necessary to human existence.

From these contraries spring what the religious call Good and Evil. Good is the passive that obeys reason; Evil is the active springing from Energy.

Good is heaven. Evil is hell.

THE VOICE OF THE DEVIL

All Bibles or sacred codes have been the cause of the following errors:—

1. That man has two real existing principles, viz., a Body and a Soul.

2. That Energy, called Evil, is alone from the Body; and that Reason, called Good, is alone from the Soul.

3. That God will torment man in Eternity for following his Energies.

But the following contraries to these are true:—

1. Man has no Body distinct from his Soul. For that called Body is a portion of Soul discerned by the five senses, the chief inlets of Soul in this age.

2. Energy is the only life, and is from the Body; and Reason is the bound or outward circumference of Energy.

3. Energy is Eternal Delight.

Those who restrain desire, do so because theirs is weak enough to be restrained; and the restrainer or reason usurps its place and governs the unwilling.

And being restrained, it by degrees becomes passive, till it is only the shadow of desire.

The history of this is written in Paradise Lost, and the Governor or Reason is called Messiah.

And the original Archangel or possessor of the command of the heavenly host is called the Devil, or Satan, and his children are called Sin and Death.

But in the book of Job, Milton’s Messiah is called Satan.

For this history has been adopted by both parties.

It indeed appeared to Reason as if desire was cast out, but the Devil’s account is, that the Messiah fell, and formed a heaven of what he stole from the abyss.

This is shown in the Gospel, where he prays to the Father to send the Comforter or desire that Reason may have ideas to build on, the Jehovah of the Bible being no other than he who dwells in flaming fire. Know that after Christ’s death he became Jehovah.

But in Milton, the Father is Destiny, the Son a ratio of the five senses, and the Holy Ghost vacuum!

Note.—The reason Milton wrote in fetters when he wrote of Angels and God, and at liberty when of Devils and Hell, is because he was a true poet, and of the Devil’s party without knowing it.

A MEMORABLE FANCY

As I was walking among the fires of Hell, delighted with the enjoyments of Genius, which to Angels look like torment and insanity, I collected some of their proverbs, thinking that as the sayings used in a nation mark its character, so the proverbs of Hell show the nature of infernal wisdom better than any description of buildings or garments.

When I came home, on the abyss of the five senses, where a flat-sided steep frowns over the present world, I saw a mighty Devil folded in black clouds hovering on the sides of the rock; with corroding fires he wrote the following sentence now perceived by the minds of men, and read by them on earth:—

“How do you know but every bird
that cuts the airy way
Is an immense world of delight,
closed by your senses five?”

PROVERBS OF HELL

In seed-time learn, in harvest teach, in winter enjoy.

Drive your cart and your plough over the bones of the dead.

The road of excess leads to the palace of wisdom.

Prudence is a rich ugly old maid courted by Incapacity.

He who desires, but acts not, breeds pestilence.

The cut worm forgives the plough.

Dip him in the river who loves water.

A fool sees not the same tree that a wise man sees.

He whose face gives no light shall never become a star.

Eternity is in love with the productions of time.

The busy bee has no time for sorrow.

The hours of folly are measured by the clock, but of wisdom no clock can measure.

All wholesome food is caught without a net or a trap.

Bring out number, weight, and measure in a year of dearth.

No bird soars too high if he soars with his own wings.

A dead body revenges not injuries.

The most sublime act is to set another before you.

If the fool would persist in his folly he would become wise.

Folly is the cloak of knavery.

Shame is Pride’s cloak.

Prisons are built with stones of law, brothels with bricks of religion.

The pride of the peacock is the glory of God.

The lust of the goat is the bounty of God.

The wrath of the lion is the wisdom of God.

The nakedness of woman is the work of God.

Excess of sorrow laughs, excess of joy weeps.

The roaring of lions, the howling of wolves, the raging of the stormy sea, and the destructive sword, are portions of Eternity too great for the eye of man.

The fox condemns the trap, not himself.

Joys impregnate, sorrows bring forth.

Let man wear the fell of the lion, woman the fleece of the sheep.

The bird a nest, the spider a web, man friendship.

The selfish smiling fool and the sullen frowning fool shall be both thought wise that they may be a rod.

What is now proved was once only imagined.

