The Conceited Pig
Date: 2019-07-25T00:00:00+00:00
Keywords: Conduct of life -- Juvenile fiction; Children -- Conduct of life -- Juvenile fiction; Swine -- Juvenile fiction; Children and animals -- Juvenile fiction; Human-animal relationships -- Juvenile fiction

The Project Gutenberg eBook of The Conceited Pig

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Conceited Pig

Author: Anonymous

Illustrator: Harrison Weir

Release date: July 25, 2019 [eBook #59983]

Language: English

Credits: Produced by MFR, David E. Brown, and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)

*** START OF THE PROJECT GUTENBERG EBOOK THE CONCEITED PIG ***

THE CONCEITED PIG.

Page 13.

THE
CONCEITED PIG.

WITH SIX ILLUSTRATIONS BY HARRISON WEIR,
ENGRAVED ON WOOD.

LONDON:
JOHN AND CHARLES MOZLEY,
6, PATERNOSTER ROW.
1868.

THE CONCEITED PIG.

One cold November evening several little pigs were lying very comfortably in their sty, and keeping themselves warm by burying their noses under the straw, when one who had been routing about very uneasily for some time gave a loud grunt all at once, and seemed to be very much frightened. His mother, the old sow, who was stretched in one corner of the sty fast asleep, opened her little brown eyes, and asked in a very angry voice what was the matter. Several of the little pigs answered at once that it was only Wilful who was making such a noise that nobody could go to sleep.

“Hush, hush, hush!” cried Wilful, as soon as his brothers were silent; “hush! do not you hear a great cracking and noise the other side of the yard? I am quite sure that the stables are on fire. Had not we better all go and help to put it out directly?”

“Nonsense and stuff, you foolish little fellow!” exclaimed his mother; “you are always fancying something or other is the matter, and wanting to poke your nose into things that don’t concern you. I cannot hear any noise at all, and I beg you will be quiet, and let me go to sleep again.”

Page 6.

The little pig did not dare answer his mother, so he lay quite still for a minute or two, hoping that he should hear the same noise again. And presently he did hear it, louder than before, and there could be no doubt that more than usual was going on about the premises. He looked round to see what his mother would say now; but she had fallen fast asleep again, and two or three of his brothers were snoring very loud. His little brother Fatsides was lying close to him, and Wilful thought by the twinkling of his eyes that he was not really asleep; so he gave him a kick, and said in a very low voice, for fear his mother should hear him, “Fatsides, Fatsides, do you hear? there is that strange noise come back that I heard before. Do just listen. What can it be?”

“Oh, I dare say it is nothing but the horses in the stable, or that wretched old Hector rattling his everlasting chain,” answered Fatsides. “You know the other night when you woke us all up it turned out to be nothing but Buttercup rubbing her horns against the crib.”

“Ah, very likely,” interrupted Wilful; “but this is a very different thing. There, just hear that strange popping sound; depend upon it, either the stables are on fire, or there are a number of those frightful great blue butchers killing and carrying off all the cows. I am determined, at any rate, that I will go and see what is the matter.”

“Oh, pray do not go!” exclaimed little Fatsides. “How do you know that one of the great blue butchers may not get hold of you and carry you off?”

“I should like to see them!” said Wilful. “No, no; I have lived long enough in the world to be wiser than that, too. The blue butchers will never catch me, I can tell you; clever as they think themselves, they will find that they have met with their match at last!”

“Well, I know you are very clever,” rejoined his brother, who was getting very sleepy, “and so I suppose you must have your own way. But I do not see how you are to get out, for you know Bob always shuts the door the last thing.”

“Ah, very likely,” said Wilful; “but the door does not fasten tight, and I can push it open with very little trouble whenever I like. The other morning, before any of you were awake, I went out to desire Cock-a-doodle not to crow so loud, because I thought it would disturb my mother, and nobody knew anything about it; and Cock-a-doodle, by the way, behaved so extremely ill that I have taken no notice of him ever since. Poor fellow! I suppose I must give him a kind word to-morrow; for my friend Miss Peck tells me that he seemed sadly out of spirits, and she was certain he was a good deal cut up about it, for she had seen him skulking behind the faggot pile all by himself, and though he pretended to be picking up an insect when he saw her, she was sure that he had really retired there to mourn over his misconduct. I wish that Miss Peck were here now, that I might have her opinion about this dreadful noise. It is really worse than ever. What do you think I had better do, Fatsides?”

But Fatsides made no answer; he had fallen asleep whilst Wilful was talking, and all the others were snoring away as happily as possible. Wilful saw it was of no use to try to make any of them go out with him into the yard; and to go out he was determined, come what would of it, for he had one of those inquisitive and restless dispositions that cannot be satisfied without prying into everything. He lay quite still, however, for a minute or two, to make sure of his mother’s being asleep; and then rustling carefully through the straw, he pushed hard against the door of the sty, which opened suddenly with such a loud creak as made the old sow give a great grunt, and half open one of her eyes. Wilful himself nearly jumped out of his skin, but recovering himself directly, he set off and ran as fast as he could along one side of the yard, without thinking where he was going, till he was stopped by coming against some great rough thing that lay in his way. The stars were shining brightly up in the sky, and by their light Wilful could just see that it was Jack, the old donkey, who was stretched out on the straw close to the cart-shed, dozing away an hour or two to shorten the night. He opened his eyes when Wilful ran up against him, and asked rather drowsily what was the matter.

“My dear Sir,” said Wilful, “is it possible that you have been lying quietly here whilst such dreadful things are going on about the premises?”

“What things?” said Jack, opening his eyes rather wider.

“What things?” rejoined Wilful; “why, all this shooting, and stabbing, and burning, and butchering, that has been carrying on here ever since night-fall.”

“Carrying on where?” exclaimed Jack, who was completely puzzled and amazed at Wilful’s way of talking.

Now if there was any one creature in the world that Wilful had the least respect for, it was old Jack, who was indeed universally looked up to, and held to be a very knowing old fellow; but this proud young pig now quite lost his temper at what he thought Jack’s slowness and stupidity. He answered him, I am sorry to say, in a very impertinent manner, and ended by telling him that, though he was so much older, a clever young fellow like himself was worth two of him; and Miss Peck said one day, that if, she knew who, were not a donkey, he never would have worn those frightful long ears all his life!

Old Jack half shut up his eyes again, and took no more notice of this speech than by smiling contemptuously.

“I tell you what, old gentleman,” said Wilful, in a great rage, “I thought it my duty to come and tell you, as an old friend, that you will certainly be killed before to-morrow morning; but as you do not care about it, I shall go and tell the blue butchers that you are ready to be made nasty pork of immediately.”

Jack was very sleepy, but the idea of his becoming pork tickled his fancy so much, that he lifted up his head and laughed aloud. The sight of his great teeth glimmering in the starlight enraged Wilful more than ever, and seeing that nothing he said made the least impression, he scampered off, without another word, as fast as his legs could carry him. What to do next he could not determine; the great noise that he had heard seemed to have died away, and it had just crossed his mind whether it would not be better to go home again, when there came a tremendous cracking sound in the air above him, and something as bright as fire fell close to his feet, hissed along the ground for a second or two, and then disappeared.

“Goodness gracious!” exclaimed Wilful as soon as he had recovered his breath and his senses—for he was completely scared at first; “goodness gracious! as sure as I’m alive, the stars are all falling out of the sky. Something must be done directly; somebody must go and tell the Queen. Where is Miss Peck? I must speak to her first, and then I shall set off to the Queen’s house immediately.”

Page 16.

So saying, Wilful made the best of his way across the yard towards the hen-house, and succeeded after some time in finding the little sliding door, which, unfortunately, was shut. There was an open grating above, Wilful knew, but he could not reach it, so he had nothing for it but to scratch the door gently, and call Miss Peck as loud as he dared, without disturbing Cock-a-doodle. Now Miss Peck, luckily for Wilful, seldom slept well. She was subject to spasms in her left leg, which made her restless, and was besides apt to fancy that somebody else had got a warmer corner than she had, so that she was continually shifting her place.

Not seldom, indeed, the families who lodged on the lower perch were upset and terrified in the middle of the night by something coming flapping and tumbling over them, which turned out to be Miss Peck, who was “really very sorry to be any annoyance to them, but what with the chills which ran over her on account of her sleeping-place being so particularly exposed to draughts, and what with the incessant spasms in her poor left leg, she could not support herself a moment longer, if she died for it.” These accidents, of course, did not make Miss Peck a popular character; and at last a general agreement was made, that the next time Miss Peck fell off her perch, she should not be allowed to come up again, but should be kept on the hen-house floor all the night. Cock-a-doodle was at the bottom of this plot against the unfortunate Peck, and it was no great wonder that he wished to oblige her to turn over a new leaf; for whenever she fell off her sleeping-place, she always found herself too weak to get up again without assistance, and would never trust anyone to help her but her “dear friend Cock-a-doodle,” who was obliged to do it for peace and quietness’ sake.