The rat, the mouse, the fox, the rabbit watch the roots; the lion, the tiger, the horse, the elephant watch the fruits.

The cistern contains, the fountain overflows.

One thought fills immensity.

Always be ready to speak your mind, and a base man will avoid you.

Everything possible to be believed is an image of truth.

The eagle never lost so much time as when he submitted to learn of the crow.

The fox provides for himself, but God provides for the lion.

Think in the morning, act in the noon, eat in the evening, sleep in the night.

He who has suffered you to impose on him knows you.

As the plough follows words, so God rewards prayers.

The tigers of wrath are wiser than the horses of instruction.

Expect poison from the standing water.

You never know what is enough unless you know what is more than enough.

Listen to the fool’s reproach; it is a kingly title.

The eyes of fire, the nostrils of air, the mouth of water, the beard of earth.

The weak in courage is strong in cunning.

The apple tree never asks the beech how he shall grow, nor the lion the horse how he shall take his prey.

The thankful receiver bears a plentiful harvest.

If others had not been foolish we should have been so.

The soul of sweet delight can never be defiled.

When thou seest an eagle, thou seest a portion of Genius. Lift up thy head!

As the caterpillar chooses the fairest leaves to lay her eggs on, so the priest lays his curse on the fairest joys.

To create a little flower is the labour of ages.

Damn braces; bless relaxes.

The best wine is the oldest, the best water the newest.

Prayers plough not; praises reap not; joys laugh not; sorrows weep not.

The head Sublime, the heart Pathos, the genitals Beauty, the hands and feet Proportion.

As the air to a bird, or the sea to a fish, so is contempt to the contemptible.

The crow wished everything was black; the owl that everything was white.

Exuberance is Beauty.

If the lion was advised by the fox, he would be cunning.

Improvement makes straight roads, but the crooked roads without Improvement are roads of Genius.

Sooner murder an infant in its cradle than nurse unacted desires.

Where man is not, nature is barren.

Truth can never be told so as to be understood and not to be believed.

Enough! or Too much.

The ancient poets animated all sensible objects with Gods or Geniuses, calling them by the names and adorning them with properties of woods, rivers, mountains, lakes, cities, nations, and whatever their enlarged and numerous senses could perceive. And particularly they studied the Genius of each city and country, placing it under its mental deity. Till a system was formed, which some took advantage of and enslaved the vulgar by attempting to realize or abstract the mental deities from their objects. Thus began Priesthood. Choosing forms of worship from poetic tales. And at length they pronounced that the Gods had ordered such things. Thus men forgot that all deities reside in the human breast.

A MEMORABLE FANCY

The Prophets Isaiah and Ezekiel dined with me, and I asked them how they dared so roundly to assert that God spoke to them, and whether they did not think at the time that they would be misunderstood, and so be the cause of imposition.

Isaiah answered: “I saw no God, nor heard any, in a finite organical perception: but my senses discovered the infinite in everything; and as I was then persuaded, and remained confirmed, that the voice of honest indignation is the voice of God, I cared not for consequences, but wrote.”

Then I asked: “Does a firm persuasion that a thing is so, make it so?”

He replied: “All poets believe that it does, and in ages of imagination this firm persuasion removed mountains; but many are not capable of a firm persuasion of anything.”

Then Ezekiel said: “The philosophy of the East taught the first principles of human perception; some nations held one principle for the origin, and some another. We of Israel taught that the Poetic Genius (as you now call it) was the first principle, and all the others merely derivative, which was the cause of our despising the Priests and Philosophers of other countries, and prophesying that all Gods would at last be proved to originate in ours, and to be the tributaries of the Poetic Genius. It was this that our great poet King David desired so fervently, and invokes so pathetically, saying by this he conquers enemies and governs kingdoms; and we so loved our God that we cursed in His name all the deities of surrounding nations, and asserted that they had rebelled. From these opinions the vulgar came to think that all nations would at last be subject to the Jews.

“This,” said he, “like all firm persuasions, is come to pass, for all nations believe the Jews’ code, and worship the Jews’ God; and what greater subjection can be?”

I heard this with some wonder, and must confess my own conviction. After dinner I asked Isaiah to favour the world with his lost works; he said none of equal value was lost. Ezekiel said the same of his.