Now it happened on the very night of which we are speaking, that Miss Peck had gone to bed in particularly ill-humour; for just as they were all entering the hen-house that afternoon, Cock-a-doodle had chosen to help that flaunting young creature, Miss Spangle, up the hen-house stairs instead of herself, though she had complained of a violent spasm just a moment before. Miss Peck therefore, being, as I have said, very much out of sorts, sat upon her perch with one eye shut, and the other scowling down upon Miss Spangle, who slept just beneath her; and her sufferings from cramp and chills were so uncommonly acute, that she could obtain no ease except by continually twitching her legs up and down, flapping her wings, shaking herself violently, and making a very unpleasant noise in her throat, as if she were choking. No one taking any notice of this uncomfortable state, though the slumbers of several of the neighbours were very much disturbed in consequence, Miss Peck grew more and more restless and spiteful; and seeing Miss Spangle in the full enjoyment of a delightful nap, she flung herself suddenly down upon her with such force as to push her off the perch, and send her rolling on the hen-house door. Miss Peck herself, though she tried hard to keep her balance, fell over on her back, and screamed violently, which woke Cock-a-doodle, who, of course, insisted on knowing what was the matter.

Page 21.

“Oh, it is only Peck in her spasms,” croaked out two or three sleepy old hens.

“No, no, it is me,” cried poor Spangle from the ground; “Miss Peck has thrown me off my perch, and broken my head all over.”

Cock-a-doodle’s indignation on hearing this is not to be told. He flew down instantly from the upper storey where he lodged, would not listen to one word Miss Peck had to say, in spite of her groans and lamentations, and examined Spangle’s head with the greatest kindness and attention. It was found to be not at all seriously injured, so Cock-a-doodle said he would assist her up-stairs again with the greatest pleasure, but that Peck should remain where she was all night, and if she attempted to disobey him he would come down and punish her severely. Miss Peck screamed, protested, said it was all Spangle’s fault, that Cock-a-doodle did not behave like a gentleman, that both her legs were broken, and that she hoped he would come to be hung, as she knew many of his family had been before him.

“Hold your tongue,” cried Cock-a-doodle at last, after she had been going on in this way for some time; “you have hindered me so long by your nonsense that it is just crowing-time again.” So he shouted out cock-a-doodle-doo as loud as he could, and then putting his head under his wing, composed himself to sleep again, as if nothing had been the matter.

In the meantime Miss Peck stood muttering on one leg in a corner of the hen-house, and thinking how she should be revenged, when she heard a low rap-tap-tap at the door. She took no notice of it at first, being too full of her own troubles to attend to anything else; but very soon it was repeated, and on her hobbling rather nearer to the door, and turning her head a little on one side to listen the better, she distinctly heard her own name repeated two or three times in a very low voice on the outside. Miss Peck, though “all of a tremble,” as she said herself afterwards, had sufficient presence of mind just to look up, and make sure that Cock-a-doodle and all the others were asleep, before she answered, in as sweet a tone as possible,

“Who’s there? Who wants the unfortunate Peck?”

“It is me,” cried our friend Wilful, delighted to find that Miss Peck was awake: “open the door immediately, my dearest Miss Peck, for I want to speak to you on business of great importance.”

“To me, dear Mr. Wilful?” replied Peck, with great satisfaction; “I’m sure I shall be most happy to assist you with my poor opinion or services in any way that I can, but as to opening the door, my dear Mr. Wilful, I could not do it if I were to try ever so much; but if you would just try to lift it up a little yourself, my dear Mr. Wilful, I could soon squeeze myself out, being, as you know, quite slender; and then you know we could converse together very pleasantly, and there would be no danger of our being interrupted by Cock-a-doodle, who is always waking up for those foolish crows of his, which he is particular about, as if anybody in the world cared whether he crowed or not. He says that his family have always crowed exactly in the same way for hundreds of years; and it was awful to see the rage he was in with that scamp, young Strutaway, a few nights ago, because he said that he crowed out of time; but if Strutaway never did anything worse than that, it would not much signify, in my opinion, for I think it is very shocking to see clever young people going on doing all the silly old things that were done, for want of knowing better, before their time. As for Cock-a-doodle, I look upon him as little better than a lunatic, and a spiteful, domineering, barbarous old tyrant into the bargain.”

Here Miss Peck was interrupted by seeing a little bit of Wilful’s nose pushed in under the door; for whilst she had been chattering he had been scraping and scraping till he had succeeded in moving it, and now he thought that if Miss Peck would try, she could get put of the hen-house, for he was in a great hurry to tell her of his discovery. So Miss Peck did try, and after a great deal of squeezing, and scrambling, and pushing, and choking, she found herself safe on the outside, with very rumpled feathers, but in great triumph at the thought of being safe out of Cock-a-doodle’s clutches.

Wilful lost not a moment in telling her his wonderful news; and when she had heard it, Miss Peck quite agreed with him that the only step to be taken was, if possible, instantly to inform the Queen; “and if a messenger is wanted, you know Mr. Wilful,” she added, “that I am ready always to devote my poor services to the good of the public without looking for any reward, which, indeed, in this wicked world, so full of selfish Cock-a-doodles, and all kinds of malice and hatred, one would certainly look for in vain.”

“Very true, indeed, my dear Miss Peck,” interrupted Wilful, who, being fond of talking himself, was always very impatient of Miss Peck’s discourses; “very true, indeed; but allow me to hint that it is not quite the thing for a young person like yourself to be travelling about the world alone; but, as I have made up my own mind to start immediately, without waiting till my mother and all the old people here are awake, I was going to propose that you should accompany me; and then, you know, I should have the pleasure of your society on the road, and you could give the weight of your respectable authority to the account which it is my duty to lay before her gracious majesty the Queen.”

Page 29.

To this Miss Peck making no objection, but on the contrary, expressing herself to be extremely pleased with the arrangement, they set off that instant across the yard, down the meadow, and into the lane, without meeting with any difficulty or hinderance, only that Wilful ran so fast, that Miss Peck had a hard matter to keep up with him, and would have ventured to say as much if it had been anyone else; but Wilful was such a touchy gentleman, she knew he would not bear to be found fault with. However, in the lane they came to a standstill immediately, from not being agreed as to which was the right way to turn, Wilful maintaining that the way to the left led to the Queen’s house, and Miss Peck being equally positive that they ought to go to the right.

“Really, Miss Peck,” said the former, “I do wonder at a person of your talent being so uncommonly silly. Do not you know that all the blue butchers live down the lane to the right; and is it likely that the Queen’s house would be anywhere in that part of the country?”

“Oh! as for that,” replied Miss Peck, very sharply, “I do not pretend to know in what part of the country such vulgar low creatures as blue butchers may live, whatever you may do; but I am quite certain that her most gracious majesty lives down the lane to the right, and therefore to the right, begging your pardon, I shall certainly go.”

“Then you may go by yourself, and joy go with you, you conceited, obstinate, ridiculous old goose,” said Wilful, who in his anger quite forgot all his politeness; and without a word more, they parted, he running off as fast as he could down the lane to the left, and Miss Peck taking the opposite direction. What her adventures were may possibly be told some other time; his, I grieve to say, soon came to a very sad end.

He had travelled but a little way before he was stopped and accosted by someone whom he did not know, and of whom, in the uncertain light, he could see little but the shining of two round bright eyes, which looked somewhat fierce and dangerous. The stranger’s manner, however, was civil; he apologized for stopping Wilful, and asked, in a voice of extreme politeness, “where he was going?” “I am going,” said Wilful, plucking up his spirits at the thought of his own importance, and encouraged by the stranger’s mode of addressing him, “I am going to tell the Queen that the stars are all falling out of the sky.”

“Indeed,” said his new acquaintance, with a gesture of strong surprise. “If that is the case, I think I can be of service to you, for it happens that her most gracious majesty is now on a visit to me, and if you will do me the honour of allowing me to conduct you to my house, which is not far off, you can tell her this extraordinary and important news immediately.”

Wilful was but a young pig, and had very little knowledge of the world. If he had been older and wiser, he would have distrusted the sincerity of Mr. Brush, for that was the stranger’s name; but, as it was, he was quite taken in by his respectful politeness, and consented to accompany him with the greatest alacrity.

Page 33.

Away, therefore, they went together, at a great pace, over fields and through hedges and ditches, till they got into a great wood so thick and tangled, that Wilful found it very unpleasant travelling, and begged his companion to go a little slower.

“My dear Sir,” said the latter, “I have the pleasure to tell you that we are just arrived. Here is my house; pray walk in: the Queen will be delighted to see you.”

Poor Wilful was dumb with astonishment. He could see nothing but a dark-looking hole, under the roots of some hazel-trees, which grew on a little ridge of earth just above him; and how the Queen could possibly get in there, he could not imagine. A shudder passed over him, as the suspicion of his new friend’s treachery darted into his mind, and in an agony of terror he crept into the hole without speaking a word.

It need scarcely be added, that the Queen never received the message, and that the unfortunate messenger was never seen again. His afflicted mother, when she missed him, very early the next morning, could learn no news of him anywhere; and old Jack, whom of course she consulted in her trouble, was but a poor comforter, for he only shook his head, and said, in a very solemn manner, that he “always thought young Master Wilful would come to no good.”

It is to be hoped that all such silly little people as fancy themselves wiser than their elders and betters, may learn to correct themselves of such a proud and evil spirit, or we may be sure that cleverer heads than old Jack’s may safely prophesy of them that they will come to no good.

L.

John and Charles Mozley, Printers, Derby.

TRANSCRIBER’S NOTE:

Obvious typographical errors have been corrected.

*** END OF THE PROJECT GUTENBERG EBOOK THE CONCEITED PIG ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- THE CONCEITED PIG.

- THE FULL PROJECT GUTENBERG LICENSE