I also asked Isaiah what made him go naked and barefoot three years. He answered: “The same that made our friend Diogenes the Grecian.”

I then asked Ezekiel why he ate dung, and lay so long on his right and left side. He answered: “The desire of raising other men into a perception of the infinite. This the North American tribes practise. And is he honest who resists his genius or conscience, only for the sake of present ease or gratification?”

The ancient tradition that the world will be consumed in fire at the end of six thousand years is true, as I have heard from Hell.

For the cherub with his flaming sword is hereby commanded to leave his guard at [the] tree of life, and when he does, the whole creation will be consumed and appear infinite and holy, whereas it now appears finite and corrupt.

This will come to pass by an improvement of sensual enjoyment.

But first the notion that man has a body distinct from his soul is to be expunged; this I shall do by printing in the infernal method by corrosives, which in Hell are salutary and medicinal, melting apparent surfaces away, and displaying the infinite which was hid.

If the doors of perception were cleansed everything would appear to man as it is, infinite.

For man has closed himself up, till he sees all things through narrow chinks of his cavern.

A MEMORABLE FANCY

I was in a printing-house in Hell, and saw the method in which knowledge is transmitted from generation to generation.

In the first chamber was a dragon-man, clearing away the rubbish from a cave’s mouth; within, a number of dragons were hollowing the cave.

In the second chamber was a viper folding round the rock and the cave, and others adorning it with gold, silver, and precious stones.

In the third chamber was an eagle with wings and feathers of air; he caused the inside of the cave to be infinite; around were numbers of eagle-like men, who built palaces in the immense cliffs.

In the fourth chamber were lions of flaming fire raging around and melting the metals into living fluids.

In the fifth chamber were unnamed forms, which cast the metals into the expanse.

There they were received by men who occupied the sixth chamber, and took the forms of books, and were arranged in libraries.

The Giants who formed this world into its sensual existence and now seem to live in it in chains are in truth the causes of its life and the sources of all activity, but the chains are the cunning of weak and tame minds, which have power to resist energy, according to the proverb, “The weak in courage is strong in cunning.”

Thus one portion of being is the Prolific, the other the Devouring. To the devourer it seems as if the producer was in his chains; but it is not so, he only takes portions of existence, and fancies that the whole.

But the Prolific would cease to be prolific unless the Devourer as a sea received the excess of his delights.

Some will say, “Is not God alone the Prolific?” I answer: “God only acts and is in existing beings or men.”

These two classes of men are always upon earth, and they should be enemies: whoever tries to reconcile them seeks to destroy existence.

Religion is an endeavour to reconcile the two.

Note.—Jesus Christ did not wish to unite but to separate them, as in the parable of sheep and goats; and He says: “I came not to send peace, but a sword.”

Messiah, or Satan, or Tempter, was formerly thought to be one of the antediluvians who are our Energies.

A MEMORABLE FANCY

An Angel came to me and said: “O pitiable foolish young man! O horrible, O dreadful state! Consider the hot burning dungeon thou art preparing for thyself to all Eternity, to which thou art going in such career.”

I said: “Perhaps you will be willing to show me my eternal lot, and we will contemplate together upon it, and see whether your lot or mine is most desirable.”

So he took me through a stable, and through a church, and down into the church vault, at the end of which was a mill; through the mill we went, and came to a cave; down the winding cavern we groped our tedious way, till a void boundless as a nether sky appeared beneath us, and we held by the roots of trees, and hung over this immensity; but I said: “If you please, we will commit ourselves to this void, and see whether Providence is here also; if you will not, I will.” But he answered: “Do not presume, O young man; but as we here remain, behold thy lot, which will soon appear when the darkness passes away.”

So I remained with him sitting in the twisted root of an oak; he was suspended in a fungus, which hung with the head downward into the deep.

By degrees we beheld the infinite abyss, fiery as the smoke of a burning city; beneath us at an immense distance was the sun, black but shining; round it were fiery tracks on which revolved vast spiders, crawling after their prey, which flew, or rather swum, in the infinite deep, in the most terrific shapes of animals sprung from corruption; and the air was full of them, and seemed composed of them. These are Devils, and are called powers of the air. I now asked my companion which was my eternal lot. He said: “Between the black and white spiders.”

But now, from between the black and white spiders, a cloud and fire burst and rolled through the deep, blackening all beneath so that the nether deep grew black as a sea, and rolled with a terrible noise. Beneath us was nothing now to be seen but a black tempest, till looking East between the clouds and the waves, we saw a cataract of blood mixed with fire, and not many stones’ throw from us appeared and sunk again the scaly fold of a monstrous serpent. At last to the East, distant about three degrees, appeared a fiery crest above the waves; slowly it reared like a ridge of golden rocks, till we discovered two globes of crimson fire, from which the sea fled away in clouds of smoke; and now we saw it was the head of Leviathan. His forehead was divided into streaks of green and purple, like those on a tiger’s forehead; soon we saw his mouth and red gills hang just above the raging foam, tinging the black deeps with beams of blood, advancing toward us with all the fury of a spiritual existence.

My friend the Angel climbed up from his station into the mill. I remained alone, and then this appearance was no more; but I found myself sitting on a pleasant bank beside a river by moonlight, hearing a harper who sung to the harp; and his theme was: “The man who never alters his opinion is like standing water, and breeds reptiles of the mind.”

But I arose, and sought for the mill, and there I found my Angel, who, surprised, asked me how I escaped.

I answered: “All that we saw was owing to your metaphysics; for when you ran away, I found myself on a bank by moonlight, hearing a harper. But now we have seen my eternal lot, shall I show you yours?” He laughed at my proposal; but I by force suddenly caught him in my arms, and flew Westerly through the night, till we were elevated above the earth’s shadow; then I flung myself with him directly into the body of the sun; here I clothed myself in white, and taking in my hand Swedenborg’s volumes, sunk from the glorious clime, and passed all the planets till we came to Saturn. Here I stayed to rest, and then leaped into the void between Saturn and the fixed stars.

“Here,” said I, “is your lot; in this space, if space it may be called.” Soon we saw the stable and the church, and I took him to the altar and opened the Bible, and lo! it was a deep pit, into which I descended, driving the Angel before me. Soon we saw seven houses of brick. One we entered. In it were a number of monkeys, baboons, and all of that species, chained by the middle, grinning and snatching at one another, but withheld by the shortness of their chains. However, I saw that they sometimes grew numerous, and then the weak were caught by the strong, and with a grinning aspect, first coupled with and then devoured by plucking off first one limb and then another till the body was left a helpless trunk; this, after grinning and kissing it with seeming fondness, they devoured too. And here and there I saw one savourily picking the flesh off his own tail. As the stench terribly annoyed us both, we went into the mill; and I in my hand brought the skeleton of a body, which in the mill was Aristotle’s Analytics.

So the Angel said: “Thy phantasy has imposed upon me, and thou oughtest to be ashamed.”

I answered: “We impose on one another, and it is but lost time to converse with you whose works are only Analytics.”

“I have always found that Angels have the vanity to speak of themselves as the only wise; this they do with a confident insolence sprouting from systematic reasoning.

“Thus Swedenborg boasts that what he writes is new; though it is only the contents or index of already published books.

“A man carried a monkey about for a show, and because he was a little wiser than the monkey, grew vain, and conceived himself as much wiser than seven men. It is so with Swedenborg; he shows the folly of churches, and exposes hypocrites, till he imagines that all are religious, and himself the single one on earth that ever broke a net.

“Now hear a plain fact: Swedenborg has not written one new truth. Now hear another: he has written all the old falsehoods.

“And now hear the reason: he conversed with Angels who are all religious, and conversed not with Devils who all hate religion, for he was incapable through his conceited notions.

“Thus Swedenborg’s writings are a recapitulation of all superficial opinions, and an analysis of the more sublime, but no further.

“Have now another plain fact: any man of mechanical talents may from the writings of Paracelsus or Jacob Behmen produce ten thousand volumes of equal value with Swedenborg’s, and from those of Dante or Shakespeare an infinite number.

“But when he has done this, let him not say that he knows better than his master, for he only holds a candle in sunshine.”

A MEMORABLE FANCY

Once I saw a Devil in a flame of fire, who arose before an Angel that sat on a cloud, and the Devil uttered these words: “The worship of God is, honouring His gifts in other men each according to his genius, and loving the greatest men best. Those who envy or calumniate great men hate God, for there is no other God.”

The Angel hearing this became almost blue, but mastering himself he grew yellow, and at last white-pink and smiling, and then replied: “Thou idolater, is not God One? and is not He visible in Jesus Christ? and has not Jesus Christ given His sanction to the law of ten commandments? and are not all other men fools, sinners, and nothings?”

The Devil answered: “Bray a fool in a mortar with wheat, yet shall not his folly be beaten out of him. If Jesus Christ is the greatest man, you ought to love Him in the greatest degree. Now hear how He has given His sanction to the law of ten commandments. Did He not mock at the Sabbath, and so mock the Sabbath’s God? murder those who were murdered because of Him? turn away the law from the woman taken in adultery, steal the labour of others to support Him? bear false witness when He omitted making a defence before Pilate? covet when He prayed for His disciples, and when He bid them shake off the dust of their feet against such as refused to lodge them? I tell you, no virtue can exist without breaking these ten commandments. Jesus was all virtue, and acted from impulse, not from rules.”

When he had so spoken, I beheld the Angel, who stretched out his arms embracing the flame of fire, and he was consumed, and arose as Elijah.

Note.—This Angel, who is now become a Devil, is my particular friend; we often read the Bible together in its infernal or diabolical sense, which the world shall have if they behave well.

I have also the Bible of Hell, which the world shall have whether they will or no.

One law for the lion and ox is Oppression.

A SONG OF LIBERTY

1. The Eternal Female groan’d; it was heard over all the earth:

2. Albion’s coast is sick silent; the American meadows faint.

3. Shadows of prophecy shiver along by the lakes and the rivers, and mutter across the ocean. France, rend down thy dungeon!

4. Golden Spain, burst the barriers of old Rome!

5. Cast thy keys, O Rome, into the deep—down falling, even to eternity down falling;

6. And weep!

7. In her trembling hands she took the new-born terror, howling.

8. On those infinite mountains of light now barr’d out by the Atlantic sea, the new-born fire stood before the starry king.

9. Flagg’d with grey-brow’d snows and thunderous visages, the jealous wings wav’d over the deep.

10. The speary hand burn’d aloft; unbuckled was the shield; forth went the hand of jealousy among the flaming hair, and hurl’d the new-born wonder through the starry night.

11. The fire, the fire is falling!

12. Look up! look up! O citizen of London, enlarge thy countenance! O Jew, leave counting gold; return to thy oil and wine! O African, black African! (Go, winged thought, widen his forehead.)

13. The fiery limbs, the flaming hair shot like the sinking sun into the Western sea.

14. Wak’d from his eternal sleep, the hoary element roaring fled away.

15. Down rush’d, beating his wings in vain, the jealous king, his grey-brow’d councillors, thunderous warriors, curl’d veterans, among helms and shields, and chariots, horses, elephants, banners, castles, slings, and rocks.

16. Falling, rushing, ruining; buried in the ruins, on Urthona’s dens.

17. All night beneath the ruins; then their sullen flames, faded, emerge round the gloomy king.

18. With thunder and fire, leading his starry hosts through the waste wilderness, he promulgates his ten commandments, glancing his beamy eyelids over the deep in dark dismay.

19. Where the Son of Fire in his Eastern cloud, while the Morning plumes her golden breast,

20. Spurning the clouds written with curses, stamps the stony law to dust, loosing the eternal horses from the dens of night, crying: “Empire is no more! and now the lion and wolf shall cease.”

CHORUS

Let the Priests of the Raven of Dawn, no longer in deadly black, with hoarse note curse the Sons of Joy. Nor his accepted brethren whom, tyrant, he calls free, lay the bound or build the roof. Nor pale religious lechery call that virginity that wishes, but acts not!

For everything that lives is holy.

*** END OF THE PROJECT GUTENBERG EBOOK THE MARRIAGE OF HEAVEN AND HELL ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- THE MARRIAGE OF HEAVEN AND HELL
- THE ARGUMENT
- THE VOICE OF THE DEVIL
- A MEMORABLE FANCY
- PROVERBS OF HELL
- A MEMORABLE FANCY
- A MEMORABLE FANCY
- A MEMORABLE FANCY
- A MEMORABLE FANCY
- A SONG OF LIBERTY
- CHORUS
- THE FULL PROJECT GUTENBERG LICENSE